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"Music trade Technological innovations."
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The music industry : music in the cloud
\"Since the first edition was published in 2009, Patrik Wikström's book has become a go-to text for students and scholars. This thoroughly updated third edition provides an international overview of the music industry and its future prospects in the world of global entertainment\"-- Provided by publisher.
Book
Selling digital music, formatting culture
Selling Digital Music, Formatting Culturedocuments the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Tracing the emergence of what Jeremy Wade Morris calls the \"digital music commodity,\"Selling Digital Music, Formatting Cultureconsiders how a conflicted assemblage of technologies, users, and industries helped reformat popular music's meanings and uses. Through case studies of five key technologies-Winamp, metadata, Napster, iTunes, and cloud computing-this book explores how music listeners gradually came to understand computers and digital files as suitable replacements for their stereos and CD. Morris connects industrial production, popular culture, technology, and commerce in a narrative involving the aesthetics of music and computers, and the labor of producers and everyday users, as well as the value that listeners make and take from digital objects and cultural goods. Above all,Selling Digital Music, Formatting Cultureis a sounding out of music's encounters with the interfaces, metadata, and algorithms of digital culture and of why the shifting form of the music commodity matters for the music and other media we love.
eBook
Selling digital music, formatting culture
\"Selling Digital Music documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Exploring the emergence of what Morris calls the digital music commodity, Selling Digital Music considers how a conflicted assemblage of technologies, users, and industries helped reformat popular music's meanings and uses. Through case studies of five key technologies--Winamp, metadata, Napster, iTunes, and cloud computing--Morris questions how music listeners gradually came to understand computers and digital files as suitable replacements for their stereos and CDs. The digitization of the music commodity connects industrial production, popular culture, technology, and commerce in a narrative involving the aesthetics of music and computers, and the labor of producers and everyday users, as well as the value that listeners make and take from digital objects and cultural goods. Above all, Selling Digital Music is a sounding out of music's encounters with the interfaces, metadata, and algorithms of digital culture.\"--Provided by publisher.
Book
Music 4.1: a survival guide for making music in the Internet age
Today's music industry is constantly changing at a dizzying pace, and this Music 4.1: A Survival Guide for Making Music in the Internet Age is fully equipped to help you navigate it. Written for artists overwhelmed by the seemingly endless options of the quickly evolving Internet, this is the only book that offers a comprehensive strategy for online success.In Music 4.1, Bobby Owsinski includes an in-depth look at the economics of streaming music, with the real information about royalties that distributors and record labels don't want you to know and that simply can't be found anywhere else. The book also looks at how revenue is generated from YouTube and other video streaming services, and it provides techniques for optimizing both videos and channels for maximum success. Also included are lists of effective tips (both high- and low-tech) and checklists with every chapter, as well as a reference list of online tools for inexpensive music and merchandise distribution, sales, marketing, and promotion.With fresh interviews from several of today's successful music industry innovators, Music 4.1 reveals new and proven pathways to success in the new paradigm of the modern music world.
eBook
Climbing the Charts
Despite the growth of digital media, traditional FM radio airplay still remains the essential way for musicians to achieve commercial success.Climbing the Chartsexamines how songs rise, or fail to rise, up the radio airplay charts. Looking at the relationships between record labels, tastemakers, and the public, Gabriel Rossman develops a clear picture of the roles of key players and the gatekeeping mechanisms in the commercial music industry. Along the way, he explores its massive inequalities, debunks many popular misconceptions about radio stations' abilities to dictate hits, and shows how a song diffuses throughout the nation to become a massive success.
Contrary to the common belief that Clear Channel sees every sparrow that falls, Rossman demonstrates that corporate radio chains neither micromanage the routine decision of when to start playing a new single nor make top-down decisions to blacklist such politically inconvenient artists as the Dixie Chicks. Neither do stations imitate either ordinary peers or the so-called kingmaker radio stations who are wrongly believed to be able to make or break a single. Instead, Rossman shows that hits spread rapidly across radio because they clearly conform to an identifiable style or genre. Radio stations respond to these songs, and major labels put their money behind them through extensive marketing and promotion efforts, including the illegal yet time-honored practice of payoffs known within the industry as payola.
