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"Middle English literature"
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Opening up Middle English manuscripts : literary and visual approaches
\"This deeply informed and lavishly illustrated book is a comprehensive introduction to the modern study of Middle English manuscripts. It is intended for students and scholars who are familiar with some of the major Middle English literary works, such as The Canterbury Tales, Gawain and the Green Knight, Piers Plowman, and the romances, mystical works or cycle plays, but who may not know much about the surviving manuscripts. The book approaches these texts in a way that takes into account the whole manuscript or codex--its textual and visual contents, physical state, readership, and cultural history. Opening Up Middle English Manuscripts also explores the function of illustrations in fashioning audience response to particular authors and their texts over the course of the fourteenth and fifteenth centuries.\"--Publisher's website.
Animal Encounters
2012,2013
Traces of the living animal run across the entire corpus of medieval writing and reveal how pervasively animals mattered in medieval thought and practice. In fascinating scenes of cross-species encounters, a raven offers St. Cuthbert a lump of lard that waterproofs his visitors' boots for a whole year, a scholar finds inspiration for his studies in his cat's perfect focus on killing mice, and a dispossessed knight wins back his heritage only to give it up again in order to save the life of his warhorse. Readers have often taken such encounters to be merely figurative or fanciful, but Susan Crane discovers that these scenes of interaction are firmly grounded in the intimate cohabitation with animals that characterized every medieval milieu from palace to village. The animal encounters of medieval literature reveal their full meaning only when we recover the living animal's place within the written animal.The grip of a certain humanism was strong in medieval Britain, as it is today: the humanism that conceives animals in diametrical opposition to humankind. Yet medieval writing was far from univocal in this regard. Latin and vernacular works abound in other ways of thinking about animals that invite the saint, the scholar, and the knight to explore how bodies and minds interpenetrate across species lines. Crane brings these other ways of thinking to light in her readings of the beast fable, the hunting treatise, the saint's life, the bestiary, and other genres. Her substantial contribution to the field of animal studies investigates how animals and people interact in culture making, how conceiving the animal is integral to conceiving the human, and how cross-species encounters transform both their animal and their human participants.
The Cambridge companion to Medieval English law and literature
Despite an unprecedented level of interest in the interaction between law and literature over the past two decades, readers have had no accessible introduction to this rich engagement in medieval and early Tudor England. The Cambridge Companion to Medieval English Law and Literature addresses this need by combining an authoritative guide through the bewildering maze of medieval law with concise examples illustrating how the law infiltrated literary texts during this period. Foundational chapters written by leading specialists in legal history prepare readers to be guided by noted literary scholars through unexpected conversations with the law found in numerous medieval texts, including major works by Chaucer, Langland, Gower, and Malory. Part I contains detailed introductions to legal concepts, practices and institutions in medieval England, and Part II covers medieval texts and authors whose verse and prose can be understood as engaging with the law.
The politics of Middle English parables
2018,2023
The politics of Middle English parables examines the
dynamic intersection of fiction, theology and social practice in
late-medieval England. Parables occupy a prominent place in Middle
English literature, appearing in dream visions and story
collections as well as in lives of Christ and devotional treatises.
While most scholarship approaches the translated stories as stable
vehicles of Christian teaching, this book highlights the many
variations and points of conflict across Middle English renditions
of the same story. In parables related to labour, social
inequality, charity and penance, the book locates a creative
theological discourse through which writers attempted to
re-construct Christian belief and practice. Analysis of these
diverse retellings reveals not what a given parable meant in a
definitive sense but rather how Middle English parables inscribe
the ideologies, power structures and cultural debates of
late-medieval Christianity.
The Texts and Contexts of Oxford, Bodleian Library, MS Laud Misc. 108
by
Bell, Kimberly K.
,
Couch, Julie Nelson
in
Bodleian Library. Manuscript. Laud misc. 108
,
English literature
,
English literature -- Middle English, 1100-1500 -- Criticism, Textual
2011,2010
This book serves as the essential companion to the late thirteenth-century, Middle English manuscript, Oxford, Bodleian Library, MS Laud Misc. 108. It marks a collaborative effort by scholars who investigate the codicological and contextual features of this manuscript's vernacular poems.
The Familiar Enemy
2009,2010
The Familiar Enemy re‐examines the linguistic, literary, and cultural identities of England and France within the context of the Hundred Years War. During this war, two highly intertwined peoples developed complex strategies for expressing their aggressively intimate relationship. The special connection between the English and the French has endured into the modern period as a model for Western nationhood. This book reassesses the concept of ‘nation’ in this period through a wide‐ranging discussion of writing produced in war, truce or exile from the thirteenth to the fifteenth century, concluding with reflections on the retrospective views of this time of war created by the trials of Jeanne d'Arc and by Shakespeare's Henry V. It considers works and authors writing in French, ‘Anglo‐Norman’, and in English, in England and on the continent, with attention to the tradition of comic Anglo‐French jargon (a kind of medieval franglais), to Machaut, Deschamps, Froissart, Chaucer, Gower, Charles d'Orléans and many lesser‐known or anonymous works. Chaucer traditionally has been seen as a quintessentially English author. This book argues that he needs to be resituated within the deeply francophone context, not only of England but the wider multilingual cultural geography of medieval Europe. It thus argues that a modern understanding of what ‘English’ might have meant in the fourteenth century cannot be separated from ‘French’, and that this has far‐reaching implications both for our understanding of English and the English, and of French and the French.
Imagining Robin Hood
by
Pollard, A. J.
in
Ballads, English
,
Ballads, English -- England -- History and criticism
,
British History
2004
A.J. Pollard takes us back to the earliest surviving stories, tales and ballads of Robin Hood, and re-examines the story of this fascinating figure. Setting out the economic, social and political context of the time, Pollard illuminates the legend of this yeoman hero and champion of justice as never before.
Imagining Robin Hood questions:
what a 'yeoman' was, and what it meant to be a fifteenth-century Englishman
Was Robin Hood hunted as an outlaw, or respected as an officially appointed forest ranger?
Why do we ignore the fact that this celebrated hero led a life of crime?
Did he actually steal from the rich and give to the poor?
Answering these questions, the book looks at how Robin Hood was 'all things to all men' since he first appeared; speaking to the gentry, the peasants and all those in between. The story of the freedom-loving outlaw tells us much about the English nation, but tracing back to the first stories reveals even more about the society in which the legend arose.
An enthralling read for all historians and general readers of this fascinating subject.