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15,121
result(s) for
"Music Periodicals."
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50 years of Rolling stone
by
Levy, Joe
,
Peckman, Jodi
,
Wenner, Jann
in
1900-2099 fast
,
History. fast (OCoLC)fst01411628
,
Journalism -- United States -- History -- 20th century
2017
For the past fifty years, Rolling Stone has been a leading voice in journalism, cultural criticism, and-above all-music. This landmark book documents the magazine's rise to prominence as the voice of rock and roll and a leading showcase for era-defining photography. From the 1960s to the present day, the book offers a decade-by-decade exploration of American music and history. Interviews with rock legends-Bob Dylan, Mick Jagger, Kurt Cobain, Bruce Springsteen, and more-appear alongside iconic photographs by Baron Wolman, Annie Leibovitz, Mark Seliger, and other leading image-makers. With feature articles, excerpts, and exposés by such quintessential writers as Hunter S. Thompson, Matt Taibbi, and David Harris, this book is an irresistible and essential keepsake of the magazine that has defined American music for generations of readers.
The magazine “Slavenska muzika” (1939–1941) in the history of Serbian music periodicals
2020
From November 1939 to March 1941, the monthly magazine ?Slavenska muzika?, a journal of the Association of Friends of Slavic Music, was published in Belgrade. The magazine did not differ from other Serbian magazines of the interwar period in its sections. ?Slavic music? also published essays on music, music criticism, reviews of books and music editions, notes, news, obituaries, and in one case, polemics. However, differentia specifica of this review is the exclusive focus on the music of the Slavic nations. The study provides a review and analysis of the texts in this journal. It was noticed that in ?Slavic music? were crossed the Slavophile idea, which has a long tradition among Serbs, and Marxism, at that time strongly represented by one part of Belgrade musicians. The study also contains an integral bibliography of ?Slavic music?, which has not been published so far.
Journal Article
No One Perspective: A Retrospective
2013
Hoffman comments on the impact and role of this journal in her life.
Journal Article
The magazine „Gusle“ (1911-1914) in the history of Serbian music periodicals
by
Vasic, Aleksandar
,
Golubovic, Marija
in
magazine “gusle” (1911-1914)
,
serbian music periodicals - 20th century
,
singing societies
2021
The Association of Serbian Singing Societies in Sombor started the magazine ?Gusle? in May 1911. It was a monthly magazine with each issue sixteen pages long. In the introductory place in each issue ?Gusle? brought extensive texts dedicated to the problems in the work of Serbian singing societies. One column followed the work of the Association, and one brought news from the life of singing societies. The magazine was concluded by notes and advertisements. The out?break of the First World War stopped the publication of this magazine. The last issue was published in April 1914. This is the first study dedicated to the magazine ?Gusle?, its structure, content and ideological profile. In the appendix, the paper brings an integral bibliography of the journal, which did not exist until now.
Journal Article
The Sacred Harp “Minutes Book”
by
REES, NATHAN K.
in
ESSAYS
2020
Minutes of Sacred Harp Singings, an annual publication produced by the Sacred Harp Musical Heritage Association, compiles detailed proceedings of Sacred Harp singing conventions, events originating in the nineteenth century that continue to gather participants to sing from The Sacred Harp, a shape-note tunebook. Although the volume consists primarily of lists of participants’ song choices at singing conventions, a careful reading of its textual and material signifiers demonstrates its power as a self-representation of the community that it supports. Community members employ the publication—along with an accompanying app for mobile devices—to build community identity and assert specific practices as Sacred Harp’s central “traditions.” As Sacred Harp singing has expanded dramatically in its geography and attracted an ideologically diverse participant base, the annual publication has become an important voice in defining traditional practice for new singers while obscuring the music culture’s problematic relationship to the cultural contexts attending its emergence in the antebellum South and instead representing Sacred Harp as a contemporary practice open to new participants of all backgrounds.
Journal Article