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Chinese-Islamic works of art, 1644-1912 : a study of some Qing dynasty examples
\"Chinese-Islamic studies have concentrated thus far on the arts of earlier periods with less attention paid to works from the Qing Dynasty (1644-1912). This book focuses on works of Chinese-Islamic art from the late seventeenth century to the present day and bring to the reader's attention several new areas for consideration. The book examines glass wares which were probably made for a local Chinese-Muslim clientele, illustrating a fascinating mixture of traditional Chinese and Muslim craft traditions. While the inscriptions on them can be related directly to the mosque lamps of the Arab world, their form and style of decoration is characteristically that of Han Chinese. Several contemporary Chinese Muslim artists have succeeded in developing a unique fusion of calligraphic styles from both cultures. Other works examined include enamels, porcelains, and interior painted snuff bottles, with emphasis on either those with Arabic inscriptions, or on works by Chinese Muslim artists. The book includes a chapter written by Dr. Shelly Xue and an addendum written by Dr. Riccardo Joppert. This book will appeal to scholars working in art history, religious studies, Chinese studies, Chinese history, religious history, and material culture\"-- Provided by publisher.
Book
Crafts, Artisans, and the Nation‐State in India
This chapter contains sections titled:
Introduction
Crafts and Artisans in India: An Overview
Ethnographic Accounts of Artisans in Modern India
Artisans and the Nation‐State
The Case of Muslim Artisans in Urban India
References
Book Chapter
Islamesque : the forgotten craftsmen who built Europe's medieval monuments
Who really built Europe's finest Romanesque monuments? At a time when Christendom lacked such expertise, Muslim craftsmen had advanced understanding of geometry and complex ornamentation. They dominated high-end construction in Islamic Spain, Sicily and North Africa, spreading knowledge and techniques across Western Europe. Challenging Euro-centric assumptions, Diana Darke uncovers the profound influence of the Islamic world in 'Christian' Europe, and argues that 'Romanesque' architecture, a nineteenth-century art historians' fiction, should be recognised for what it truly is: Islamesque.
BOOK
Princely prisons, state exhibitions, and Muslim industrial authority in colonial India
This article analyses the prison industries and state industrial exhibitions of three Indian princely states in the late nineteenth and early twentieth centuries, tracing how princely elites sought to develop distinct labouring and industrial cultures. Drawing on examples from three Muslim-led princely states, namely Rampur, Bhopal, and Hyderabad, the article argues that state elites distinguished their forms of cultural and religious authority from that of the British Raj by coercing and displaying new industrial practices. They aimed to cultivate an industrial modernity that could compete with colonial projects while also promoting what they characterised as Indian Muslim characteristics and courtly traditions for artisan labourers and their work. The article asks how princely elites worked to conscript their subjects—including marginalised subjects such as convict labourers—into visions of regional industrial authority. Princely visions of Muslim and courtly industrial futures in Rampur, Bhopal, and Hyderabad were rooted in the attempts of state administrators to fashion distinctive regional identities and assert authority in a context of circumscribed, quasi-colonial rulership. Industrial cultures associated with princely prisons and exhibitions ultimately exceeded the bounds of these projects, placing pressure on other state subjects to adopt new material practices and engage with state-defined regional craft traditions.
Journal Article
Muslim-Jewish Sexual Liaisons Remembered and Imagined in 20th-Century Yemen
Despite mutual taboos against exogamy, memoirs and similar materials written by Jews from Yemen contain a number of anecdotes describing love affairs and sexual encounters between Muslims and Jews prior to the mass migration of the vast majority of Yemen's Jews to Israel in 1949–50. These stories associate these liaisons with vulnerability, poverty, and marginalization. In them, sex and conversion to Islam are intrinsically connected, yet this interreligious intimacy leads not to resolution but to ongoing identity crises that persist beyond the community's realignment with a majority-Jewish society. The staging of the anecdotes in rural areas where shariʿa norms held only nominal sway, in watering places and hostels where strangers might interact, and at dusk, when identity is difficult to discern, heightened their ambiguity.
Journal Article
Learning From the Past: The Reconstruction of the Minbar of Salah Al-Din in Al-Aqsa Mosque
The Minbar of Salah Al-Din is considered a masterpiece of traditional Islamic arts and crafts heritage. It stood in Al-Aqsa Mosque in Jerusalem for nearly 800 years until it was burned down completely in 1969. In 1993, King Hussein of Jordan gave instructions to initiate the process of reconstructing the Minbar based on old photos of the original one and small wooden pieces that remained after the fire. The reconstruction job was commissioned in 2002 and finished in 2006 as a replica of the original one. This paper discusses the lessons learned from the reconstruction process through the analysis of geometric principles and features of the design process and construction of the Minbar, towards the rekindling of this artistic heritage. The Minbar geometric patterns are constructed of many interlocking pieces of wood, each carefully carved to fit together like a three-dimensional puzzle. The novel contribution of this study is in the relationship between the geometric construction of the patterns and the Interlock (ta’sheeq) construction methodology. Which will hopefully provide a deeper understanding of the structure of the Minbar, allowing architects and craftsmen to achieve improved control over their new design’s compositions and structure.
Journal Article
Between Industry and Islam: Stonework and tomb construction in colonial-era India
In the late nineteenth and early twentieth centuries, monumental Muslim tombs in India served as spaces for refashioning local religious and social identities. Elite patrons, technical overseers, and stoneworkers engaged with new technologies of construction at sites meant to reflect claims on the Muslim past. This article interrogates divergent class understandings of monumental Muslim tombs in colonial-era India. It compares the construction of monumental Islamic tombs in the states of Hyderabad, Bhopal, and Rampur—three Muslim-led ‘native states’, quasi-autonomous polities under colonial oversight. By the late nineteenth century, many native state patrons employed a new middle class of technical intermediary to oversee tomb construction. The rise of this class created new hierarchies within construction, with apprenticeship-trained master craftsmen increasingly marginalized from state narratives and aligned with stoneworkers and other labourers. While patrons and middle-class intermediaries argued that new technologies and materials should be used to ‘modernize’ construction, they portrayed technical change as divorced from the religious symbolism of tombs. In contrast, workers integrated the religious and the technical, positioning technologies of construction within narratives of Muslim practice. The article uses native state tombs to analyse how labourers adapted to technical demands, without necessarily adopting state ideologies.
Journal Article
Petitions and Local Politics in the Late Mughal Empire: The view from Kol, 1741
This article uses a 1741 testimonial document from Kol (present-day Aligarh) to explore the workings of petitions in the local politics of the late Mughal empire. I suggest that even solitary documents such as this can be read as artefacts of the continuing processes of local politics which operated in excess of the administrative logic of the Mughal state. After surveying the place of petitions in the Mughal apparatus of justice from an administrative perspective, I examine the story of a vanished artisan named Hira to demonstrate that even scattered documents from the Mughal archive can reveal traces of the larger political processes of which a petition might be a single example. In this light, I demonstrate how the testimonial at hand can illuminate the everyday workings of the social and political order of the locality, and its relationship with larger structures of ideology and state power in an era of political decentralization.
Journal Article