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"Motion pictures, American Philosophy."
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Cinema of simulation : hyperreal Hollywood in the long 1990s
\"Drawing on the critical theories of Jean Baudrillard, Cinema of Simulation performs close readings of key films to examine cinematic visions of mutational reality\"-- Provided by publisher.
Book
Reuse, Misuse, Abuse
In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications.
eBook
The digital banal : new media and American literature and culture
\"Contemporary culture is haunted by its media. In its ubiquity digital media have become increasingly banal and in the process its meaning and influence have become less visibly apparent. Contemporary novelists and filmmakers have narrated and depicted everyday life in a way- that represents the emotional, intellectual, and political nature of living in our present-day media environment. The works of these writers and directors, Dinnen argues, also offer ways of resisting the more troubling aspects of the effects of new technologies. Dinnen considers the work of a range of prominent contemporary writers, filmmakers, and artists, including Jennifer Egan, Dave Eggers, Sheila Heti, Jonathan Lethem, Gary Shteyngart, Colson Whitehead, David Fincher, Mark Amerika, and Cory Arcangel. Their works critique and reveal the ways in which digital labor isolates the individual; how the work of programming has become an operation of power; how creative remixing allows the writer or filmmaker the opportunity to expose what often becomes shrouded in the digital banal; self-representation through avatars; and the development of the \"California ideology,\" which has folded the radical into the rote and the imaginary into the mundane\"-- Provided by publisher.
Book
Film manifestos and global cinema cultures
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
eBook
Ethics for the Future
Which of the possible futures might be a good future, and how do we know? Stephanie Bender looks at contemporary films and novels to address major ethical challenges of the future: the ecological catastrophe, digitalisation and biotechnology. She proposes that fiction and its modes of aesthetic simulation and emotional engagement offer a different way of knowing and judging possible futures. From a critical posthumanist angle, she discusses works ranging from Don DeLillo's Zero K (2017) and Margaret Atwood's MaddAddam Trilogy (2003-2013) to Kim Stanley Robinson's New York 2140 as well as Avatar (2009), and Blade Runner 2049 (2017) among many others.
eBook
Making History Move
Making History Move: Five Principles of the Historical Film builds upon decades of scholarship investigating history in visual culture by proposing a methodology of five principles to analyze history in moving images in the digital age. It charts a path to understanding the form of history with the most significant impact on public perceptions of the past. The book develops insights across these fields, including philosophical considerations of film and history, to clarify the form and function of history in moving images. It addresses the implications of the historical film on public historical consciousness, presenting criteria to engage and assess the truth status of depictions of the past. Each chapter offers a detailed aspect of this methodology for analyzing history in moving images. Together, they propose five principles to organize past and future scholarship in this vital, interdisciplinary field of study.
eBook
Cities, Borders, and Spaces in Intercultural American Literature and Film
Thus book examines the spatial morphologies represented in a wide range of contemporary ethnic American literary and cinematic works. Drawing from Henri Lefebvre’s theorization of space as a living organism, Edward Soja’s writings on the postmetropolis, Marc Augé’s notion of the non-place, Manuel Castells’ space of flows, and Michel de Certeau’s theories of walking as a practice, the volume extends previous theorizations by examining how spatial uses, appropriations, strictures, ruptures, and reconfigurations function in literary texts and films that represent inhabitants of racial-ethnic borderlands and migrational U.S. cities. The authors argue for the necessity of an alternative poetics of place that makes room for those who move beyond the spaces of traditional visibility—displaced and homeless people, undocumented workers, hybrid and/or marginalized populations rendered invisible by the cultural elite, yet often disciplined by agents of surveillance. Building upon Doreen Massey’s conceptualization of liminal space as a sphere in which narratives intersect, clash, or cooperate, this study recasts spatial paradigms to insert an array of emergent geographies of invisibility that the volume traverses via the analysis of works by Chuck Palahniuk, Helena Viramontes, Karen Tei Yamashita, Gloria Anzaldúa, Alejandro Morales, and Li-Young Lee, among others, and films such as Thomas McCarthy’s The Visitor, Steven Spielberg’s The Terminal, and Alejandro Gonzalez Iñárritu’s Babels.
eBook
Aesthetics and Politics in the Mexican Film Industry
Aesthetics and Politics in the Mexican Film Industry is the first English-language analysis of what some called a \"renaissance\" at the turn of the twenty-first century. It examines the years surrounding Mexico´s presidential elections in 2000 and the fall of the ruling party after seventy one years in power in order to better understand a moment when politics and cinema shared the limelight. Moving beyond the international blockbusters, the research evaluates a broad selection of films, produced from the early 1990s to the present, to help demystify this period for scholars and students. It explains in clear language how production methods, audience demographics, and aesthetic approaches have changed throughout the past two decades of Mexican cinema and how these changes relate to Mexico's transitions to a democratic political system and free-market economy.
eBook
Class representation in modern fiction and film
A fresh exploration of the representation of poverty and class in American literature and film, through the juxtaposition of films, writings and the unusual lives of Zora Neale Hurston, Stephen Crane, Henry Miller and Michel Foucault. The book argues for Hurston's centrality, not merely to the African-American canon, but to the American tradition.
eBook
Womanist and black feminist responses to Tyler Perry's productions
Tyler Perry has made over half a billion dollars through the development of storylines about black women, black communities and black religion. Yet, a text that responds to his efforts from the perspective of these groups does not exist.
eBook