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190 result(s) for "Motion picture producers and directors United States Biography."
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Stanley Kubrick : American filmmaker
An engrossing biography of one of the most influential filmmakers in cinematic history, Kubrick grew up in the Bronx, a doctor's son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self-taught filmmaker and self-proclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubrick's Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, ever-curious polymath immersed in friends and family. Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick's films.
Spike, Mike, Slackers & Dykes
The legendary figure who launched the careers of Spike Lee, Michael Moore, and Richard Linklater offers a no-holds-barred look at the deals and details that propel an indie film from a dream to distribution.
Zuriel Oduwole : filmmaker and campaigner for girls' education
American teenager Zuriel Oduwole tries to live by the quote: If your dreams don t scare you, then they re not big enough. A filmmaker, public speaker, and writer, Zuriel has interviewed dozens of world leaders and pushed them to promote the education of girls around the world. Founder of the Dream Up, Speak Up, Stand Up organization, Zuriel teaches citizen filmmaking to kids around the world, speaks out on gender equality at major world forums, and makes world leaders accountable for supporting girls education initiatives.
Another Steven Soderbergh Experience
How do we determine authorship in film, and what happens when we look in-depth at the creative activity of living filmmakers rather than approach their work through the abstract prism of auteur theory? Mark Gallagher uses Steven Soderbergh's career as a lens through which to re-view screen authorship and offer a new model that acknowledges the fundamentally collaborative nature of authorial work and its circulation. Working in film, television, and digital video, Soderbergh is the most prolific and protean filmmaker in contemporary American cinema. At the same time, his activity typifies contemporary screen industry practice, in which production entities, distribution platforms, and creative labor increasingly cross-pollinate. Gallagher investigates Soderbergh's work on such films asThe Limey,Erin Brockovich,Ocean's Elevenand its sequels,Solaris,The Good German,Che, andThe Informant!, as well as on theK Streettelevision series. Dispensing with classical auteurist models, he positions Soderbergh and authorship in terms of collaborative production, location filming activity, dealmaking and distribution, textual representation, genre and adaptation work, critical reception, and other industrial and cultural phenomena. Gallagher also addresses Soderbergh's role as standard-bearer for U.S. independent cinema following 1989'ssex, lies and videotape, as well as his cinephilic dialogues with different forms of U.S. and international cinema from the 1920s through the 1970s. Including an extensive new interview with the filmmaker,Another Steven Soderbergh Experiencedemonstrates how industries and institutions cultivate, recognize, and challenge creative screen artists.
My name is Barbra
\"The long-awaited memoir by the superstar of stage, screen, recordings, and television Barbra Streisand is by any account a living legend, a woman who in a career spanning six decades has excelled in every area of entertainment. She is among the handful of EGOT winners (Emmy, Grammy, Oscar, and Tony) and has one of the greatest and most recognizable voices in popular music. She has been nominated for a Grammy 46 times, and with Yentl she became the first woman to write, produce, direct, and star in a major motion picture. In My Name Is Barbra, she tells her own story about her life and extraordinary career, from growing up in Brooklyn to her first star-making appearances in New York nightclubs to her breakout performance in Funny Girl (musical and film) to the long string of successes in every medium in the years that followed. The book is, like Barbra herself, frank, funny, opinionated, and charming. She recounts her early struggles to become an actress, eventually turning to singing to earn a living; the recording of some of her acclaimed albums; the years of effort involved in making Yentl; her direction of The Prince of Tides; her friendships with figures ranging from Marlon Brando to Madeleine Albright; her political advocacy; and the fulfillment she's found in her marriage to James Brolin. No entertainer's memoir has been more anticipated than Barbra Streisand's, and this engrossing and delightful book will be eagerly welcomed by her millions of fans\"-- Provided by publisher.
