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In the middle of this century's first decade, \"bromance\" emerged as a term denoting an emotionally intense bond between straight men. Yet bromance requires an expression of intimacy that always toys with being coded as something other than \"straight\" male behavior, even as it insists that such intimacy must never be misinterpreted. In Reading the Bromance: Homosocial Relationships in Film and Television, editor Michael DeAngelis has compiled a diverse group of essays that address the rise of this tricky phenomenon and explore the social and cultural functions it serves. Contributors consider selected contemporary film and television texts, as well as the genres that historically inspired them, in order to explore what needs bromance attempts to fulfill in relationships between men—straight or otherwise. Essays analyze films ranging from I Love You, Man to Superbad, Humpday, I Now Pronounce You Chuck and Larry, The Hangover, and the Jackass films, and include studies of representative examples in international cinema such as Y tu mama tambien and classic and contemporary films of the Bollywood genre. The volume also examines the increasingly prevalent appearance of the bromance phenomenon in television narratives, from the \"male bonding\" rituals of Friends and Seinfeld to more recent manifestations in House, The Wire, and the MTV reality series Bromance. From historical analysis to discourse analysis, sociological analysis, and queer theory, this volume provides a broad range of methodological and theoretical approaches to the phenomenon in the first booklength study of the bromance genre. Film and television scholars as well as readers interested in pop culture and queer studies will enjoy the insights of Reading the Bromance.

An introduction to the key debates concerning the representation of masculinities in contemporary television programming.

This fascinating documentary includes interviews with award-winning veteran actor Mako, actors Cary-Hiroyuki Tagawa, James Shigeta, Dustin Nguyen, Phillip Rhee, Tzi Ma, Jason Scott Lee, comedian Bobby Lee, producer Terence Chang and casting director Heidi Levitt. The film contains more than 50 film clips depicting Asian American male characters from Hollywood films spanning almost a century.

As rich and complex as The Sopranos or The Wire, Mad Men demands a critical look at its narrative and characters as representative of both the period it depicts and of our memories and assumptions of the period. Mad Men, Women, and Children: Essays on Gender and Generation, edited by Heather Marcovitch and Nancy Batty, focuses on women and children, two groups that are not only identified together in this period (women characters in this show are often treated as coddled children and the children look to their parents as models of adult behaviors) but are also two groups who are beginning to gain political and social rights in this period. The connections between the women of Mad Men, early second-wave feminism, and contemporary third-wave feminism and post-feminism invite discussion in nearly every episode. These characters are further contextualized in light of historical figures and events, from the death of Marilyn Monroe and the assassination of Kennedy to the March on Washington and the bohemian counterculture. Moreover, the points of view of the children, who are now adult viewers of Mad Men, bridge the 1960s to the social and cultural concerns of today. Mad Men, Women, and Children presents an examination of these characters and issues in light of 1960s feminist writers such as Betty Friedan and popular writers such as Helen Gurley Brown, of historical events like the Civil Rights Movement and the Women’s Liberation Movement, and as lenses through which to view the sensibilities of the early 1960s.

Mad Men Carouselis an episode-by-episode guide to all seven seasons of AMC's Mad Men.This book collects TV and movie critic Matt Zoller Seitz's celebratedMad Menrecaps-as featured on New York magazine's Vulture blog-for the first time, includingnever-before-published essayson the show's first three seasons. Seitz's writing digs deep into the show's themes, performances, and filmmaking, examining complex and sometimes confounding aspects of the series.The complete series-a llseven seasons and ninety-two episodes-is covered.  Each episode review also includes brief explanations of locations, events, consumer products, and scientific advancements that are important to the characters, such as P.J. Clarke's restaurant and the old Penn Station; the inventions of the birth control pill, the Xerox machine, and the Apollo Lunar Module; the release of the Beatles'Revolverand the Beach Boys'Pet Sounds; and all the wars, protests, assassinations, and murders that cast a bloody pall over a chaotic decade.    Mad Men Carouselis named after an iconic moment from the show's first-season finale, \"The Wheel,\" wherein Don delivers an unforgettable pitch for a new slide projector that's centered on the idea of nostalgia: \"the pain from an old wound.\"This book will soothe the most ardentMad Menfan's nostalgia for the show.New viewers, who will want to binge-watch their way through one of the most popular TV shows in recent memory, will discovera spoiler-friendly companionto one of the most multilayered and mercurial TV shows of all time.  It's the perfect gift forMad Men fans and obsessives. Also available from Matt Zoller Seitz:The Oliver Stone Experience,The Wes Anderson Collection: Bad Dads,The Wes Anderson Collection: The Grand Budapest Hotel , and The Wes Anderson Collection. 

