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\"Thomas More\" the humanist. \"Sir Thomas More\" the statesman. \"Saint Thomas More\" the martyr. Who was Thomas More? Which characterization of him is most true? Despite these multiple images and the problems of More's true identity, Travis Curtright uncovers a continuity of interests and, through interdisciplinary contexts, presents one Thomas More. The One Thomas More carefully studies the central humanist and polemical texts written by More to illustrate a coherent development of thought. Focusing on three major works from More's humanist phase, The Life of Pico, The History of Richard III, and Utopia, Curtright demonstrates More's idea of humanitas and his corresponding program of moderate political reform. Curtright then shows how More's later polemical theology and defense of the ecclesiastical courts were a continuation of his commitments rather than a break from them. Finally, More's prison letters are examined. His self-presentation in these letters is compared with other recent and iconic versions, such as those in Robert Bolt's Man for All Seasons and Hilary Mantel's Wolf Hall. Instead of a divided mind emerging, Curtright ably shows More's integrity and consistency of thought.

In The Great War and the Language of Modernism, Vincent Sherry reopens long unanswered questions regarding the influence of the 1914 war on the verbal experiments of modernist poetry and fiction. Sherry recovers the political discourses of the British campaign and establishes the language to which literary modernism responds with its boldest initiatives. In its wholly new reading of Woolf, Eliot, and Pound, this book restores the historical content and depth of this literature and reveals its most daring import.

This book studies generalized Donaldson-Thomas invariants $\\bar{DT}{}^\\alpha(\\tau)$. They are rational numbers which `count' both $\\tau$-stable and $\\tau$-semistable coherent sheaves with Chern character $\\alpha$ on $X$; strictly $\\tau$-semistable sheaves must be counted with complicated rational weights. The $\\bar{DT}{}^\\alpha(\\tau)$ are defined for all classes $\\alpha$, and are equal to $DT^\\alpha(\\tau)$ when it is defined. They are unchanged under deformations of $X$, and transform by a wall-crossing formula under change of stability condition $\\tau$. To prove all this, the authors study the local structure of the moduli stack $\\mathfrak M$ of coherent sheaves on $X$. They show that an atlas for $\\mathfrak M$ may be written locally as $\\mathrm{Crit}(f)$ for $f:U\\to{\\mathbb C}$ holomorphic and $U$ smooth, and use this to deduce identities on the Behrend function $\\nu_\\mathfrak M$. They compute the invariants $\\bar{DT}{}^\\alpha(\\tau)$ in examples, and make a conjecture about their integrality properties. They also extend the theory to abelian categories $\\mathrm{mod}$-$\\mathbb{C}Q\\backslash I$ of representations of a quiver $Q$ with relations $I$ coming from a superpotential $W$ on $Q$.

Clarence Miller's Humanism and Style: Essays on Erasmus and More provides an illuminating and circumstantial engagement with the important works of two great humanists, especially their masterpieces, The Praise of Folly and Utopia. He shows how they were deeply influenced by the very medieval world that they rejected as they were seeking to recover vital connections to the classics and the church fathers. Miller's essays cover a complex terrain that includes the rhetorical functions of stylistic shifts, the deployment of proverbial wisdom, engagement with ancient texts in an early modern setting, and the challenges of maintaining a stance of faith in a world always muddied in its history. These essays disclose a sensibility in the work of Erasmus and More that is already attuned to many insights that have emerged with contemporary literary theory.

The first book on Thomas Paine as poet. One of America's Founding Fathers, Thomas Paine is best remembered as the pamphleteer who inspired the American Revolution. Yet few also know him as an eighteenth-century poet of considerable repute. InThe Field of Imagination, Scott Cleary offers the first book on Paine's poetry, exploring how poetry written both by and about Paine is central to understanding his development as a political theorist. Despite his claim in The Age of Reason that he was abandoning poetry because it led too much into the \"field of imagination,\" Paine never completely left poetry behind. He took advantage of his position as editor of thePennsylvania Magazine to situate his poetry in relation to the magazine's tacit support of American independence. He drew on two British poets, James Thomson and Charles Churchill, to provide revealing epigraphs for his major early works in support of that independence, and in turn he himself became an influence on early American poets such as Joel Barlow and Philip Freneau. Paine's poetry has until now been largely relegated to the status of scholarly curiosity. But whether through his own poetry, his thoughts on the place and function of poetry in the Age of Reason, or his deep influence on the poetry of the early American republic, Paine's involvement in poetical craft provides a lens onto the unique and tempestuous literary culture of the eighteenth century.

