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"Music festivals Fiction."
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We sold our souls
\"In this hard-rocking ... supernatural thriller, the washed-up guitarist of a '90s heavy metal band embarks on an epic road-trip across America and deep into the web of a sinister conspiracy\"--Publisher marketing.
Book
What monster ?
This book contains monsters - mystery - a music festival - missing stuff - me and Marcus (not necessarily in that order). And a very strict supply teacher, but don't let that put you off.
Technology, Society, and Visioning The Future of Music Festivals
Many music festivals fail because the experiences offered do not ensure relevance and meaning to the attendee. Engagement with new and virtual landscapes and with the enhanced sensory feelings and imaginations that technologies can offer may alleviate this. Utilizing a futures frame,
this conceptual article contributes to the pursuit of successful future event design by applying a normative visionary methodology-employing trend analysis, scenarios, and science fiction to create prototypes that may assist in the formation of appropriate experience options and opportunities
for music festivals of the future. It is proposed that this technique may aid positive social outcomes.
Journal Article
What monster?
This book contains monsters - mystery - a music festival - missing stuff - me and Marcus (not necessarily in that order). And a very strict supply teacher, but don't let that put you off.
Book
Anonymous club
Grammy-nominated singer/songwriter Courtney Barnett allows rare access to her life on tour and artistic process in this intimate 16mm documentary for devotees and new fans alike.
Streaming Video
Starswirl do-over
\"All the Equestria Girls are excited to be at the Starswirl Music Festival, but no one is more excited to see PostCrush, the most amazing pop duo ever, than Sunset Shimmer and Pinkie Pie! The only problem is...Sunset Shimmer is trapped in a time loop! She keeps reliving day one of the festival over and over, and she hasn't been able to make the right decisions to get to the big show. Help Sunset Shimmer find a way to figure out what kind of Equestrian magic is behind this and make it to the PostCrush concert with her best friend so she doesn't stay stuck forever!\"--Amazon.com.
CHILDBOOK
Music and Soundscapes in René Laloux’s Animated Feature Films
Although René Laloux’s three feature films La Planète Sauvage (1973), Les Maîtres du temps (1981) and Gandahar (1987) are crucial for French science fiction cinema, the sound used in Laloux’s work has not yet been studied. In this article, the music in Laloux’s films is explored in detail as a creative force in each science fiction universe. Moreover, the complex relationship between music, soundscapes and sound effects is discussed. The porousness of the boundaries between the different components of the soundtrack, enriching each other, is particularly highlighted in the score and sound design of Les Maîtres du temps by Christian Zanési.
Journal Article
Cris rituels, auloi et tambourins. Paysage sonore et identités dans les Bacchantes d’Euripide
Cris rituels, auloí et tambourins sont mentionnés à plusieurs reprises dans le texte des Bacchantes d’Euripide. La pièce crée ainsi un univers sonore fictif, un tissu de références auditives qui se superpose à la musique réellement perçue par les spectateurs, dans le contexte de la première performance aux Dionysies à Athènes. Notre étude articule ces deux espaces sonores, en analysant en particulier le rôle de l’aulós. Cet instrument présente en effet une apparente contradiction: il est ce qui donne rythme et mélodie au festival athénien, mais il est aussi l’un des emblèmes du culte étranger. Nous montrons comment la configuration des sonorités propres aux Bacchantes multiplie les références sonores, et crée un espace sonore qui est un espace de médiation et de conciliation des identités.
Journal Article
SOUND OF SILENTS: ALLOY ORCHESTRA
Labeled by the late Roger Ebert as \"the best in the world at accompanying silent films,\" Alloy Orchestra is a three-man musical ensemble that writes new music and performs live accompaniment to classic silent films. Alloy began in 1991, and have since scored over twenty-five feature films and just as many shorts, and have now logged more than a thousand performances in over a dozen countries. Alloy Orchestra also sat for a Jorgensen Guest Filmmaker event in the form of an onstage interview, conducted by IU Cinema's associate director of Facilities, Events and Guest Services, Jessica Davis Tagg. Many people didn't think a disco-rock score with Pat Benatar, Freddie Mercury, Lover Boy, Adam Ant was necessarily appropriate for the science fiction film Metropolis, including a friend of ours, named David Klyler, who was the programmer at a theater in Brookline, Massachusetts, so he asked us, actually, Ken and me, we had a previous keyboard player, if we wanted to score Metropolis and play a couple shows over a weekend.
Journal Article