Explore the vast range of titles available.

Grounded in intersectional feminist interpretive frameworks, Women's Restorative Medievalismsexamines how contemporary women writers engage the premodern past to animate intertwined histories of oppression and resistance in service of visionary futures.

From King Arthur and Robin Hood, through to video games and jousting-themed restaurants, medieval culture continues to surround us and has retained a strong influence on literature and culture throughout the ages. This fascinating and illuminating guide is written by two of the leading contemporary scholars of medieval literature, and explores: The influence of medieval cultural concepts on literature and film, including key authors such as Shakespeare, Tennyson, and Mark Twain The continued appeal of medieval cultural figures such as Dante, King Arthur, and Robin Hood The influence of the medieval on such varied disciplines such as politics, music, children's literature, and art. Contemporary efforts to relive the Middle Ages. Medievalisms: Making the Past in the Present surveys the critical field and sets the boundaries for future study, providing an essential background for literary study from the medieval period through to the twenty-first century.

This is the first volume fully dedicated to Iberoamerican neomedievalisms. It examines “the Middle Ages\" and its uses in Iberoamerica: the Spanish and Portuguese American postcolonies. It is an especially timely topic as scholars in neomedievalism studies become increasingly conscious that the field has different trajectories outside Europe and beyond the English-speaking world. The collection provides needed alternatives to the by-now standardized understanding of neomedievalism as allied to nationalism, nostalgia, xenophobia, origin stories, elitism, and white Christian identity. It dislocates the field from its established trends and finds generative, yet unexplored examples of neomedievalism: political, religious, literary, and gendered. The volume will be of interest to established scholars of neomedievalism studies, to scholars of Latin America, and to the new and growing generation of students and colleagues interested in truly global neomedievalist studies.

This book traces the history of encounter between Eastern and Western cultures by closely examining a body of medieval travel writings penned or related by Europeans and by inhabitants of East Asia. Whilst these texts are usually considered in the context of kindred European or Chinese literature, this study will make a case for considering them as a common literature of medieval encounters with foreign people. For the modern historian writing in a world that so consciously thinks of itself as 'global', these accounts offer a precious lens through which to enter into the world before globalization. In particular, the book shows that these narratives show the similarity in how Eastern and Western travellers thought and behaved in the face of difference, and will show that individuals often held somewhat different views, shaped by their particular experience or agendas, than those of their government or of local cultural convention.

Since the inclusion of medieval studies in the modern academy, professional scholars have insisted on distinguishing their work from extra-academic lovers of medieval culture. Richard Utz surveys how scholars' exteriorization of amateur interest in the medieval past narrowed the epistemological range of medieval scholarship and how reception studies, feminism, and postmodernism gradually expanded approaches to the Middle Ages. His manifesto advocates an integration of academic medievalists' work within the equally valuable artistic and sociopolitical contexts of reading the medieval past.

This is the first volume fully dedicated to Iberoamerican neomedievalisms. It examines 'The Middle Ages' and its uses in Iberoamerica: the Spanish and Portuguese American postcolonies. It is an especially timely topic as scholars in neomedievalism studies become increasingly conscious that the field has different trajectories outside Europe and beyond the English-speaking world. The collection provides needed alternatives to the by-now standardized understanding of neomedievalism as allied to nationalism, nostalgia, xenophobia, origin stories, elitism, and white Christian identity. It dislocates the field from its established trends and finds generative, yet unexplored examples of neomedievalism: political, religious, literary, and gendered. The volume will be of interest to established scholars of neomedievalism studies, to scholars of Latin America, and to the new and growing generation of students and colleagues interested in truly global neomedievalist studies.

This book is called a manifesto because it has an unapologetically political objective. Richard Utz wants to help reform the way we think about and practise our academic engagement with medieval culture, and he uses his own observations as a medievalist and medievalism-ist over the last 25 years to offer ways in which we might reconnect with the general public that has allowed us to become, since the late nineteenth century, a rather exclusive clan of specialists who communicate mostly with each other.