Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Series Title
      Series Title
      Clear All
      Series Title
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Content Type
    • Item Type
    • Is Full-Text Available
    • Subject
    • Publisher
    • Source
    • Donor
    • Language
    • Place of Publication
    • Contributors
    • Location
4,838 result(s) for "Motion Pictures as Topic"
Sort by:
Chromosome Dynamics in the Yeast Interphase Nucleus
Little is known about the dynamics of chromosomes in interphase nuclei. By tagging four chromosomal regions with a green fluorescent protein fusion to lac repressor, we monitored the movement and subnuclear position of specific sites in the yeast genome, sampling at short time intervals. We found that early and late origins of replication are highly mobile in G1phase, frequently moving at or faster than 0.5 micrometers/10 seconds, in an energy-dependent fashion. The rapid diffusive movement of chromatin detected in G1becomes constrained in S phase through a mechanism dependent on active DNA replication. In contrast, telomeres and centromeres provide replication-independent constraint on chromatin movement in both G1and S phases.
The influence of nanoscopically thin silver films on bacterial viability and attachment
The physicochemical and bactericidal properties of thin silver films have been analysed. Silver films of 3 and 150 nm thicknesses were fabricated using a magnetron sputtering thin-film deposition system. X-ray photoelectron and energy dispersive X-ray spectroscopy and atomic force microscopy analyses confirmed that the resulting surfaces were homogeneous, and that silver was the most abundant element present on both surfaces, being 45 and 53 at.% on the 3- and 150-nm films, respectively. Inductively coupled plasma time of flight mass spectroscopy (ICP-TOF-MS) was used to measure the concentration of silver ions released from these films. Concentrations of 0.9 and 5.2 ppb were detected for the 3- and 150-nm films, respectively. The surface wettability of the films remained nearly identical for both film thicknesses, displaying a static water contact angle of 95°, while the surface free energy of the 150-nm film was found to be slightly greater than that of the 3-nm film, being 28.8 and 23.9 mN m^sup -1^, respectively. The two silver film thicknesses exhibited statistically significant differences in surface topographic profiles on the nanoscopic scale, with R ^sub a^, R ^sub q^ and R ^sub max^ values of 1.4, 1.8 and 15.4 nm for the 3-nm film and 0.8, 1.2 and 10.7 nm for the 150-nm film over a 5×5 μm scanning area. Confocal scanning laser microscopy and scanning electron microscopy revealed that the bactericidal activity of the 3-nm silver film was not significant, whereas the nanoscopically smoother 150-nm silver film exhibited appreciable bactericidal activity towards Pseudomonas aeruginosa ATCC 9027 cells and Staphylococcus aureus CIP 65.8 cells, obtaining up to 75% and 27% sterilisation effect, respectively.[PUBLICATION ABSTRACT]
Periods in pop culture
Menstruation seldom gets a starring role on screen despite being experienced regularly by nearly all women for a good many decades of their lives. Periods in Pop Culture: Menstruation in Film and Television, by Lauren Rosewarne, turns the spotlight on period portrayals in media, examining the presence of menstruation in a broad range of contemporary pop culture. Drawing on a vast collection of menstruation scenes from film and television, this study examines and categorizes representations to unearth what they reveal about society and about our culture’s continuingly fraught relationship with female biology. Written from a feminist perspective, menstrual representations are analyzed for what they reveal about sexual politics and society. Rosewarne’s thorough investigation covers a range of topics including menstrual taboos, stigmas and fears, as well as the inextricable link between periods and femininity, sexuality, ageing, and identity. Periods in Pop Culture highlights that the treatment of menstruation in the media remains an area of persistent gender inequality.
Role of Delayed Nuclear Envelope Breakdown and Mitosis in Wolbachia-Induced Cytoplasmic Incompatibility
The bacterium Wolbachia manipulates reproduction in millions of insects worldwide; the most common effect is cytoplasmic incompatibility (CI). We found that CI resulted from delayed nuclear envelope breakdown of the male pro-nucleus in Nasonia vitripennis. This caused asynchrony between the male and female pronuclei and, ultimately, loss of paternal chromosomes at the first mitosis. When Wolbachia were present in the egg, synchrony was restored, which explains suppression of CI in these crosses. These results suggest that Wolbachia target cell cycle regulatory proteins. A striking consequence of CI is that it alters the normal pattern of reciprocal centrosome inheritance in Nasonia.
Lady Chatterley's Legacy in the Movies
Titanic.Two Moon Junction.A Night in Heaven.Sirens.Henry & June.9 Songs.Lady Chatterley. And more. A new \"body guy\" genre has emerged in film during the last twenty years-a working-class man of the earth or bohemian artist awakens and fulfills the sexuality of a beautiful, intelligent woman frequently married or engaged to a sexually incompetent, educated, upper-class man. This body guy exhibits a masterful athletic, penile-centered sexual performance that enlivens and transforms the previously discontented woman's life.Peter Lehman and Susan Hunt relate a host of wide-ranging films to a literary tradition dating back to D. H. Lawrence'sLady Chatterley's Loverand an emerging body culture of our time. Through an engaging and compelling narrative, they argue that the hero's body, lovemaking style, and penis-revealed through extensive male nudity-celebrate conformity to norms of masculinity and male sexuality. Simultaneously, these films denigrate the vital, creative, erotic world of the mind. Just when women began to successfully compete with men in the workplace, these movies, if you will, unzip the penis as the one thing women do not have but want and need for their fulfillment.But Lehman and Hunt also find signs of a yearning for alternative forms of sexual and erotic pleasure in film, embracing diverse bodies and vibrant minds.Lady Chatterley's Legacy in the Moviesshows how filmmakers, spectators, and all of us can be empowered to dethrone the body guy, his privileged body, and preferred style of lovemaking, replacing it with a wide range of alternatives.
The collaboration : Hollywood's pact with Hitler
To continue doing business in Germany after Hitler's ascent to power, Hollywood studios agreed not to make films that attacked the nazis or condemned Germany's persecution of Jews. Ben Urwand reveals this bargain - a 'collaboration' that drew in a cast of characters ranging from notorious German political leaders such as Goebbels to Hollywood icons such as Louis B. Mayer.
The New German Cinema
When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity-national, political, personal, and sexual-music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference-including that embodied in Germany's difficult history-rather than to \"master\" or \"get past\" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter ofThe New German Cinemaexamines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out.