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112 result(s) for "Monarchy Fiction."
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The good soldier Švejk and his fortunes in the world war
\"Follows the adventures of Josef Švejk, a boisterous and sometimes bumbling (or brilliantly subversive?) Czech soldier, as he navigates the trials of World War I. Thrust into the Austro-Hungarian Empire's army in 1914, Švejk ... embarks on a wild trip through war-ravaged Europe as he fakes illnesses, is captured by his own men, and takes on various quixotic quests to avoid arriving at the front lines, always with a bizarre--and often hilarious--anecdote at the ready\"--Back cover.
Between policing and literary criticism: Habsburg censorship of literature in Lombardy-Venetia
The article looks at censors’ statements from the Venice State Archive and asks whether the parallels between censors speaking on literary texts and the mode of literary criticism can be productively analyzed with the help of these archival materials. The Venetian censorship bureau, established in 1814/15 in the context of the Kingdom of Lombardy-Venetia and forming part of Habsburg Empire, is a welcome source given the comparative paucity of censors’ statements in other parts of the Empire in the early nineteenth century and during the pre-revolutionary Vormärz period. In particular, the paper examines a set of censors’ statements from 1818, containing on the whole arguments in favor of the publication of manuscripts (or circulation of foreign books). Among them figure a number of justification strategies employed by the censors, which point beyond the usual censorship categories of offences against religion, the authorities and morals. The paper looks at various statements on “modern classical” texts (e.g. Schiller’s “Song of the Bell”, Ossian, James Thomson), as well as the ways censors developed in order to engage with contemporary literature. The main case study in this respect is dedicated to the Italian translation of a historical novel by Jane Porter, The Scottish Chiefs (1810), published as I capi scozzesi in 1822–23. The way censors reflected critical discourses on the one hand, and reacted to materials from the books on the other, immediately situates them in the context of literary criticism and the statements themselves are found to constitute a valuable source for book history, the history of reading, as well as for the development of censorship in the nineteenth century.
The scarlet alchemist
In an alternate Tang Dynasty China, aspiring royal alchemist Zilan, who has the ability to resurrect the dead, arrives in the capital to compete against the best alchemists in the country and becomes drawn into the dangerous political games of the royal family.
The Tragic Fate of People in the Novels of Charles Node \Yan Sbogar\ and \Adel\
[...]in 1818, the story of the love of the daughter of a robber and a wealthy merchant was published. [...]Jean Sbogar and his men are engaged in plundering and killing invaders, tyrannical rich people, those who were sold to invaders for the sake of wealth and career. [...]the sisters are afraid of these messages. According to the laws of the eighteenth century, very high-rise buildings, but like walls without a foundation.
Fire & blood
This is the first volume of the definitive two-part history of the Targaryens in Westeros and covers Aegon I (the Conqueror) to the regency of Aegon III (the Dragonslayer). House Targaryen was the only family of dragonlords to survive the Doom of Valyria, and took up residence on Dragonstone. Re-hear tales of the legendary Aegon the Conqueror, creator of the Iron Throne. Meet the generations of Targaryens who fought to hold that iconic seat, from Aegon the Conqueror all the way up to the civil war that nearly tore their dynasty apart. What really happened during the Dance of the Dragons? Why was it so deadly to visit Valyria after the Doom? What were Maegor the Cruel's worst crimes? What was it like in Westeros when dragons ruled the skies? These are but a few of the questions answered by a learned maester of the Citadel. Discover the often bloody history of Westeros when dragons ruled the skies.
