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99 result(s) for "Museums France Paris"
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Utopia's garden
The royal Parisian botanical garden, the Jardin du Roi, was a jewel in the crown of the French Old Regime, praised by both rulers and scientific practitioners. Yet unlike many such institutions, the Jardin not only survived the French Revolution but by 1800 had become the world's leading public establishment of natural history: the Muséum d'Histoire Naturelle. E. C. Spary traces the scientific, administrative, and political strategies that enabled the foundation of the Muséum, arguing that agriculture and animal breeding rank alongside classification and collections in explaining why natural history was important for French rulers. But the Muséum's success was also a consequence of its employees' Revolutionary rhetoric: by displaying the natural order, they suggested, the institution could assist in fashioning a self-educating, self-policing Republican people. Natural history was presented as an indispensable source of national prosperity and individual virtue. Spary's fascinating account opens a new chapter in the history of France, science, and the Enlightenment.
Making Space for the Dead
The dead of Paris, before the French Revolution, were most often consigned to mass graveyards that contemporaries described as terrible and terrifying, emitting \"putrid miasmas\" that were a threat to both health and dignity. In a book that is at once wonderfully macabre and exceptionally informative, Erin-Marie Legacey explores how a new burial culture emerged in Paris as a result of both revolutionary fervor and public health concerns, resulting in the construction of park-like cemeteries on the outskirts of the city and a vast underground ossuary. Making Space for the Dead describes how revolutionaries placed the dead at the center of their republican project of radical reinvention of French society and envisioned a future where graveyards would do more than safely contain human remains; they would serve to educate and inspire the living. Legacey unearths the unexpectedly lively process by which burial sites were reimagined, built, and used, focusing on three of the most important of these new spaces: the Paris Catacombs, Père Lachaise cemetery, and the short-lived Museum of French Monuments. By situating discussions of death and memory in the nation's broader cultural and political context, as well as highlighting how ordinary Parisians understood and experienced these sites, she shows how the treatment of the dead became central to the reconstruction of Parisian society after the Revolution.
An Historical Alexandrite from the Mineralogy Museum of Paris School of Mines
A spectacular 42.54 ct faceted alexandrite belonging to the collection of the Mineralogy Museum of Paris School of Mines was non-destructively characterised for this report. This historical gem was exhibited in at least one exposition in Paris during the late 1870s and/or in 1880 before it was donated to the museum by lapidary Henri Garreaud in 1882. However, its geographic origin was not stated, and its gemmological properties have not been examined until now. Our study reveals that the gem's microscopic, chemical and spectroscopic characteristics are similar to those of alexandrite from Sri Lanka.
The Man Who Invented Aztec Crystal Skulls
Eugène Boban began life in humble circumstances in Paris, traveled to the California Gold Rush, and later became a recognized authority on pre-Columbian cultures.  He also invented an entire category of archaeological artifact: the Aztec crystal skull. By his own admission, he successfully “palmed off” a number of these crystal skulls on the curators of Europe’s leading museums. How could that happen, and who was this man? Detailed are the travels, self-education, and archaeological explorations of Eugène Boban; this book also explores the circumstances that allowed him to sell fakes to museums that would remain undetected for over a century.
The Man Who Invented Aztec Crystal Skulls
Eugène Boban began life in humble circumstances in Paris, traveled to the California Gold Rush, and later became a recognized authority on pre-Columbian cultures. He also invented an entire category of archaeological artifact: the Aztec crystal skull. By his own admission, he successfully \"palmed off\" a number of these crystal skulls on the curators of Europe's leading museums. How could that happen, and who was this man? Detailed are the travels, self-education, and archaeological explorations of Eugène Boban; this book also explores the circumstances that allowed him to sell fakes to museums that would remain undetected for over a century.