Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Content Type
      Content Type
      Clear All
      Content Type
  • Item Type
      Item Type
      Clear All
      Item Type
  • Is Full-Text Available
      Is Full-Text Available
      Clear All
      Is Full-Text Available
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Subject
    • Publisher
    • Source
    • Donor
    • Place of Publication
    • Contributors
    • Location
1 result(s) for "Musique 15e siècle Histoire et critique Sources."
Sort by:
The pursuit of musick : musical life in original writings & art : c1200-1770
This is an encyclopedic and generously-illustrated anthology of original written sources, exploring some 600 years of musical activity in Europe, from the first troubadours to the emergence of the pianoforte. Through this book, the author presents an extraordinary treasure trove of material documenting the myriad ways in which our recent ancestors engaged with music. And, exceptionally, it is almost entirely through their words - their images, too - that such experiences are here vividly evoked. The resultant book aims to lend itself equally to leisurely browsing, quick reference, and close study, and to be simultaneously authoritative and approachable, allowing general readers and specialists alike to tap into invaluable seams of original source material. Arranged in three main parts (Society, Ideas, Performance), its principal chapters are supplemented by shorter ones exploring related and intriguing byways. Occasional thematic introductions (by Hugh Griffith) and four distinctive appendices contribute further to the book's unique and characterful nature.