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"Minnesota"
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Making Minnesota Liberal
2002
In Making Minnesota Liberal, Jennifer A. Delton delves into the roots of Minnesota politics and traces the change from the regional, third-party, class-oriented politics of the Farmer-Labor party to the national, two-party, pluralistic liberalism of the Democratic-Farmer-Labor party (DFL). While others have examined how anticommunism and the Cold War shaped this transformation, Delton takes a new approach, showing the key roles played by antiracism and the civil rights movement. In telling this story, Delton contributes to our understanding not only of Minnesota’s political history but also of the relationship between antiracism and American politics in the twentieth century.
Campus with Purpose
2020,2021
\"When Stephen Lehmkuhle became the chancellor of the brand new University of Minnesota-Rochester campus, he had to start from scratch. He did not inherit a legacy mission that established what the campus did and how to do it; rather, he needed to find a way to rationalize the existence of the nascent campus. Lehmkuhle recognized that without a shared understanding of purpose the scope of a new campus expands at an unsustainable rate as it tries to be all things to all people, and so his first act was to decide on the driving purpose of the campus. He then used this purpose to make decisions about institutional design, scope, programs, and campus activities. Through personal and engaging anecdotes about his experience as the inaugural chancellor at the University of Minnesota-Rochester, Lehmkuhle describes how higher education leaders can focus on campus purpose to create new and fresh ways to think about many elements of campus operation and function, and how leaders can protect the campus's purpose from the pervasive higher education culture that is hardened by history and habit\"--. Contents: Preface -- The interview -- Why does the new campus exist? -- Building a campus with purpose : managing the past and the future -- Structure with purpose -- Buildings versus space -- Building and flying the plane at the same time -- What I learned about students and faculty -- Leading by purpose in higher education -- Closing comments -- Epilogue : purpose and innovation.
Emancipation's Diaspora
by
LESLIE A. SCHWALM
in
19th century
,
African Americans
,
African Americans -- Iowa -- History -- 19th century
2009,2014
Most studies of emancipation's consequences have focused on the South. Moving the discussion to the North, Leslie Schwalm enriches our understanding of the national impact of the transition from slavery to freedom.Emancipation's Diasporafollows the lives and experiences of thousands of men and women who liberated themselves from slavery, made their way to overwhelmingly white communities in Iowa, Minnesota, and Wisconsin, and worked to live in dignity as free women and men and as citizens.Schwalm explores the hotly contested politics of black enfranchisement as well as collisions over segregation, civil rights, and the more informal politics of race--including how slavery and emancipation would be remembered and commemorated. She examines how gender shaped the politics of race, and how gender relations were contested and negotiated within the black community. Based on extensive archival research,Emancipation's Diasporashows how in churches and schools, in voting booths and Masonic temples, in bustling cities and rural crossroads, black and white Midwesterners--women and men--shaped the local and national consequences of emancipation.
Peril in the Ponds
2012
Peril in the Ponds tells the story of a government biologist’s investigation into the mystery of deformed frogs, an epidemic that grew during the 1990s and continues today. It provides an inside view of a highly charged environmental issue that aroused the attention of the public and the media and sparked controversies among scientists, politicians, and government agencies. By the 1990s, wetlands across the United States were endangered from pollution and decades of drainage to convert them into farmland and urban developments. But when deformed frogs—many with missing legs or eyes, footless stumps, or misshapen jaws—began to emerge from Minnesota wetlands, alarm bells went off. What caused such deformities? Pollution? Ultraviolet rays? Biological agents? And could the mysterious cause also pose a threat to humans? Judy Helgen writes with passionate concern about vulnerable frogs and wetlands as she navigates through a maze of inquisitive media and a reluctant government agency. She reports on the complexity of a growing catastrophe for frogs and broadens the issue as she researches and meets with scientists from around the world. She affirms the importance of examining aquatic life to understand pollution and the need to rescue our remaining wetlands. She also shares the fears expressed by the teachers, students, and other citizens who found these creatures, sensed a problem, and looked to her for answers. Ultimately, this is a story about the biological beauty of wetlands and our need to pay attention to the environment around us.
Complicated fun : the birth of Minneapolis punk and indie rock, 1974-1984, an oral history
\"In the early 1970s, the Minneapolis music scene was no scene at all. Radio stations played Top 40 music; bars and clubs booked only rock cover bands and blues bands. Meanwhile, cities like New York, Detroit, and London were spawning fresh and innovative--and loud and raw--sounds by musicians creating a new punk and rock movement. A small but daring group of Twin Cities musicians, artists, entrepreneurs, and enthusiasts wanted a piece of that action. To do it, they had to build it themselves. Complicated Fun brings together the recollections of the men and women who built Minnesota's vibrant and vital indie rock scene. Through interviews with dozens of musicians, producers, managers, journalists, fans, and other scenesters, Cyn Collins chronicles the emergence of seminal bands like the Suicide Commandos, the Hypstrz, Curtiss A, Flamingo, the Suburbs, Hلeusker Dلeu, the Replacements, and more. The subjects reflect on the key role that Oar Folkjokeopus record store, Jay's Longhorn bar, and Twin/Tone Records played by providing outlets for hearing, performing, and recording these new sounds. Complicated Fun explores the influences, motivations, moments, and individuals that propelled Minneapolis to its status as a premier music scene and, in turn, inspired future generations of rockers\"--Publisher's website.
Before the Museums Came
2013
Before the Museums Came: A Social History of the Fine Arts in the Twin Cities gives an engaging portrayal of the fine arts scene of Minneapolis and St. Paul, Minnesota in the United States, spanning from the appearance of the earliest artists in 1835 to the opening of the first permanent museum, the Minneapolis Institute of Arts in 1915. Readers will learn about the institutions and organizations that were created in support of the fine arts, the early art exhibitions and events, and the collectors, dealers and artists whose efforts made all of that come to fruition. The text – enriched and supplemented by reproductions of artworks, photographs of various personages, exhibition venues, studios, art galleries, catalogues, and ephemera – presents a clear understanding of the period and breaks new ground for future scholars to research. Leo John Harris had pursued three different careers before retiring to follow yet another vocation, this time as a writer. He served in the U.S. Department of State and Foreign Service; he was an international lawyer; and he founded a niche publishing house devoted to books on the arts, history, and popularculture. In his retirement he has written articles and books on philately, the arts and regional history, and this passion has now resulted in a well-researched and richly illustrated publication.
Before the Museums Came: A Social History of the Fine Arts in the Twin Cities gives an engaging portrayal of the fine arts scene of Minneapolis and St. Paul, Minnesota in the United States, spanning from the appearance of the earliest artists in 1835 to the opening of the first permanent museum, the Minneapolis Institute of Arts in 1915. Readers will learn about the institutions and organizations that were created in support of the fine arts, the early art exhibitions and events, and the collectors, dealers and artists whose efforts made all of that come to fruition. The text – enriched and supplemented by reproductions of artworks, photographs of various personages, exhibition venues, studios, art galleries, catalogues, and ephemera – presents a clear understanding of the period and breaks new ground for future scholars to research. Leo John Harris had pursued three different careers before retiring to follow yet another vocation, this time as a writer. He served in the U.S. Department of State and Foreign Service; he was an international lawyer; and he founded a niche publishing house devoted to books on the arts, history, and popularculture. In his retirement he has written articles and books on philately, the arts and regional history, and this passion has now resulted in a well-researched and richly illustrated publication.