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"Melancholy."
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Robert Burton’s Rhetoric
Published in five editions between 1621 and 1651, The Anatomy of Melancholy marks a unique moment in the development of disciplines, when fields of knowledge were distinct but not yet restrictive. In Robert Burton’s Rhetoric , Susan Wells analyzes the Anatomy , demonstrating how its early modern practices of knowledge and persuasion can offer a model for transdisciplinary scholarship today.
In the first decades of the seventeenth century, Robert Burton attempted to gather all the existing knowledge about melancholy, drawing from professional discourses including theology, medicine, and philology as well as the emerging sciences. Examining this text through a rhetorical lens, Wells provides an account of these disciplinary exchanges in all their subtle variety and abundant wit, showing that questions of how knowledge is organized and how it is made persuasive are central to rhetorical theory. Ultimately, Wells argues that in addition to a book about melancholy, Burton’s Anatomy is a meditation on knowledge.
A fresh interpretation of The Anatomy of Melancholy , this volume will be welcomed by scholars of early modern English and the rhetorics of health and medicine, as well as those interested in transdisciplinary work and rhetorical theory.
eBook
The Influence of Art Expertise and Training on Emotion and Preference Ratings for Representational and Abstract Artworks
Across cultures and throughout recorded history, humans have produced visual art. This raises the question of why people report such an emotional response to artworks and find some works more beautiful or compelling than others. In the current study we investigated the interplay between art expertise, and emotional and preference judgments. Sixty participants (40 novices, 20 art experts) rated a set of 150 abstract artworks and portraits during two occasions: in a laboratory setting and in a museum. Before commencing their second session, half of the art novices received a brief training on stylistic and art historical aspects of abstract art and portraiture. Results showed that art experts rated the artworks higher than novices on aesthetic facets (beauty and wanting), but no group differences were observed on affective evaluations (valence and arousal). The training session made a small effect on ratings of preference compared to the non-trained group of novices. Overall, these findings are consistent with the idea that affective components of art appreciation are less driven by expertise and largely consistent across observers, while more cognitive aspects of aesthetic viewing depend on viewer characteristics such as art expertise.
Journal Article
Art between Fetishism and Melancholy in Adorno’s Aesthetic Theory Authors
The article explores Adorno’s understanding of fetishism and melancholy as immanent to the artwork’s autonomous structure. In order to understand the relation between them, the Freudian understanding of fetishism and melancholy has to be considered along with the more explicit reference to the Marxist concept of commodity fetishism. Analysing the implications of Adorno’s claim that commodity fetishism is at the origin of artistic autonomy, the article shows how it should be understood not only as a materialist demystification but also as a reaffirmation of art’s apparent self-sufficiency and its capacity to resist the commodification of society. Nevertheless—the article claims—thas this is only possible if art’s fetishism is dialectically opposed to its melancholy, through which art establishes a relation to the heterogeneous element of the lost object produced by its autonomous form.
Journal Article
Divine hiddenness, the melancholic self, and a pandemic spirituality
The COVID-19 pandemic has disrupted societies worldwide and occasioned intense intellectual reflection to make sense of the phenomenon. The state of insecurity has become a new horizon for doing Christian theology, and the new experience makes it inevitable that the spiritual implications be explored. The article attempts to undertake constructive spirituality for a specific historic moment, and to enquire about the contours of a pandemic spirituality. The disciplinary contribution is to be found in the threefold effort to propose a specific naming of God, discern a unique self-understanding, and intimate corresponding practices. Central notions such as hiddenness of God, melancholic self, and practices of everyday life, of lament and of othering are employed coherently to delineate a contextual pandemic spirituality. A multidisciplinary approach is used to interpret these constituent elements.
Journal Article