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Blues Traveling
At a crossroads in the Mississippi Delta, Robert Johnson is said to have sold his soul to the Devil so that he could become a guitar virtuoso and King of the Delta Blues. Blues Traveling: The Holy Sites of Delta Blues will tell you where that legendary deal was supposed to have been made and guide you to all the other hallowed grounds that nourished Mississippi's signature music. Johnson, Mississippi John Hurt, Memphis Minnie, Jimmie Rodgers, Bessie Smith, Muddy Waters, Mississippi Fred McDowell, Howlin' Wolf, B. B. King, Little Milton, Elvis Presley, Bobby Rush, Junior Kimbrough, R. L. Burnside-the list of great artists with Mississippi connections goes on and on. A trip through Mississippi blues sites is a pilgrimage every music lover ought to make at least once in a lifetime, to see the juke joints and churches, to visit the birthplaces and graves of blues greats, to walk down the dusty roads and over the levee, to eat some barbecue and greens, to sit on the bank of the Mississippi River, and to hear some down-home blues music. Blues Traveling is the first and only guidebook to Mississippi's musical places and blues history. With photographs, maps, easy-to-follow directions, and an informative, entertaining text, this book will lead you in and out of Clarksdale, Greenwood, Helena (Arkansas), Rolling Fork, Jackson, Natchez, Bentonia, Rosedale, Itta Bena, and dozens of other locales that generations of blues musicians have lived in, traveled through, and sung about. Stories, legends, and lyrics are woven into the text so that each backroad and barroom comes alive. Touring Mississippi with Blues Traveling is like having a knowledgeable and entertaining guide at your side. Even people with no immediate plans to visit Mississippi will enjoy reading the book for its photos, descriptions, and lore that will broaden their understanding and enhance
their appreciation of the blues. Steve Cheseborough is an independent scholar and blues musician. His work has been published in Living Blues , Blues Access , Mississippi , and the Southern Register.
eBook
Blues Musicians of the Mississippi Delta
The Mississippi Delta blues run as deep and mysterious as the beautiful land from where the music originates. Blues legends B.B. King, Muddy Waters, John Lee Hooker, Howlin' Wolf, Sonny Boy Williamson, and countless other greats came from this region. The Delta blues, born as work songs in Mississippi cotton fields, was played on city street corners and in rural juke joints. With the Great Migration of African Americans in the first half of the 20th century, the Delta blues also made its way from Mississippi to Chicago. The sound of the blues would become the blueprint for the birth of rock and roll in Memphis in the 1950s. The era of the great Delta blues musicians is over, but their legacy remains an important chapter in American music. This book contains images of these important performers and the rich Delta landscapes that influenced their music.
eBook
Blues Traveling
At a crossroads in the Mississippi Delta, Robert Johnson is said to have sold his soul to the Devil so that he could become a guitar virtuoso and King of the Delta Blues.
Blues Traveling: The Holy Sites of Delta Blueswill tell you where that legendary deal was supposed to have been made and guide you to all the other hallowed grounds that nourished Mississippi's signature music.
Johnson, Mississippi John Hurt, Memphis Minnie, Jimmie Rodgers, Bessie Smith, Muddy Waters, Mississippi Fred McDowell, Howlin' Wolf, B. B. King, Little Milton, Elvis Presley, Bobby Rush, Junior Kimbrough, R. L. Burnside-the list of great artists with Mississippi connections goes on and on.
A trip through Mississippi blues sites is a pilgrimage every music lover ought to make at least once in a lifetime, to see the juke joints and churches, to visit the birthplaces and graves of blues greats, to walk down the dusty roads and over the levee, to eat some barbecue and greens, to sit on the bank of the Mississippi River, and to hear some down-home blues music.
Blues Travelingis the first and only guidebook to Mississippi's musical places and blues history. With photographs, maps, easy-to-follow directions, and an informative, entertaining text, this book will lead you in and out of Clarksdale, Greenwood, Helena (Arkansas), Rolling Fork, Jackson, Natchez, Bentonia, Rosedale, Itta Bena, and dozens of other locales that generations of blues musicians have lived in, traveled through, and sung about. Stories, legends, and lyrics are woven into the text so that each backroad and barroom comes alive.
