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While many Western scholars have discussed the technical aspects of Balinese music or the traditional contexts for performance, little has been written in Western languages about Balinese discourses on their music. This dissertation seeks to understand the experience of music in Bali according to Balinese voices through an analysis of oral and written dialogues on music, mainly by musicians and dalangs (shadow play puppeteers) from the village of Sukawati, scholars, teachers, administrators and students from the Indonesian College of the Arts (STSI) in the City of Denpasar. The study examines the influence of modernization on the traditional arts and their role in society. A concentration on Balinese discourses enables individual performers and scholars to represent themselves to a greater extent than previously seen in ethnomusicological scholarship, making this study more of a critical discussion among equals than a Western interpretation of 'others'. This approach permits a rare view into contemporary Balinese conceptions and practices of music.

Balinese music is like Balinese life. It reflects community harmony, cooperation, and balance. This sensitive documentary is an American musician's unique portrait of Balinese life, art, and spirituality. Focusing on the concept of Taksu, or the spiritual power found in music, instruments, costumes, and dance, the film captures the vibrant rhythm that permeates all Balinese art and culture and suggests how the daily activities of the Balinese echo the tempo and interlocking harmonies of their music. \"Taksu\" will enhance numerous classes in cultural anthropology, Asian and Balinese studies, comparative religion, and ethnomusicology. It was produced by Jann Pasler, Prof. of Music, University of California, San Diego.