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"Music and race Congresses."
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Melancholia of Freedom
The end of apartheid in 1994 signaled a moment of freedom and a promise of a nonracial future. With this promise came an injunction: define yourself as you truly are, as an individual, and as a community. Almost two decades later it is clear that it was less the prospect of that future than the habits and horizons of anxious life in racially defined enclaves that determined postapartheid freedom. In this book, Thomas Blom Hansen offers an in-depth analysis of the uncertainties, dreams, and anxieties that have accompanied postapartheid freedoms in Chatsworth, a formerly Indian township in Durban. Exploring five decades of township life, Hansen tells the stories of ordinary Indians whose lives were racialized and framed by the township, and how these residents domesticated and inhabited this urban space and its institutions, during apartheid and after.
Hansen demonstrates the complex and ambivalent nature of ordinary township life. While the ideology of apartheid was widely rejected, its practical institutions, from urban planning to houses, schools, and religious spaces, were embraced in order to remake the community. Hansen describes how the racial segmentation of South African society still informs daily life, notions of race, personhood, morality, and religious ethics. He also demonstrates the force of global religious imaginings that promise a universal and inclusive community amid uncertain lives and futures in the postapartheid nation-state.
eBook
Paul Robeson and the Cold War Performance Complex
Actor and singer Paul Robeson's performances inOthello,Show Boat, andThe Emperor Jonesmade him famous, but his midcentury appearances in support of causes ranging from labor and civil rights to antilynching and American warmongering made him notorious. When Robeson announced at the 1949 Paris Peace Conference that it was \"unthinkable\" for blacks to go to war against the Soviet Union, the mainstream American press declared him insane.Notions of Communism, blackness, and insanity were interchangeably deployed during the Cold War to discount activism such as Robeson's, just a part of an array of social and cultural practices that author Tony Perucci calls the Cold War performance complex. Focusing on two key Robeson performances---the concerts in Peekskill, New York, in 1949 and his appearance before the House Committee on Un-American Activities in 1956---Perucci demonstrates how these performances and the government's response to them are central to understanding the history of Cold War culture in the United States. His book provides a transformative new perspective on how the struggle over the politics of performance in the 1950s was also a domestic struggle over freedom and equality. The book closely examines both of these performance events as well as artifacts from Cold War culture---including congressional documents, FBI files, foreign policy papers, the popular literature on mental illness, and government propaganda films---to study the operation of power and activism in American Cold War culture.
eBook
Say Brother. Hustlers, Drugs and Prison
The program focuses on illegal drugs, and the continued effect they have on the African American community via an exploration of the recent drug-culture film Superfly and discussions with local drug rehabilitation employees. Program includes clips from the recent film, an interview with actor Ron O'Neal conducted by John Slade, a discussion among community members who oppose the film (John Chatterton of the Bay State Banner and David Booker and Fred Smallwood of First Incorporated, a drug rehabilitation program in Roxbury that is among the oldest in the country), 'man on the street' interviews regarding drug use, and a discussion with South End Community Drug Council employees Joseph Nkunta, Rochelle Lee, and Steve Moss about the specific ways they handle drug abuse in the community.
Streaming Video
Practicing Transgression
Recounts the conference, \"Practicing Transgression: Radical Women of Color for the 21st Century,\" held at the U of California, Berkeley, in Feb 2002. The inspiration of the forum, a book titled This Bridge on My Back: Writings by Radical Women of Color (Moraga, Cherrie L., & Anzaldua, Gloria E. [Eds], 1982), is reflected on for its impact on the field of scholarship. Highlights of the conference, namely the specific panel discussion items, are noted. L. Collins
Journal Article
German and Jewish
Isak Schrečker, the Jewish father of the composer Franz Schreker, had been court photographer in Budapest to Franz Joseph, King of Hungary and Emperor of Austria, as well as to his son and heir Crown Prince Rudolf, since obtaining the royal seal of approval in 1871. In 1874, he divorced his Jewish wife, converted to Protestantism and changed his name to Ignácz Ferenz Schrecker before placing an advertisement in the paper in search of a new, presumably non-Jewish, wife. The success of this venture must have startled even him: with his marriage to the penniless god-daughter of Princess Eleonore Maria
Book Chapter