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"Mexico Texcoco de Mora"
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The prince & the coyote
\"Fifteen-year old crown prince Acolmiztli wants nothing more than to see his city-state of Tetzcoco thrive. A singer, poet, and burgeoning philosophical mind, he has big plans about infrastructure projects and cultural initiatives that will bring honor to his family and help his people flourish. But the two sides of his family, the kingdoms of Mexico and Acolhuacan, have been at war his entire life - after his father risked the wrath of the Tepanec emperor to win his mother's love. When a power struggle leaves his father dead and his mother and siblings in exile, Acolmiztli must run for his life, seeking refuge in the wilderness. After a coyote helps him find his way in the wild, he takes on a new name - Nezahualcoyotl, or \"fasting coyote\" (\"Neza\" for short). Biding his time until he can form new alliances and reconnect with his family, Neza goes undercover, and falls in love with a commoner girl, Sekalli. Can Neza survive his plotting uncles' scheme to wipe out his line for good? Will the empire he dreams of in Tetzcoco ever come to life? And is he willing to risk the lives of those he loves in the process? This action-packed tale blends prose and poetry - including translations of surviving poems by Nezahualcoyotl himself, translated from classical Nahuatl by the author. And the book is packed with queer rep - queer love stories, and a thoughtful depiction of pre-Columbian understandings of gender that defy the contemporary Western gender binary.\"-- Provided by publisher.
Book
In the palace of Nezahualcoyotl : painting manuscripts, writing the pre-Hispanic past in early colonial period Tetzcoco, Mexico
Around 1542, descendants of the Aztec rulers of Mexico created accounts of the pre-Hispanic history of the city of Tetzcoco, Mexico, one of the imperial capitals of the Aztec Empire. Painted in iconic script (picture writing), the Codex Xolotl, the Quinatzin Map, and the Tlohtzin Map appear to retain and emphasize both pre-Hispanic content and also pre-Hispanic form, despite being produced almost a generation after the Aztecs surrendered to Hernn Corts in 1521. Yet, as this pioneering study makes plain, the reality is far more complex. Eduardo de J. Douglas offers a detailed critical analysis and historical contextualization of the manuscripts to argue that colonial economic, political, and social concerns affected both the content of the three Tetzcocan pictorial histories and their archaizing pictorial form. As documents composed by indigenous people to assert their standing as legitimate heirs of the Aztec rulers as well as loyal subjects of the Spanish Crown and good Catholics, the Tetzcocan manuscripts qualify as subtle yet shrewd negotiations between indigenous and Spanish systems of signification and between indigenous and Spanish concepts of real property and political rights. By reading the Tetzcocan manuscripts as calculated responses to the changes and challenges posed by Spanish colonization and Christian evangelization, Douglass study significantly contributes to and expands upon the scholarship on central Mexican manuscript painting and recent critical investigations of art and political ideology in colonial Latin America.
eBook
The Allure of Nezahualcoyotl
Nezahualcoyotl (1402-1472), the poet-king of Texcoco, has been described as one of the most important pre-Hispanic figures in Nahua history. Since the conquest, European chroniclers have continually portrayed him as a symbol of Aztec civilization and culture, a wise governor and lawmaker, poet and patron of the arts, and proto-monotheist. Their chronicles have served as sources for anthropologists, historians, and literary critics who focus on these contrived images and continually reproduce the colonial propaganda on Nezahualcoyotl. This, as Jongsoo Lee argues, subsequently leads to a misrepresentation of the history, religion, literature, and politics of pre-Hispanic Mexico that are altered to support such images of Nezahualcoyotl.
Lee provides a new assessment of Nezahualcoyotl that critically examines original codices and poetry written in Nahuatl alongside Spanish chronicles in an effort to paint a more realistic portrait of the legendary Aztec figure. Urging scholars away from sources that reinforce a Judeo-Christian perspective of pre-Hispanic history, Lee offers a revision of the colonial images of Nahua history and culture that have continued over the last five hundred years.
eBook