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Lennon on Lennon : conversations with John Lennon
\"John Lennon was a highly opinionated and controversial figure with a commanding personality and quick wit. He spoke candidly about his intense, sometimes tumultuous relationship with Yoko Ono, his split with the Beatles, his squabbles with Paul McCartney, and just about everything else, baring his emotional ups and downs for all to see. By the time he granted his-- and this book's-- final interview, only hours before his death, he had become one of the most famous people on the planet. Lennon on Lennon is an authoritative anthology of some of Lennon's most illuminating interviews. The majority have not been previously available in print, and several of the most important have not been widely available in any format. This material paints a revealing picture of the artist in his own words and offers a window into the cultural atmosphere of the sixties and seventies\"-- $c Baker & Taylor.
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Growing Up With Jazz
A jazz writer for three decades, W. Royal Stokes has a special talent for capturing the initial spark that launches a musician’s career. In Growing Up With Jazz, he has interviewed twenty-four instrumentalists and singers who talk candidly about the early influences that started them on the road to jazz and where that road has taken them. Stokes offers a kaleidoscopic look at the jazz scene, featuring musicians from a dazzling array of backgrounds. Ray Gelato recalls the life of a working class youth in London, Patrizia Scascitelli recounts being a child prodigy in Rome who became the first woman of Italian jazz, and Billy Taylor tells about his childhood in Washington, DC, where his grandfather was a Baptist minister and his father a dentist--and everyone in the family seemed well trained in music. Perhaps most exotic is Luluk Purwanto, an Indonesian violinist who as a child listened to gamelan music in the morning and took violin lessons in the afternoon (on an instrument so expensive she didn’t dare quit). For some, the flame burned bright at an early age. Jane Monheit sang before she could speak and was set on a musical career by age eight. Lisa Sokolov played classical piano, sang opera and choral music, and was in a jazz band--all by high school. But Carol Sudhalter, though born into a very musical family (“a Bix Beiderbecke family”), was a botany major at Smith, and only became a serious musician after college, quitting a government job to study the flute and saxophone in Italy. From Art Blakey to Claire Daly to Don Byron, here are the compelling stories of two dozen top musicians finding their way in the world of jazz.
eBook
Mingus speaks
Charles Mingus is among jazz’s greatest composers and perhaps its most talented bass player. He was blunt and outspoken about the place of jazz in music history and American culture, about which performers were the real thing (or not), and much more. These in-depth interviews, conducted several years before Mingus died, capture the composer’s spirit and voice, revealing how he saw himself as composer and performer, how he viewed his peers and predecessors, how he created his extraordinary music, and how he looked at race. Augmented with interviews and commentary by ten close associates—including Mingus’s wife Sue, Teo Macero, George Wein, and Sy Johnson—Mingus Speaks provides a wealth of new perspectives on the musician’s life and career. As a writer for Playboy, John F. Goodman reviewed Mingus’s comeback concert in 1972 and went on to achieve an intimacy with the composer that brings a relaxed and candid tone to the ensuing interviews. Much of what Mingus shares shows him in a new light: his personality, his passions and sense of humor, and his thoughts on music. The conversations are wide-ranging, shedding fresh light on important milestones in Mingus’s life such as the publication of his memoir, Beneath the Underdog, the famous Tijuana episodes, his relationships, and the jazz business.
eBook
Prince : the last interview and other conversations
There is perhaps no musician who has had as much influence on the sound of contemporary American music than Prince. His pioneering compositions brought a variety of musical genres into a singular funky and virtuosic sound. In this remarkable collection, and with his signature mix of seduction and demur, the late visionary reflects on his artistry, identity, and the sacrifices and soul-searching it took to stay true to himself. An Introduction by Hanif Abdurraqib offers astute, contemporary perspective and brilliantly contextualizes the collected interviews.
