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Film Music in the Sound Era
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927-2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film.
This guide is published in two volumes:
Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films.
Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry.
A complete index is included in each volume.
eBook
Sourcebook for Research in Music, Third Edition
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
eBook
Sourcebook for research in music
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
eBook
Film Music in the Sound Era
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927-2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies.
eBook
Film Music in the Sound Era
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film.
This guide is published in two volumes:
Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films.
Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry.
A complete index is included in each volume.
Preface Acknowledgements I. Film Music Research: Overviews and Resources II. Histories and Other Surveys III. Theory and Criticism IV. Film Genre V. Case Studies of Individual Films Notes on the Indexes Names Index Film Titles Index
Jonathan Rhodes Lee is Assistant Professor of Music at the University of Nevada, Las Vegas, and the director of the Arnold Shaw Popular Music Research Center.
eBook
Sourcebook for Research in Music, Second Edition
The Sourcebook for Research in Music, in this revised and greatly
expanded second edition, is an invaluable guide to the researcher in navigating the
vast proliferation of materials in music research. The editors emphasize
English-language and recent sources, and also include essential materials in other
languages. An opening chapter of introductory materials, including a list of common
bibliographical terms with definitions, German and French bibliographical terms, and
the plan of the Library of Congress and the Dewey Decimal music classification
systems, is followed by seven bibliographical chapters, covering lists of sources as
well as collective annotations that introduce and identify specific items. A
reference tool containing varied information relating to research in music, the
Sourcebook will serve as a classroom text and as a resource for individual music
researchers, librarians, faculty members, students, performing and teaching
musicians, and musical amateurs.
eBook