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Composition and cognition : reflections on contemporary music and the musical mind
\"In Composition and Cognition, famed composer and theorist Fred Lerdahl builds off the theoretical project that has occupied him for years: a comprehensive model of the cognition of tonal music. Bringing together his dual career in composition and music theory, he reveals how his work in music theory has served as a foundation for his compositional style and how his intuitions as a composer have guided his cognitively-oriented music theories. These theories, combined with related theoretical and empirical research, offer an overall picture of the musical mind that has implications for central issues in contemporary composition, including the recurrent gap between compositional method and perceived result, and the tension between cognitive constraints and utopian aesthetic views of musical progress. At times personal and reflective, Lerdahl's lyrical yet succinct volume will provide invaluable insights for students and instructors, composers, and musicians\"--Provided by publisher.
Book
Visualizing Music
To feel the emotional force of music, we experience it
aurally. But how can we convey musical understanding
visually?
Visualizing Music explores the art of communicating
about music through images. Drawing on principles from the fields
of vision science and information visualization, Eric Isaacson
describes how graphical images can help us understand music. By
explaining the history of music visualizations through the lens of
human perception and cognition, Isaacson offers a guide to
understanding what makes musical images effective or ineffective
and provides readers with extensive principles and strategies to
create excellent images of their own. Illustrated with over 300
diagrams from both historical and modern sources, including
examples and theories from Western art music, world music, and
jazz, folk, and popular music, Visualizing Music explores
the decisions made around image creation.
Together with an extensive online supplement and dozens of
redrawings that show the impact of effective techniques,
Visualizing Music is a captivating guide to thinking
differently about design that will help music scholars better
understand the power of musical images, thereby shifting the
ephemeral to material.
eBook
The musical topic : hunt, military and pastoral
The Musical Topic discusses three tropes prominently featured in Western
European music: the hunt, the military, and the pastoral. Raymond Monelle provides
an in-depth cultural and historical study of musical topics -- short melodic
figures, harmonic or rhythmic formulae carrying literal or lexical meaning --
through consideration of their origin, thematization, manifestation, and meaning.
The Musical Topic shows the connections of musical meaning to literature, social
history, and the fine arts.
eBook
Conceptualizing music : cognitive structure, theory, and analysis
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes: categorization, cross-domain mapping, and the use of conceptual models, and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy.
eBook
Tonal pitch space
This book builds on and in many ways completes the project of Fred Lerdahl and Ray Jackendoff's influential A Generative Theory of Tonal Music. Like the earlier volume, this book is both a music-theoretic treatise and a contribution to the cognitive science of music. After presenting some modifications to Lerdahl and Jackendoff's original framework, the book develops a quantitative model of listeners' intuitions of the relative distances of pitches, chords, and regions from a given tonic. The model is used to derive prolongational structure, trace paths through pitch space at multiple prolongational levels, and compute patterns of tonal tension and attraction as musical events unfold. The consideration of pitch-space paths illuminates issues of musical narrative, and the treatment of tonal tension and attraction provides a technical basis for studies of musical expectation and expression. These investigations lead to a fresh theory of tonal function and reveal an underlying parallel between tonal and metrical structures. Later portions of the book apply these ideas to highly chromatic tonal as well as atonal music. In response to stylistic differences, the shape of pitch space changes and psychoacoustic features become increasingly important, while underlying features of the theory remain constant, reflecting unvarying features of the musical mind. The theory is illustrated throughout by analyses of music from Bach to Schoenberg, and frequent connections are made to the music-theoretic and psychological literature.
eBook