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Hair combed into a ducktail, wearing bluejeans and smoking a cigarette, Dean's movie character personified an emerging American fear: the juvenile delinquent who challenges the status quo of adult society. \"The very first time I saw a picture of him, I knew I was looking at the future,\" horror writer Stephen King once said.

[...] in the 1995 comic drama \"Something to Talk About\" (7 p.m., WE) she sunk those gleaming choppers into a juicy role, leading a high-powered ensemble that included Robert Duvall, Kyra Sedgwick and Dennis Quaid as her cheating husband.

April 15--TALKING to Stafford High School grad Tug Coker last week about his role in a new Broadway play brought up memories of my own theatrical debut. Luckily, a level-headed cast member dumped a prop pitcher of iced tea on the conflagration, making it seem like just another lunchroom afternoon.

\"Tom is the first one on the field and the last one to leave,\" wrote Patty Loew in her letter to the Packers nominating Murphy for the Community Quarterback Award, which is given annually to 20 individuals who exhibit leadership and a dedication to improving their communities through volunteering.

In a business partnership begun during the summer, Chicago Tribune Media Group handles ad sales, printing and distribution for the Chicago print edition of The Onion. \"We're trying to take the Onion comedic brand and to translate it into video as we did first on the Web, and to take it to a large audience and to make people smarter as a result,\" says Hannah, the company's CEO and a true believer in the power of satire.

The curator of Treasures III, Scott Simmon, observes in the program notes that \"in the years before World War I, virtually no issue was too controversial to bring to the screen: abortion, anarchism, unionization, the vote for women, child labor, organized crime, prostitution, loan sharking, juvenile justice, homelessness, police corruption, workplace discrimination, immigration, and more\" (p. ix). Department of Agriculture fiction film from the 1920s about how farm life and city life differed for women (Poor Mrs. Jones! [1926]); feature films from the late 1910s and the 1920s that sought to engage social issues within the conventions of an emerging classical Hollywood aesthetic, from Where Are My Children? to The Godless Girl to Redskin (1929); and even the earliest surviving King Vidor film, Bud's Recruit (1918), a comic story about a patriotic boy who teaches his pacifist mother and draft-age brother about the importance of supporting the war effort.