BOOK
Fire in the Water, Earth in the Air
From Buddy Holly and the Crickets to the Flatlanders, Terry Allen, and Natalie Maines, Lubbock, Texas, has produced songwriters, musicians, and artists as prolifically as cotton, conservatives, and windstorms. While nobody questions where the conservatives come from in a city that a recent nonpartisan study ranked as America's second most conservative, many people wonder why Lubbock is such fertile ground for creative spirits who want to expand the boundaries of thought in music and art. Is it just that \"there's nothing else to do,\" as some have suggested, or is there something in the character of Lubbock that encourages creativity as much as conservatism? In this book, Christopher Oglesby interviews twenty-five musicians and artists with ties to Lubbock to discover what it is about this community and West Texas in general that feeds the creative spirit. Their answers are revealing. Some speak of the need to rebel against conventional attitudes that threaten to limit their horizons. Others, such as Joe Ely, praise the freedom of mind they find on the wide open plains. \"There is this empty desolation that I could fill if I picked up a pen and wrote, or picked up a guitar and played,\" he says. Still others express skepticism about how much Lubbock as a place contributes to the success of its musicians. Jimmie Dale Gilmore says, \"I think there is a large measure of this Lubbock phenomenon that is just luck, and that is the part that you cannot explain.\" As a whole, the interviews create a portrait not only of Lubbock's musicians and artists, but also of the musical community that has sustained them, including venues such as the legendary Cotton Club and the original Stubb's Barbecue. This kaleidoscopic portrait of the West Texas music scene gets to the heart of what it takes to create art in an isolated, often inhospitable environment. As Oglesby says, \"Necessity is the mother of creation. Lubbock needed beauty, poetry, humor, and it needed to get up and shake its communal ass a bit or go mad from loneliness and boredom; so Lubbock created the amazing likes of Jimmie Dale Gilmore, Butch Hancock, Terry Allen, and Joe Ely.\"
eBook
The masters : conversations with Dylan, Lennon, Jagger, Townshend, Garcia, Bono, and Springsteen
During 50 years of publishing the 'Bible of Rock and Roll', Jann Wenner conducted a series of interviews that are now regarded among the most important historical documents of rock. Including stunning photographs and an exclusive, never-before-seen interview with Bruce Springsteen, 'The Masters' intimately profiles the extraordinary musicians who dominated rock and roll, from London and California to New York and Los Angeles. This is a primary source, cultural masterpiece, and must-have volume about the artists who changed history.
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Inside early music : conversations with performers
The attempt to play music with the styles and instruments of its era—commonly referred to as the early music movement—has become immensely popular in recent years. For instance, Billboard’s “Top Classical Albums” of 1993 and 1994 featured Anonymous 4, who sing medieval music, and the best-selling Beethoven recording of 1995 was a period-instruments symphony cycle led by John Eliot Gardiner, who is Deutsche Grammophon’s top-selling living conductor. But the movement has generated as much controversy as it has best-selling records, not only about the merits of its results, but also about the validity of its approach. To what degree can we recreate long-lost performing styles? How important are historical period instruments for the performance of a piece? Why should musicians bother with historical information? Are they sacrificing art to scholarship? This book has invited many of the leading practitioners to speak out about their passion for early music—why they are attracted to this movement and how it shapes their work. Readers listen in on conversations with conductors Gardiner, William Christie, and Roger Norrington, Peter Phillips of the Tallis Scholars, vocalists Susan Hellauer of Anonymous 4, forte pianist Robert Levin, cellist Anner Bylsma, and many other leading artists. The book is divided into musical eras—Medieval, Renaissance, Baroque, and Classic and Romantic—with each interview focusing on particular composers or styles, touching on heated topics such as the debate over what is “authentic,” the value of playing on period instruments, and how to interpret the composer’s intentions.
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Hendrix on Hendrix : interviews and encounters with Jimi Hendrix /
In addition to interviews from major mainstream publications, \"Hendrix on Hendrix\" includes new transcriptions from European papers, the African-American press, and counterculture newspapers; radio and television interviews; and previously unpublished court transcripts -- including one of the drug bust that nearly sent him to prison.Though many respected books have been written about Hendrix, none have completely focused on his own words. This book is as close to a Hendrix autobiography as we will ever see.--Publisher Description.
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Handful of Keys
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Alyn Shipton is the jazz critic for the Times of London, and has a regular program on jazz on BBC radio. He is the author of A New History of Jazz , Groovin' High: The Life of Dizzy Gillespie , and The Glass Enclosure: The Life of Bud Powell , among many other books on jazz. He lives in London, England.
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