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"Motion pictures - Social aspects - Italy"
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Cinema and Fascism
This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly \"Fascist.\" Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history.
eBook
Fascist hybridities : representations of racial mixing and diaspora cultures under Mussolini
Under Italian Fascism, African-Italian mulattoes and white Italians living in Egypt posed a particular threat to the pursuit of a homogenous national identity. This book examines novels and films of the period, showing that their attempts at stigmatization were self-undermining, forcing audiences to reassess their collective identity.
eBook
Fame amid the ruins : Italian film stardom in the age of neorealism
\"Italian cinema gave rise to a number of the best-known films of the postwar years, from Rome Open City to Bicycle Thieves. Although some neorealist film-makers would have preferred to abolish stars altogether, the public adored them and producers needed their help in relaunching the national film industry. This book explores the many conflicts that arose in Italy between 1945 and 1953 over stars and stardom, offering intimate studies of the careers of both well-known and less familiar figures, shedding new light on the close relationship forged between cinema and society during a time of political transition and shifting national identities\"-- Provided by publisher.
Book
Italian Cinema
From the unbridled sensuality of the orgy scenes in silent Italian cinema, through a topless Sophia Loren in a 1950s historical epic and the image of Silvana Mangano, her skirt provocatively tucked into her underwear, in the neo-realist classic Bitter Rice, to the erotic obsessions of Fellini and the more cerebral but still passion-centred movies of Antonioni, eroticism is ever-present in Italian cinema. And then there are the popular movies: the acres of tanned flesh (both male and female) on offer in the many sword and sandal epics of the peplum era through to the inextricable mix of sexuality and violence in the gialli of such directors as Mario Bava and Dario Argento, in which death and sex meet in a blood-drenched, orgasmic coda. Of course, there's far more to Italian cinema: it is one of the most glorious and energetic celebrations of the medium that any nation has ever offered. For many years, this astonishing legacy was largely unseen, but the DVD revolution is making virtually everything available, from Steve Reeves' muscle epics to long-unseen Italian art house movies. The one characteristic that most of the great (and not so great) Italian movies have in common is the sheer individualism of the directors. And this applies to the populist moviemakers as much as to the giants of serious cinema. While Fellini, Visconti and Antonioni have rightly assumed their places in the pantheon, so have such talented popular auteurs as Sergio Leone, who was doing something with the Western that no American director would dare do, so radical was the rethink. All the glory of Italian cinema is celebrated here in comprehensive essays, along with every key film in an easy-to-use reference format.
eBook
Photofascism : photography, film, and exhibition culture in 1930s Germany and Italy
Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-à-vis display culture. The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. Photofascism demonstrates precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive-even catastrophic-results.
eBook
Clocking Out
An original reflection on Italy's postwar boom considers potentials for resistance in today's neoliberal (dis)order What can 1960s Italian cinema teach us about how to live and work today?Clocking Out challenges readers to think about labor, cinema, and machines as they are intertwined in complex ways in Italian cinema of the early '60s. Drawing on critical theory and archival research, this book asks what kinds of fractures we might exploit for living otherwise, for resisting traditional narratives, and for anticapitalism.
Italy in the 1960s was a place where the mass-producing factory was the primary mode of understanding what it meant to work, but it was also a time when things might have gone another way. This thinking and living differently appears in the cracks, lapses, or moments of film.Clocking Out is organized into scenes from an obscure 1962 Italian comedy (Renzo e Luciana, from Boccaccio 70). Reconsidering the origins of paradigms such as clocking in and out, \"society is a factory,\" and the gendered division of labor, Karen Pinkus challenges readers to think through cinema, enabling us to see gaps and breakdowns in the postwar order. She focuses on the Olivetti typewriter company and a little-known film from an Italian anthology movie, thinking with cinema about the power of the Autonomia movement, the refusal to work, and the questions of wages, paternalism, and sexual difference.
Alternating microscopic attention to details and zooming outward, Pinkus examines rituals of production, automation, repetition, and fractures in a narrative of labor that begins in the 1960s and extends to the present-the age of the precariat, right-wing resentment, and nostalgia for an order that was probably never was.
eBook
The concept of resistance in Italy
The Concept of Resistance in Italy brings together experts from different fields to reflect in a new, comprehensive critical approach, on an event that has shaped the young Italian nation from the onset of Fascism in the early 20s. Although grounded in the Italian context, its theoretical frameworks, provided by the variety of disciplines involved in the volume, will prove beneficial for any critical discourse on the concept of resistance nowadays.
Moving from a reflection on the legacy of the Italian Resistance to Fascism and the
Resistance Movement born in the latest years of WWII, when Italy witnessed the presence on its territory of foreign troops from opposite corners, and was involved in a Civil War at the very same time, this collection reassesses the concept of Resistance within the Italian 20th and 21st century cultural context, moving beyond historical perspectives. The multidisciplinary scope allows for an historical, philosophical and artistic exploration of the concrete actions that define resistance to Fascism, and the Resistance Movement during WWII, their representations in literature, cinema and music, and the more abstract philosophical concept of Resistance in a rapidly changing globalized world, with oppressive political orders, new global economic structures, and emerging new philosophical fields.
eBook