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Beyond the looking glass
As living subjects rather than static icons, studio-era Hollywood actresses actively negotiated a balance between their public personas, film roles, and corporeal presence. The contemporary audience's engagement with the experience of these actresses unsettles the traditional model of narcissistic identification, which divides the off-screen spectator from his/her on-screen ideal. Exploring the fan's desire for a material connection to the performer - as well as the star's own dialogue between embodied experience and idealized image -Beyond the Looking Glasstraces on- and off-screen representations of narcissistic femininity in classical Hollywood through studies of stars like Greta Garbo, Ava Gardner, and Marilyn Monroe. Merging historical and theoretical concerns, with particular attention to the resonance of golden-age Hollywood in new media, this book explores the movie screen as a medium of shared experience between spectator and star.
eBook
The Barrandov Studios
The Barrandov Studios are one of the largest and oldest film studios in Europe. For more than 80 years so far, the studios have been the location of choice for over 2,500 Czech and International films. Barrandov's founding fathers, the Havel brothers Vàclav and Milo. (the grandfather and uncle of later president Vàclav Havel), built the 'Hollywood of Eastern Europe' in the 1930s.
A legendary studio like this - and its story - has so far not been told to an English-speaking readership. This collection aims to correct this, presenting the studio's rich history, its esteemed directors, and their most important films.
eBook
The Studios after the Studios
Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this new classical era, the major studios movies — their stories and styles — were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how studios work—how studios think—we need to watch their films closely. How closely? Maniacally so. In a wide range of examples, The Studios after the Studios explores the gaps between story and backstory in order to excavate the hidden history of Hollywood's second great studio era.
eBook
Studios before the system
By 1915, Hollywood had become the epicenter of American filmmaking, with studio \"dream factories\" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture,Studios Before the Systemexpands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism.
Focusing on six significant early film corporations in the United States and France--the Edison Manufacturing Company, American Mutoscope and Biograph, American Vitagraph, Georges Méliès's Star Films, Gaumont, and Pathé Frères--as well as smaller producers and film companies,Studios Before the Systemdescribes how filmmakers first envisioned the space they needed and then sourced modern materials to create novel film worlds. Artificially reproducing the natural environment, film studios helped usher in the world's Second Industrial Revolution and what Lewis Mumford would later call the \"specific art of the machine.\" From housing workshops for set, prop, and costume design to dressing rooms and writing departments, studio architecture was always present though rarely visible to the average spectator in the twentieth century, providing the scaffolding under which culture, film aesthetics, and our relation to lived space took shape.
eBook
From the headlines to Hollywood : the birth and boom of Warner Bros.
This book looks at how the Warner Bros. studio used edgy, stylistic, and brutally honest films to construct a view of America from 1927-1941. Author Chris Yogerst looks at how the Warner Bros. films during this period represented important cultural and social changes-from the coming of sound in film, the Great Depression, the rise of crime, and the increased concern about fascism leading up to World War II.
Book
From the headlines to Hollywood
More than any other studio, Warner Bros. used edgy, stylistic, and brutally honest films to construct a view of America that was different from the usual buoyant Hollywood fare. The studio took seriously Harry Warner's mandate that their films had a duty to educate and demonstrate key values of free speech, religious tolerance, and freedom of the press. This attitude was most aptly demonstrated in films produced by the studio between 1927 and 1941--a period that saw not only the arrival of sound in film but also the Great Depression, the rise of crime, and increased concern about fascism in the lead-up to World War II. In this book, Chris Yogerst explores how \"the only studio with any guts\" established the groundwork and perfected formulas for social romance dramas, along with gangster, war, espionage, and adventure films. The author discusses such films as The Public Enemy, Little Caesar, G-Men, The Life of Emile Zola, Angels with Dirty Faces, and Confessions of a Nazi Spy, illustrating the ways in which their plots truly were \"ripped from the headlines.\" While much of what has been written about Warner Bros. has focused on the plots of popular films or broad overviews of the studio's output, this volume sets these in the larger context of the period, an era in which lighthearted fare competed with gritty realism.--From back cover. This book looks at how the Warner Bros. studio used edgy, stylistic, and brutally honest films to construct a view of America from 1927-1941. Author Chris Yogerst looks at how the Warner Bros. films during this period represented important cultural and social changes-from the coming of sound in film, the Great Depression, the rise of crime, and the increased concern about fascism leading up to World War II.
eBook