Touring Mississippi withBlues Travelingis like having a knowledgeable and entertaining guide at your side. Even people with no immediate plans to visit Mississippi will enjoy reading the book for its photos, descriptions, and lore that will broaden their understanding and enhance their appreciation of the blues.
Steve Cheseborough is an independent scholar and blues musician. His work has been published inLiving Blues,Blues Access,Mississippi, and theSouthern Register.
eBook
Imperial Desire
An exploration of the intersection of colonialism and homosexuality in fiction and travel writing, this volume brings together two dynamic fields of academic inquiry: colonial discourse analysis and queer theory. Contributors: Anjali Arondekar, John C. Beynon, Joseph A. Boone, Sarah Cole, Lois Cucullu, Maria Davidis, Dennis Denisoff, Mark Forrester, Terry Goldie, Christopher Lane, Tim Middleton, Hans Turley.
eBook
Let My Children Hear Music
RésuméQuand LeRoi Jones (Amiri Baraka), se faisant le rapporteur du « peuple du Blues », des Afro-Américains et de leurs musiques, écrit que « la musique du Blanc n’était pas le produit des mêmes conditions culturelles, c’était [...] un art appris », deux problèmes se posent: celui des modes d’existence de ces conditions culturelles; celui de la valeur socioculturelle des modes d’apprentissage. Car la « musique des Noirs » est tout autant apprise, ce sont d’ailleurs les conditions dans lesquelles elle se transmet qui peuvent nous renseigner sur sa culture; ce sont elles qui font l’objet de cet article à travers une étude ethnographique de musiciens de Chicago.
Journal Article
Dynamic Prediction by Landmarking in Event History Analysis
This article advocates the landmarking approach that dynamically adjusts predictive models for survival data during the follow up. This updating is achieved by directly fitting models for the individuals still at risk at the landmark point. Using this approach, simple proportional hazards models are able to catch the development over time for models with time-varying effects of covariates or data with time-dependent covariates (biomarkers). To smooth the effect of the landmarking, sequences of models are considered with parametric effects of the landmark time point and fitted by maximizing appropriate pseudo log-likelihoods that extend the partial log-likelihood to cover the landmarking approach.
Journal Article
Dynamic invariance in the phonetic expression of syllable structure: a case study of Moroccan Arabic consonant clusters
We asked whether invariant phonetic indices for syllable structure can be identified in a language where word-initial consonant clusters, regardless of their sonority profile, are claimed to be parsed heterosyllabically. Four speakers of Moroccan Arabic were recorded, using Electromagnetic Articulography. Pursuing previous work, we employed temporal diagnostics for syllable structure, consisting of static correspondences between any given phonological organisation and its presumed phonetic indices. We show that such correspondences offer only a partial understanding of the relation between syllabic organisation and continuous indices of that organisation. We analyse the failure of the diagnostics and put forth a new approach in which different phonological organisations prescribe different ways in which phonetic indices change as phonetic parameters are scaled. The main finding is that invariance is found in these patterns of change, rather than in static correspondences between phonological constructs and fixed values for their phonetic indices.
Journal Article
Movement-Related Feedback and Temporal Accuracy in Clarinet Performance
SENSORY INFORMATION AVAILABLE WHEN MUSICIANS' fingers arrive on instrument keys contributes to temporal accuracy in piano performance (Goebl & Palmer, 2008). The hypothesis that timing accuracy is related to sensory (tactile) information available at finger-key contact was extended to clarinetists' finger movements during key depressions and releases that, together with breathing, determine the timing of tone onsets. Skilled clarinetists performed melodies at different tempi in a synchronization task while their movements were recorded with motion capture. Finger accelerations indicated consistent kinematic landmarks when fingers made initial contact with or release from the key surface. Performances that contained more kinematic landmarks had reduced timing error. The magnitude of finger accelerations on key contact and release was positively correlated with increased temporal accuracy during the subsequent keystroke. These findings suggest that sensory information available at finger-key contact enhances the temporal accuracy of music performance.
Journal Article