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"Monsters Humor."
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Monster jokes
What hand should Superman use to pet Titano the Super-Ape? Someone else's! This official DC Comics joke book features 75+ laugh-out-loud jokes about MONSTERS, told by Superman, Batman, Wonder Woman, and other DC Super Heroes. With full-color art and enhanced back matter, fanboys and fangirls alike will be scared silly!
Book
Monsters revisited: a comparative study of the use of humor in dramatizing benevolent monsters in The Monsters under the Bed and The Boy Who Loved Monsters and the Girl Who Loved Peas
Works for children are filled with a myriad of creatures that are often used by writers to convey certain messages to the young readers/audiences. From tamed to wild, real and imaginary beings, such creatures emerge either as benevolent or evil forces. This study seeks to highlight the role of humorous, benevolent monsters in works for children showing how their presence is laden with meanings. For this purpose, two plays for children are selected: The Monsters under the Bed (2007) by Fr. Dominic Garramone and Osb and the St.Bede Theater Troupe, and The Boy Who Loved Monsters and the Girl Who Loved Peas (2013) by Jonathan Graham. Drawing upon humor studies, monster studies, and child psychology, the paper attempts to analyze the use of humor in portraying friendly monsters in the selected works reflecting how it is through them that the children protagonists revisit their views of monsters and understand that they are a reflection of themselves (their needs/fears). The analysis of these benevolent monsters and their effect on the protagonists will be carried out in relation to the different theatrical elements and the verbal and visual signs which clarify and affirm the benevolence of such creatures and the humorous touch added to their roles.
Journal Article
Marvelous monster jokes
Collects jokes about monsters, covering such topics as vampires, ghosts, and ogres.
Book
RISO E HORROR: O GÓTICO CÔMICO DE EDWARD GOREY
Dentre as subdivisões do gótico encontra-se o gótico cômico, que une horror e humor, com criaturas e histórias que se apoiam no gótico, mas que em vez de medo, resultam em riso e divertimento. Tais características parecem ser recorrentes nas obras de Edward Gorey, autor e ilustrador norte-americano. Portanto, esta pesquisa visa compreender se, e como, o gótico cômico pode ser identificado em duas obras do autor, nas quais as protagonistas são criaturas monstruosas. Esta pesquisa bibliográfica se baseia em estudiosos do gótico e do humor, como Bergson (1983), Propp (1992), Lovecraft (1987) e Horner e Zlosnik (2000). Em síntese, conclui-se que embora as obras apresentem aspectos góticos através dos cenários, da ambientação e das criaturas monstruosas, em vez de suscitar o medo, elas rompem com as expectativas e levam o leitor ao riso, apresentando aspectos do gótico cômico.
Journal Article
I love you more than the smell of swamp gas
A daddy and child monster hunt for skink in the woods while telling jokes about the creepy crawlies they see and exchanging reassurances of love.
Book
\IT'S BASED ON NOTHING BUT FEAR, BY A COMPULSION TO CATASTROPHIZE\: A Conversation with Nathan Ballingrud
[...]if you were to ask fans of Nathan Ballingrud's horror fiction what makes his work so aggressively appealing, and yet, so unflinchingly discomfiting, they might well open their eyes wide, extend their arms, and gesture broadly at everything on the page.1 One of the most exciting and inventive authors writing today, Nathan Ballingrud writes fiction that consistently challenges notions about \"appropriate\" subjects for horror. A native of Massachusetts, Ballingrud now makes his home in Asheville, North Carolina, a town with no shortage of great authors and bookstores where he has carved his own niche as the premier writer of the macabre in the area. In this wide-ranging conversation, we discussed Ballingrud's early influences - everything from the usual suspects like King and Barker, to more surprising picks such as Annie Proulx and Dr. Seuss; his unwavering commitment to challenging himself and his readers through constant stylistic reinvention; televised adaptations of his work; the discography of Tom Waits; and, most importantly, his two collections of short stories, North American Lake Monsters and Wounds.Readers wishing to avoid spoilers would do well to read Ballingrud's two collections before reading this interview. \" Do you find that Appalachian surroundings or maybe even Appalachian folklore affect your writing process? I'm thinking now about North Carolina author, Julia Franks, in her novel Over the Plain Houses or Ron Rash's One Foot in Eden.
Journal Article
Better Horrors
This essay treats the theorization of horror in Whitley Strieber's Communion (1987). It also pushes us to consider more honestly and forthrightly the question of \"real monsters,\" that is, the phenomenology of encounters with fantastic presences routinely experienced in the environment. Historical contextualization of Strieber's abduction experiences in the Hudson Valley region and theories of other species from Charles Fort to William James are invoked to radicalize the question further.
Journal Article
Pandemonium and Parade
Water sprites, mountain goblins, shape-shifting animals, and the monsters known asyôkaihave long haunted the Japanese cultural landscape. This history of the strange and mysterious in Japan seeks out these creatures in folklore, encyclopedias, literature, art, science, games, manga, magazines, and movies, exploring their meanings in the Japanese cultural imagination and offering an abundance of valuable and, until now, understudied material. Michael Dylan Foster tracksyôkaiover three centuries, from their appearance in seventeenth-century natural histories to their starring role in twentieth-century popular media. Focusing on the intertwining of belief and commodification, fear and pleasure, horror and humor, he illuminates different conceptions of the \"natural\" and the \"ordinary\" and sheds light on broader social and historical paradigms-and ultimately on the construction of Japan as a nation.
eBook
Perseus, the Maiden Medusa, and the Imagery of Abduction
Focusing on Classical red-figure vases, the author argues that the appearance of the beautiful Medusa, which has been explained previously as an evolutionary development from the monstrous Archaic type, is determined by discursive context rather than by chronology. Painters used the beautiful Gorgon to convey certain messages about Perseus's victory, though it is not always clear whether she is meant to evoke humor or pathos. The author further shows that Medusa's death was figured as a perversion of the erotic abductions common to many Greek myths, and points out the beautiful Gorgon's affinities with abducted maidens such as Persephone, Thetis, and Helen.
Journal Article
Anime and Its Roots in Early Japanese Monster Art
Japanese anime plays a major role in modern popular visual culture and aesthetics, yet this is the first study which sets out to put today's anime in historical context by tracking the visual links between Edo- and Meiji- period painters and the post-war period animation and manga series 'Gegegeno Kitaro' by Mizuki Shigeru.
eBook