This study uses critical discourse analysis to conduct an examination of the reality television program Queer Eye. The goal is to help understand the manner in which the representations of queer culture in the show reinforce the binaries of sex, gender an.

Never before has period drama offered viewers such an assortment of complex male characters, from transported felons and syphilitic detectives to shell shocked soldiers and gangland criminals. Neo-Victorian Gothic fictions like Penny Dreadful represent masculinity at its darkest, Poldark and Outlander have refashioned the romantic hero and anti-heritage series like Peaky Blinders portray masculinity in crisis, at moments when the patriarchy was being bombarded by forces like World War I, the rise of first wave feminism and the breakdown of Empire. Scholars of film, media, literature and history explore the very different types of maleness offered by contemporary television and show how the intersection of class, race, history and masculinity in period dramas has come to hold such broad appeal to twenty-first-century audiences.

Our understanding of history is often mediated by popular culture, and television series set in the past have provided some of our most indelible images of previous times. Yet such historical television programs always reveal just as much about the era in which they are produced as the era in which they are set; there are few more quintessentially late-90s shows than That '70s Show, for example.  From Memory to History takes readers on a journey through over fifty years of historical dramas and sitcoms that were set in earlier decades of the twentieth century. Along the way, it explores how comedies like M*A*S*H and Hogan's Heroes offered veiled commentary on the Vietnam War, how dramas ranging like Mad Men echoed current economic concerns, and how The Americans and Halt and Catch Fire used the Cold War and the rise of the internet to reflect upon the present day. Cultural critic Jim Cullen is lively, informative, and incisive, and this book will help readers look at past times, present times, and prime time in a new light.

From the opening credits that feature a silhouette falling among skyscrapers, Mad Men transcended its role as a series about the Madison Avenue advertising industry to become a modern classic. For seven seasons, Mad Men asked viewers to contemplate the 1960s anew, reassessing the tumultuous era’s stance on women’s rights, race, war, politics, and family relationships that comprise the American Dream. Set in the heart of the twentieth century, the show brought to light how deeply we still are connected to that age. The result is a show that continually asks us to rethink our own families, lives, work, and ethical beliefs as we strive for a better world. In Mad Men: A Cultural History, M. Keith Booker and Bob Batchelor offer an engaging analysis of the series, providing in-depth examinations of its many themes and nostalgic portrayals of the years from Camelot to Vietnam and beyond. Highly regarded cultural scholars and critics, Booker and Batchelor examine the show in its entirety, presenting readers with a deep but accessible exploration of the series, as well as look at its larger meanings and implications. This cultural history perspective reveals Mad Men’s critical importance as a TV series, as well as its role as a tool for helping viewers understand how they are shaped by history and culture. As a showcase in America’s new “golden age of television,” Mad Men reveals the deep hold history and nostalgia have on viewers, particularly when combined with stunning visuals and intricate writing and storylines. With this volume as their guide, readers will enjoy contemplating the show’s place among the most lauded popular culture touchstones of the twenty-first century. As it engages with ideas central to the American experience—from the evolution of gender roles to family dynamics and workplace relationships—Mad Men: A Cultural History brings to life the significance of this profound yet entertaining series.