Explore the vast range of titles available.

The late seventh-century introduction of silver coinage marked a transformation in the economy of north-west Europe, yet the source(s) of the silver bullion behind this change remains uncertain. Here, the authors use combined lead isotope and trace element analysis of 49 coins from England, Frisia and Francia to provide new insights into north-European silver sources during the ‘long eighth century’ (c. AD 660–820). The results indicate an early reliance on recycled Byzantine silver plate, followed by a shift c. AD 750 to newly mined metal from Francia. This change indicates the strong role of the Carolingian state in the control of metal sources and economic structures across the North Sea zone.

The question of the relationship between the Armenian and Byzantine churches has always interested researchers, often becoming a problem of study. Since the chosen problem concerns not only the mentioned churches but was also a fierce problem of the entire Christian world in the context of the debate between the supporters of Monophysitism and Dyophysitism, we set ourselves the goal of studying the issue in this context within the framework of the end of the 9th century and in the 10th century, when particularly important development took place. One of the main results of the article is that despite the accepted opinion that the Armenian Church has always insisted on its confession, based on political considerations, the Armenian political and religious leaders sometimes expressed readiness for a church union with Byzantium. The main method of this article is the genetic method, with the help of which the origin, sequence of events, and patterns of development of the phenomenon under research are studied.

In recent years, there has been a growing interest in analyzing the manufacturing techniques of Byzantine church doors in laboratory settings. However, the connection between the iconography and significance of the décor of church doors and their liturgical performativity, as well as their parallels with iconostases in Byzantium, remained a relatively underexplored area of study. This article seeks to delve deeper into these intersections. By focusing on the relationship between the iconography of church doors in Middle to Late Byzantium and their connection to the sacred space and liturgical practices, I aim to shed light on how these artworks played a crucial role in the sacred experience of the Byzantines. This exploration will not highlight only the aesthetic evolution of church door artwork but also emphasize the communal and embodied nature of the religious experience during the Byzantine era. Their intricate designs were not merely decorative elements but served as portals to the divine, enriching the salvation journey of worshippers as they crossed the threshold into the liturgical spaces. By conducting an examination of the development of door iconography and their symbolism throughout the empire’s history, the transformation of narrative depictions from the Middle Byzantine era to the Palaiologan period, culminating in a convergence of symbolic meanings within the sacred space of the church, is delineated. This transformation is further exemplified by a sculpted church door from the Principality of Wallachia. By bridging the gap between art history and religious studies, this article aims to rekindle interest in the profound symbolism and significance of Byzantine church doors and their relation to sacred liturgical space, offering a broader perspective on an important aspect of Byzantine heritage.