Col. William N. Selig, the Man Who Invented Hollywood
All histories of Hollywood are wrong. Why? Two words: Colonel Selig. This early pioneer laid the foundation for the movie industry that we know today. Active from 1896 to 1938, William N. Selig was responsible for an amazing series of firsts, including the first two-reel narrative film and the first two-hour narrative feature made in America; the first American movie serial with cliffhanger endings; the first westerns filmed in the West with real cowboys and Indians; the creation of the jungle-adventure genre; the first horror film in America; the first successful American newsreel (made in partnership with William Randolph Hearst); and the first permanent film studio in Los Angeles. Selig was also among the first to cultivate extensive international exhibition of American films, which created a worldwide audience and contributed to American domination of the medium. In this book, Andrew Erish delves into the virtually untouched Selig archive at the Academy of Motion Picture Arts and Sciences Library to tell the fascinating story of this unjustly forgotten film pioneer. He traces Selig's career from his early work as a traveling magician in the Midwest, to his founding of the first movie studio in Los Angeles in 1909, to his landmark series of innovations that still influence the film industry. As Erish recounts the many accomplishments of the man who first recognized that Southern California is the perfect place for moviemaking, he convincingly demonstrates that while others have been credited with inventing Hollywood, Colonel Selig is actually the one who most deserves that honor.
Fritz Lang
The name of Fritz Lang-the visionary director ofMetropolis,M,Fury,The Big Heat, and thirty other unforgettable films-is hallowed the world over. But what lurks behind his greatest legends and his genius as a filmmaker? Patrick McGilligan, placed among \"the front rank of film biographers\" by theWashington Post, spent four years in Europe and America interviewing Lang's dying contemporaries, researching government and film archives, and investigating the intriguing life story of Fritz Lang. This critically acclaimed biography-lauded as one of the year's best nonfiction books byPublishers Weekly-reconstructs the compelling, flawed human being behind the monster with the monocle.
The essential directors : the art and impact of cinema's most influential filmmakers (silent era through 1970s)
For well over a century, those who create motion pictures have touched our hearts and souls; they have transported and transformed our minds, intoxicated and entranced our senses. One artist's vision is the single most prominent force behind the scenes: the director. 'The Essential Directors' illuminates the unseen forces behind some of the most notable screen triumphs from the aesthetic peak of silent cinema through the New Hollywood of the 1970s.
Charlie Kaufman
This revealing study looks at the influences and creative impulses that shape one of today’s most progressive, thoughtful filmmakers. Charlie Kaufman is one of the few screenwriters moviegoers recognize by name. He was ranked on Premiere 's Power 100 list and in 2004 was named by Time magazine as one of the 100 most influential people of all time. The Oscar-winning Kaufman is known for quirky, innovative stories that set him apart from his Hollywood brethren. Charlie Kaufman got his start in television, but it was his first film, the eccentric Being John Malkovich , that won notice for his unique storytelling style. With the aid of a plethora of contributions from those with whom the writer has worked, Charlie Kaufman: Confessions of an Original Mind presents the intriguing story of that movie and others as it examines one of the most innovative voices in modern film. This exhaustive study of Kaufman's life and work is organized chronologically to cover his early influences as well as his most-recent ventures. Highlights include explorations of Kaufman’s collaboration with Being John Malkovich director Spike Jonze—who stood him up for their first meeting—and the writer’s conflict with George Clooney (about whom Kaufman says, “I can tell you that George Clooney is my least favorite person\"). There are analyses of Human Nature Adaptation , and the hauntingly beautiful Eternal Sunshine of the Spotless Mind , which led to an Academy Award. The book also studies Kaufman's sound plays for Theatre of the New Ear and his directorial debut, Synecdoche, New York Title Features • Includes more than 20 original interviews with Charlie Kaufman's producers, cinematographers, editors, actors, and film crews • Provides a gallery of photographs from Kaufman's movies Highlights • Is the first book to provide an in-depth analysis of Kaufman's life and writing • Covers his early writing, breakout work for television, book adaptations, and original screenplays • Draws on the author's access to producers, filmmakers, and production supervisors to provide readers with a private pass into the behind-the-scenes process of translating Kaufman's writing to the big screen