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"Museum techniques."
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Exhibiting Europe in Museums
by
Kaiser, Wolfram
,
Poehls, Kerstin
,
Krankenhagen, Stefan
in
Art & Art History
,
ART / Collections, Catalogs, Exhibitions / General
,
Cultural policy
2014,2022
Museums of history and contemporary culture face many challenges in the modern age. One is how to react to processes of Europeanization and globalization, which require more cross-border cooperation and different ways of telling stories for visitors. This book investigates how museums exhibit Europe. Based on research in nearly 100 museums across the Continent and interviews with cultural policy makers and museum curators, it studies the growing transnational activities of state institutions, societal organizations, and people in the museum field such as attempts to Europeanize collection policy and collections as well as different strategies for making narratives more transnational like telling stories of European integration as shared history and discussing both inward and outward migration as a common experience and challenge. The book thus provides fascinating insights into a fast-changing museum landscape in Europe with wider implications for cultural policy and museums in other world regions.
Re-Imagining the Museum
2003,2002
Re-Imagining the Museum presents new interpretations of museum history and contemporary museum practices.
Through a range of case studies from the UK, North America and Australia, Andrea Witcomb moves away from the idea that museums are always 'conservative' to suggest they have a long history of engaging with popular culture and addressing a variety of audiences. She argues that museums are key mediators between high and popular culture and between government, media practitioners, cultural policy-makers and museums professionals.
Analyzing links between museums and the media, looking at the role of museums in cities, and discussing the effects on museums of cultural policies, Re-Imagining the Museum presents a vital tool in the study of museum practice.
New museum practice in Asia
There is currently an explosion of museum and heritage activity across Asia, especially in China, where audience development and public education have been made a government priority area for museums. In some Asian countries such as Singapore and Korea public participation is already well established. As yet, this is little documented and reviewed for a wider audience in Asia and beyond. This practical handbook examines and critiques these developments and asks how best practice can match the specific needs of diverse Asian cultures and societies. Prioritizing, understanding and developing the relationship between museums and their users in cultural contexts that may, but often do not prioritize the public is a key challenge for Asian museum professionals at all levels, and for foreign partners of Asian museums also. Bringing together a range of regional examples of innovative practice and new initiatives, written by current practitioners, the book covers shared themes and challenges in museums, galleries, outreach/community projects and heritage sites across Asia.
Translating Museums
2012,2016
Shaila Bhatti's immersive study of the Lahore Museum in Pakistan is one of the first books to offer an in-depth historical and ethnographic analysis of a South Asian museum. Bhatti thus presents an alternative example of visitor experience and museum practice to that of the West, which has been the dominant museological model to date. This examination of the Lahore Museum's objects, staff, and visitors (past and present) provides an informative case study that reveals local perceptions and uses of museums in non-Western societies to be fraught with social, political, and cultural implications and appropriations. Through Lahore, Bhatti examines the history of exchange between Britian and South Asia and advances our current understanding of what constitutes postcolonial museum interpretation and its public.
Curatorial dreams : critics imagine exhibitions
\"Curatorial Dreams: Critics Imagine Exhibitions engages museological theory and practice in an innovative and creative manner by asking scholars to propose and conceptualize exhibitions inspired by their critical concerns and substantive research. The 14 authors in Curatorial Dreams share a commitment to translating critical academic theory about society, culture, and history into broadly accessible imagined exhibitions, offering concrete, imaginative projects designed for particular museums and other sites of display which distill their concerns materially for non-specialist visitors. In doing so, the volume addresses the tensions and conflicts existing between academic museum studies and practical public museology. Museum criticism is rarely constructive: its driving concern is to find fault with exhibitions. Such critiques often threaten and alienate practitioners, who must negotiate historical legacies as well as practical and political constraints, even as they work to innovate. While the deconstructive critique of museums remains relevant, Curatorial Dreams builds upon the sense of optimism expressed by many museum professionals regarding museums' potential to contribute to an inclusive and enriching public shere.\"-- Provided by publisher.
Museums
by
Simmons, John E
in
BUSINESS & ECONOMICS
,
Museology (Museum science)
,
Museum Administration & Museology
2016,2022
This comprehensive history of museums begins with the origins of collecting in prehistory and traces the evolution of museums from grave goods to treasure troves, from the Alexandrian Temple of the Muses to the Renaissance cabinets of curiosities, and onto the diverse array of modern institutions worldwide. The development of museums as public institutions is explored in the context of world history with a special emphasis on the significance of objects and collecting. The book examines how the successful exportation of the European museum model and its international adaptations have created public institutions that are critical tools in diverse societies for understanding the world. Rather than focusing on a specialized aspect of museum history, this volume provides a comprehensive synthesis of museums worldwide from their earliest origins to the present. Museums: A History tells the fascinating story of how museums respond to the needs of the cultures that create them. Readers will come away with an understanding of: the comprehensive history of museums from prehistoric collections to the present the evolution of museums presented in the context of world history the development of museums considered in diverse cultural contexts global perspective on museums the object-centered history of museums museums as memory institutions A constant theme throughout the book is that ,useums have evolved to become institutions in which objects and learning are associated to help human beings understand the world around them. Illustrations amplify the discussions.
Museums and their Visitors
1994,2013
Museums are at a critical moment in their history. In order to ensure survival into the next century, museums and galleries must demonstrate their social relevance and use. This means developing their public service functions through becoming more knowledgeable about the needs of their visitors and more adept at providing enjoyable and worthwhile experiences.Museums and Their Visitors aims to help museums and galleries in this crucial task. It examines the ways in which museums need to develop their communicative functions and, with examples of case-studies, explains how to achieve best practice. The special needs of a number of target audiences including schools, families and people with disabilities are outlined and illustrated by examples of exhibition, education and marketing policies. The book looks in detail at the power of objects to inspire and stimulate and analyses the use of language in museums and galleries.This is the first book to be written to guide museum and gallery staff in the development of provision for their visitors. It will be of interest to students of museum, heritage and leisure and tourism studies, as well as to international museum professionals.