A systematic exploration of Thomas Hardy's imaginative assimilation of particular Victorian sciences, this study draws on and swells the widening current of scholarly attention now being paid to the cultural meanings compacted and released by the nascent 'sciences of man' in the nineteenth century. Andrew Radford here situates Hardy's fiction and poetry in a context of the new sciences of humankind that evolved during the Victorian age to accommodate an immense range of literal and figurative 'excavations' then taking place. Combining literary close readings with broad historical analyses, he explores Hardy's artistic response to geological, archaeological and anthropological findings. In particular, he analyzes Hardy's lifelong fascination with the doctrine of 'survivals,' a term coined by E.B. Tylor in Primitive Culture (1871) to denote customs, beliefs and practices persisting in isolation from their original cultural context. Radford reveals how Hardy's subtle reworking of Tylor's doctrine offers a valuable insight into the inter-penetration of science and literature during this period. An important aspect of Radford's research focuses on lesser known periodical literature that grew out of a British amateur antiquarian tradition of the nineteenth century. His readings of Hardy's literary notebooks disclose the degree to which Hardy's own considerable scientific knowledge was shaped by the middlebrow periodical press. Thus Thomas Hardy and the Survivals of Time raises questions not only about the reception of scientific ideas but also the creation of nonspecialist forms of scientific discourse. This book represents a genuinely new perspective for Hardy studies. Contents: General editors' preface; Introduction; Opening the fan of time; Paganism revived?; Stories of today; The unmanned fertility figure; Killing the God; A bizarre farewell to fiction?; Bibliography; Index.

Hobbes's extreme political views have commanded so much attention that they have eclipsed his work on language and mind, and on reasoning, personhood, and group formation. But this work is of immense interest in itself, as Philip Pettit shows inMade with Words, and it critically shapes Hobbes's political philosophy. Pettit argues that it was Hobbes, not later thinkers like Rousseau, who invented the invention of language thesis--the idea that language is a cultural innovation that transformed the human mind. The invention, in Hobbes's story, is a double-edged sword. It enables human beings to reason, commit themselves as persons, and incorporate in groups. But it also allows them to agonize about the future and about their standing relative to one another; it takes them out of the Eden of animal silence and into a life of inescapable conflict--the state of nature. Still, if language leads into this wasteland, according to Hobbes, it can also lead out. It can enable people to establish a commonwealth where the words of law and morality have a common, enforceable sense, and where people can invoke the sanctions of an absolute sovereign to give their words to one another in credible commitment and contract. Written by one of today's leading philosophers,Made with Wordsis both an original reinterpretation and a clear and lively introduction to Hobbes's thought.

Thomas More is a complex and controversial figure who has been regarded as both saint and persecutor, leading humanist and a representative of late medieval culture. His religious writings, with their stark and at times violent attacks on what More regarded as heresy, have been hotly debated. In Writing Faith and Telling Tales , Thomas Betteridge sets More's writings in a broad cultural and chronological context, compares them to important works of late fourteenth- and fifteenth-century vernacular theology, and makes a compelling argument for the revision of existing histories of Thomas More and his legacy. Betteridge focuses on four areas of More's writings: politics, philosophy, theology, and devotion. He examines More's History of King Richard III as a work of both history and political theory. He discusses Utopia and the ways in which its treatment of reason reflects More's Christian humanism. By exploring three of More's lesser known works, The Supplication of Souls , The Confutation , and The Apology , Betteridge demonstrates that More positioned his understanding of heresy within and against a long tradition of English anti-heretical writing, as represented in the works of Hoccleve, Lydgate, and Love. Finally, Betteridge focuses on two key concepts for understanding More's late devotional works: prayer and the book of Christ. In both cases, Betteridge claims, More seeks to develop a distinctive position that combines late medieval devotionalism with an Augustinian emphasis on the ethics of writing and reading. Writing Faith and Telling Tales poses important questions concerning periodization and confessionalization and will influence future work on the English Reformation and humanist writing in England.

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Palabras clave: catolicismo, Dominicos, Guatemala, historia sensorial, México, paisajes sonoros, protestantismo, Thomas Gage.