Climbing the Chartsprovides a fresh take on the music industry and a model for understanding the diffusion of innovation.
eBook
The Use of Full-Line Forcing Contracts in the Video Rental Industry
Bundling is at the forefront of many policy debates as new technologies allow firms to implement more complex bundling arrangements. Realistic analyses of bundling—particularly between suppliers and retailers—require detailed data on both supply arrangements and consumer demand. We analyze firms' use of bundling as a vertical restraint (known as full-line forcing) using extensive supply and demand data from the video rental industry. Our model captures key details of the market that determine firms' contractual choices, and sheds light on the implications of these decisions. The empirical approach provides a model for how to analyze bundling when detailed data are available.
Journal Article
Ticket resale, bots, and the fair price ticketing curse
The fair price ticketing curse occurs when an event organizer sells tickets at prices that do not correspond to underlying demand conditions and does not want resellers to profit from resale opportunities. The curse has been exacerbated with the advent of online ticketing. The challenge is to facilitate genuine ticket exchange while eliminating resale for profit. None of the attempted public or private solutions solve the problem. We propose a simple mechanism, identify a key set of necessary conditions for it to work, and discuss recent technological innovations that facilitate its implementation.
Journal Article
The impact of internet file-sharing on the purchase of music CDs in Canada
This paper re-examines data from a survey commissioned by Industry Canada on the effects of internet peer-to-peer (P2P) file sharing activities on music purchasing behaviour. The survey was designed to “inform Industry Canada's policy development work” (Quote from project Description from Industry Canada’s website at
http://www.ic.gc.ca/eic/site/ic1.nsf/eng/01464.html
downloaded 23 January 2012) and the need for copyright law reform in Canada in light of the technological innovation posed by P2P file sharing. The
Journal of Evolutionary Economics
published a study of the Industry Canada data by Andersen and Frenz (AF) in 2010 which claimed to show “… no association between the number of P2P files downloaded and CD album sales (Andersen and Frenz 2010 ibid p 374),” and “… that P2P file-sharing is not to blame for the decline in CD markets. Music markets are not simply undermined by free music downloading and P2P file-sharing (Ibid p375).” Our paper corrects a number of fundamental errors in this analysis of AF, in particular the fact AF biased their results by excluding from their analysis the group of consumers who had completely stopped purchasing CDs (potentially because of P2P activity) prior to 2005. This is the very group who were most responsive, or likely to have substituted P2P downloading for CD purchases. We use longitudinal analysis of how reported changes in P2P downloading by individuals related to their reported changes in CD demand between 2004 and 2005 to better test the hypothesis of whether P2P downloading may reduce CD demand. Contrary to AF’s results we find negative and generally statistically significant partial correlations between CD purchases and P2P downloads under a number of specifications and sample definitions. The range of these estimated correlations is between −0.047 and −0.061. This implies that a 10 % growth in P2P downloads is associated with between a 0.47 and 0.61 % decline in CD purchases. Our estimated relationships between CD sales and P2P downloads are broadly consistent with market sales data up to the time of the Industry Canada survey, unlike AF.
Journal Article
Ethical Issues in the Music Industry Response to Innovation and Piracy
The current conflict between the recording industry and a portion of its customers who are involved in illicit copying of music files arose from innovations involving the compression and electronic distribution of files over the internet. This paper briefly describes some of the challenges faced by the recording industry, and examines some of the ethical issues that arise in various industry and consumer responses to the opportunities and threats presented by these innovations. The paper concludes by highlighting the risks associated with responses that threaten further innovation, ultimately reducing the chances of finding solutions that hold appeal for all parties.
Journal Article
The Copyright-Innovation Tradeoff: Property Rules, Liability Rules, and Intentional Infliction of Harm
Should the law secure to copyright owners control over new technological uses of their works? Or should the law leave technological innovators free to explore and exploit such uses? The greater the control afforded to copyright owners, the greater the incentive to produce content, but also the greater the disincentive to produce better technologies to enjoy it. This Article studies the degree to which protecting copyright owners or technological innovators by property rules or liability rules over new technological uses of content would drive members of each group to invest desirably in their respective creations and in reducing the interference between their activities. The Article offers three major contributions: (1) it assesses the degree to which different entitlements promote authorship and innovation as well as investments to minimize the interference between them, (2) it shows that a property rule in technological innovators might drive them to harm copyright owners intentionally, and (3) it suggests a way of modifying legal entitlements that can improve copyright owners and innovators' incentives to invest.
Journal Article