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This book argues that the theory of force elaborated in Immanuel Kant's aesthetics (and in particular, his theorization of the dynamic sublime) is of decisive importance to poetry in the nineteenth century and to the connection between poetry and philosophy over the last two centuries. Inspired by his deep engagement with the critical theory of Walter Benjamin, who especially developed this Kantian strain of thinking, Kevin McLaughlin uses this theory of force to illuminate the work of three of the most influential nineteenth-century writers in their respective national traditions: Friedrich Hölderlin, Charles Baudelaire, and Matthew Arnold. The result is a fine elucidation of Kantian theory and a fresh account of poetic language and its aesthetic, ethical, and political possibilities.

Over the last thirty years, more and more critics and scholars have come to recognize the importance of science to literature. 'Science in Modern Poetry: New Directions' is the first collection of essays to focus specifically on what poets in the twentieth and twenty-first centuries have made of the scientific developments going on around them. In a collection of twelve essays, leading experts on modern poetry and on literature and science explore how poets have used scientific language in their poems, how poetry can offer new perspectives on science, and how the 'Two Cultures' can and have come together in the work of poets from Britain and Ireland, America and Australia. What does the poetry of a leading immunologist and a Nobel-Prize-winning chemist tell us about how poetry can engage with science? Scientific experiments aim to yield knowledge, but what do the linguistic and formal experiments of contemporary American poets suggest about knowledge in their turn? How can universities help to bring these different experimental cultures and practices together? What questions do literary critics need to ask themselves when looking at poems that respond to science? How did developments in biology between the wars shape modernist poetry? What did William Empson make of science fiction, Ezra Pound of the fourth dimension, Thomas Hardy of anthropology? How did modern poets from W. B. Yeats to Elizabeth Bishop and Judith Wright respond to the legacy of Charles Darwin? This book aims to answer these questions and more, in the process setting out the state of the field and suggesting new directions and approaches for research by students and scholars working on the fertile relationship between science and poetry today.

Winner of the Montserrat Ordóñez Prize 2018 This book provides an original and exciting analysis of Colombian women's writing and its relationship to feminist history from the 1970s to the present. In a period in which questions surrounding women and gender are often sidelined in the academic arena, it argues that feminism has been an important and intrinsic part of contemporary Colombian history. Focusing on understudied literary and non-literary texts written by Colombian women, it traces the particularities of Colombian feminism, showing how it has been closely entwined with left-wing politics and the country's history of violence. This book therefore rethinks the place of feminism in Latin American history and its relationship to feminisms elsewhere, challenging many of the predominant critical paradigms used to understand Latin American literature and culture.

Badiou's Deleuze presents the first thorough analysis of one of the most significant encounters in contemporary thought: Alain Badiou's interpretation and rejection of the philosophy of Gilles Deleuze. Badiou's reading of Deleuze is largely laid out in his provocative book, Deleuze: The Clamor of Being. Badiou's Deleuze presents a detailed examination of Badiou's reading and argues that, while it fails to do justice to the Deleuzean project, it invites us to reconsider and reassess Deleuze's power to address the ultimate concerns of philosophy. Badiou's Deleuze analyses the differing metaphysics of two of the most influential recent continental philosophers, whose divergent views have helped shape much contemporary thought.

Representing a new generation of theorists reaffirming the radical dimensions of art, Gail Day launches a bold critique of late twentieth-century art theory and its often reductive analysis of cultural objects. Exploring core debates in discourses on art, from the New Left to theories of \"critical postmodernism\" and beyond, Day counters the belief that recent tendencies in art fail to be adequately critical. She also challenges the political inertia that results from these conclusions. Day organizes her defense around critics who have engaged substantively with emancipatory thought and social process: T. J. Clark, Manfredo Tafuri, Fredric Jameson, Benjamin H. D. Buchloh, and Hal Foster, among others. She maps the tension between radical dialectics and left nihilism and assesses the interpretation and internalization of negation in art theory. Chapters confront the claim that exchange and equivalence have subsumed the use value of cultural objects-and with it critical distance- and interrogate the proposition of completed nihilism and the metropolis put forward in the politics of Italian operaismo. Day covers the debates on symbol and allegory waged within the context of 1980s art and their relation to the writings of Walter Benjamin and Paul de Man. She also examines common conceptions of mediation, totality, negation, and the politics of anticipation. A necessary unsettling of received wisdoms,Dialectical Passionsrecasts emancipatory reflection in aesthetics, art, and architecture.