Tree of pearls : the extraordinary architectural patronage of the 13th-century Egyptian slave-queen Shajar al-Durr
The woman known as “Tree of Pearls” ruled Egypt in the summer of 1250. A rare case of a woman sultan, her reign marked the shift from the Ayyubid to the Mamluk dynasty, and her architectural patronage of two building complexes had a lasting impact on Cairo and on Islamic architecture. Rising to power from slave origins, Tree of Pearls—her name in Arabic is Shajar al-Durr—used her wealth and power to add a tomb to the urban madrasa (college) that had been built by her husband, Sultan Salih, and with this innovation, madrasas and many other charitably endowed architectural complexes became commemorative monuments, a practice that remains widespread today. This was the first occasion in Cairo in which a secular patron’s relationship to his architectural foundation was reified through the actual presence of his body. The tomb thus profoundly transformed the relationship between architecture and its patron, emphasizing and emblematizing his historical presence. Indeed, the characteristic domed skyline of Cairo that we see today is shaped by such domes that have kept the memory of their named patrons visible to the public eye. This dramatic transformation, in which architecture came to embody human identity, was made possible by the sultan-queen Shajar al-Durr, a woman who began her career as a mere slave-concubine. Her path-breaking patronage contradicts the prevailing assumption among historians of Islam that there was no distinctive female voice in art and architecture.
Making Peace in an Age of War
This English-language translation of Mark Hengerer's Kaiser Ferdinand III: 1608–1657 Eine Biographie is based on an analysis of the weekly reports sent by the papal nuncio’s office to the Vatican. These reports give detailed information about the daily whereabouts of the dynasty, courtiers, and foreign visitors, and they contain the gossip of the court in addition to weekly analysis of some political problems. This material enabled the author to report on daily life of the dynasty and to analyze the circumstances under which policy was made, which has led to a balance between the personality of Ferdinand III and the problems with which he dealt. In this biography, Hengerer provides answers to the question: Why did it take the emperor more than ten years to end a devastating war, the traumatizing effects of which on central Europe lasted into the twentieth century, particularly since there was no hope of victory against his foreign adversaries from the very moment he came into power?
Visual Texts, Ceremonial Texts, Texts of Exploration: Collected Articles on the Representation of Russian Monarchy
Visual Texts, Ceremonial Texts, Texts of Exploration continues the work begun in Russian Monarchy: Representation and Rule, which analyzed the interplay between the symbolic representations of Russian monarchs and the legal and institutional instruments of their rule. The articles in this volume examine the texts that, through various media, revealed the myths and scenarios conveying the goals and ideals the monarchy sought to elevate before the elite of the empire and, later, the public at large. Russian monarchy inhabited a highly visual culture, comprising court ceremonials, parades, public festivities, and celebrations. It mobilized the arts through painting, prints, popular pictures (lubki), and even opera. This book examines that artistic culture, focusing on several aspects. Parts I and II analyze imagery and ceremony and their relation to the verbal texts that ascribed and defined their meanings. Part III details the way texts of exploration inspired the explorers who widened Russia’s engagement with the world. Parts IV and V address key texts of intellectual history and reflect on the scholarly and methodological influences on Wortman’s approach to history.
Posthumous Louisiana: Louisiana’s Literary Reinvention in Alfred Mercier’s The Saint-Ybars Plantation (1881)
(77-78) Where Soulé protested against the Restoration of the Bourbon monarchy in the 1820s, Pélasge is part of the June Days uprising of 1848 that railed against the closure of the National Workshops.\\n The horizon grows even darker in Mercier's last work, Johnelle (1891): published a decade after The Saint-Ybars Plantation and only three years before his death, this novella \". . . mourns the loss of Louisiana's Franco-Creole future that might have been as figured in the specter of the beautiful Creole baby Johnelle, aborted at birth by her merciless mother from New York\" (Graves 151). A people that reads and writes, that concerns itself with literature and art, never perishes, and we have the satisfaction of thinking that we will have contributed to cultivating the cult of truth and beauty among our fellow citizens by helping preserve in Louisiana the French language, that admirable medium of human thought.
\Thought Is in Itself a Dangerous Operation\: The Campaign Against \Revolutionary Machinations\ in Germany, 1819-1828
This paper examines the formation of a counterrevolutionary surveillance regime in the German Confederation in the wake of Karl Sand's assassination of August von Kotzebue in March 1819. Its focus is less the institutions and mechanisms of surveillance than the ideological lens through which police and state officials construed the threat of \"revolutionary machinations.\" Relying on the Mainz Central Investigative Commission's Hauptbericht and other sources, this paper argues that investigators were determined to expose the \"dangerous\" thoughts of German radicals, to whom they attributed the notorious maxim \"the end justifies the means,\" and that such assumptions shaped the self-conceptions of the radicals themselves.