Turkey: Modern Architectures in History offers a journey through the iconic buildings of Turkey that begins with the end of World War I, when the new Turkish Republic was born out of the disintegration of the Ottoman Empire, includes its democratization in the midst of the Cold War's competing ideologies, and concludes with the present day, in which Turkey continues to be dramatically transformed through globalization, economic integration, and a renewed appreciation for its Islamic and Ottoman heritage. Sibel Bozdogan and Esra Akcan explore modern institutional masterpieces and architect-designed buildings through the decades. Their focus includes informal residential plans, and they discuss how these have evolved from small settlements to colossal urban quarters that exist at a slippery threshold of legality. This richly informative history of Turkey's built environment goes beyond typical surveys of Western modern architecture and is unique in tackling the issue of the modern and contemporary periods that are often omitted in studies of Islamic art and architecture. Offering a perceptive overview of modern Turkish architecture, this book places it within the larger social, political, and cultural context of the country's development as a modern nation in the twentieth century.

Extrait: \"DIALOGUE Ier – A. Comment avez-vous fait pour n'être plus sensible? B. Cela s'est fait par degrés. A. Comment? B. Dieu m'a fait la grâce de n'être plus aimable; je m'en suis aperçu, et le reste a été tout seul. DIAL. II – A. Vous ne voyez plus M...? B. Non, il n'est plus possible. A. Comment? B. Je l'ai vu, tant qu'il n'était que de mauvaises mœurs; mais, depuis qu'il est de mauvaise compagnie, il n'y a pas moyen.\"À PROPOS DES ÉDITIONS LIGARANLes éditions LIGARAN proposent des versions numériques de qualité de grands livres de la littérature classique mais également des livres rares en partenariat avec la BNF. Beaucoup de soins sont apportés à ces versions ebook pour éviter les fautes que l'on trouve trop souvent dans des versions numériques de ces textes. LIGARAN propose des grands classiques dans les domaines suivants: • Livres rares • Livres libertins • Livres d'Histoire • Poésies • Première guerre mondiale • Jeunesse • Policier

Surrealist Women displays the range and significance of women's contribution to surrealism. Rosemont has assembled texts by women from several countries. She opens the book with a summary of surrealism's aims and principles.

\"One of the most important political books of 2018.\"-Rod Dreher,American ConservativeOf the three dominant ideologies of the twentieth century-fascism, communism, and liberalism-only the last remains. This has created a peculiar situation in which liberalism's proponents tend to forget that itisan ideology and not the natural end-state of human political evolution. As Patrick Deneen argues in this provocative book, liberalism is built on a foundation of contradictions: it trumpets equal rights while fostering incomparable material inequality; its legitimacy rests on consent, yet it discourages civic commitments in favor of privatism; and in its pursuit of individual autonomy, it has given rise to the most far-reaching, comprehensive state system in human history. Here, Deneen offers an astringent warning that the centripetal forces now at work on our political culture are not superficial flaws but inherent features of a system whose success is generating its own failure.

Im Zeitalter des Kalten Krieges und der Dekolonisierung wurden die Außenwirtschaftsbeziehungen beider deutscher Staaten vor allem durch politisch-strategische Ziele beeinflusst.Die Entstehung zweier Wirtschafts- und Militärblöcke seit Ende der 1940er Jahre wirkte sich auch auf die Außenwirtschaftsbeziehungen der Bundesrepublik und die DDR aus.