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result(s) for
"Muslim women Press coverage."
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Depicting the veil : transnational sexism and the war on terror
This text exposes how gendered Orientalism is wielded to justify Western imperialism. Over the last ten years, Western governments and mainstream media have utilized concepts of white masculine supremacy and feminine helplessness, juxtaposed with Orientalist images depicting women of colour as mysterious, sinister, and dangerous to support war. Oscillating between 'Mrs. Anthrax', female suicide bombers and tragic, helpless victims, representations of 'brown women' have spawned both rescue narratives and terrorist alerts.
Muslim women in war and crisis : representation and reality
2010
Representing diverse cultural viewpoints, Muslim Women in War and Crisis collects an array of original essays that highlight the experiences and perspectives of Muslim womentheir dreams and nightmares and their daily strugglesin times of tremendous social upheaval. Analyzing both how Muslim women have been represented and how they represent themselves, the authors draw on primary sources ranging from poetry and diaries to news reports and visual media. Topics include: Peacebrokers in Indonesia Exploitation in the Islamic Republic of Iran Chechen women rebels Fundamentalism in Afghanistan, from refugee camps to Kabul Memoirs of Bengali Muslim women The 7/7 London bombings, British Muslim women, and the media Also exploring such images in the United States, Spain, the former Yugoslavia, Tunisia, Algeria, Lebanon, and Iraq, this collection offers a chorus of multidimensional voices that counter Islamophobia and destructive clichs. Encompassing the symbolic national and religious identities of Muslim women, this study goes beyond those facets to examine the realities of day-to-day existence in societies that seek scapegoats and do little to defend the victims of hate crimes. Enhancing their scholarly perspectives, many of the contributors (including the editor) have lived through the strife they analyze. This project taps into their firsthand experiences of war and deadly political oppression.
Depicting the veil
2013
Examining media and pop culture from Sex and the City 2 to Vanity Fair and Time Magazine, Robin Riley uses transnational feminist analysis to reveal how transnational sexism towards Muslim women in general and Afghan and Iraqi women in particular has led to a new form of gender imperialism.
Why the French Don't Like Headscarves
2010,2006
The French government's 2004 decision to ban Islamic headscarves and other religious signs from public schools puzzled many observers, both because it seemed to infringe needlessly on religious freedom, and because it was hailed by many in France as an answer to a surprisingly wide range of social ills, from violence against females in poor suburbs to anti-Semitism.Why the French Don't Like Headscarvesexplains why headscarves on schoolgirls caused such a furor, and why the furor yielded this law. Making sense of the dramatic debate from his perspective as an American anthropologist in France at the time, John Bowen writes about everyday life and public events while also presenting interviews with officials and intellectuals, and analyzing French television programs and other media.
Bowen argues that the focus on headscarves came from a century-old sensitivity to the public presence of religion in schools, feared links between public expressions of Islamic identity and radical Islam, and a media-driven frenzy that built support for a headscarf ban during 2003-2004. Although the defense oflaïcité(secularity) was cited as the law's major justification, politicians, intellectuals, and the media linked the scarves to more concrete social anxieties--about \"communalism,\" political Islam, and violence toward women.
Written in engaging, jargon-free prose,Why the French Don't Like Headscarvesis the first comprehensive and objective analysis of this subject, in any language, and it speaks to tensions between assimilation and diversity that extend well beyond France's borders.
COVID-19 and the visibility of Gender in Media: Explorations from a Jordanian Perspective
2022
Jordanian women have made significant contributions, and they continue to break down barriers, as the number of women in universities exceeds the number of men, and their numbers have increased in administrative positions, parliament, and the judiciary (World Economic forum 2018). However, despite their notable progress in various sectors, Jordanian media still fail to shed light on these contributions. This marginalization was particularly evident in Jordan's response to the COVID-19 pandemic, where media coverage focused mainly on male officials, branding them \"True men in times of crisis\" and failing to shed light on women's significant role in the frontlines of defense against the deadly virus. Drawing on data extracted from Twitter accounts of key Jordanian male and female figures and a close analysis of top television programs during the health crisis, this paper explores social media coverage on Jordanian male and female officials and official media interest in women as guests on popular television programs at the height of the Coronavirus outbreak in Jordan from March until July 2020. Findings reveal gendered bias in media coverage during this health crisis and that women resort to social media as alternative platforms for action.
Journal Article
Veiled Bodies -- Naked Racism: Culture, Politics and Race in the Sun
2008
The context in which the current debate about Muslim women and the veil is taking place, in Britain and elsewhere in Europe, is that of the new orthodoxy, the clash of civilisations. This attempts to explain much of the worlds political turmoil in terms of a clash between the (secular modern) West and the (traditionalist religion) Islam. The increased visibility of veiled bodies in Britain today has stirred a response that draws on long-standing orientalist oppositions and reworks them in the current climate of the war on terror, connecting them to parallel racist discourses about threats to British culture. Sections of the British media have homogenised the variety of Muslim veiling practices and have presented the veil as an obstacle to meaningful communication; an example of Islamic refusal to embrace modernity. Veiled women are considered to be ungrateful subjects who have failed to assimilate and are deemed to threaten the British way of life. This paper reviews the debate over the veil in Britain in the context of British foreign policy, attacks on civil liberties, the further marginalisation of poor communities and the politicisation of British Muslims, where the veil is an increasingly political image of both difference and defiance. Adapted from the source document.
Journal Article
Muslim Women in War and Crisis
2010
Representing diverse cultural viewpoints,Muslim Women in War and Crisiscollects an array of original essays that highlight the experiences and perspectives of Muslim women-their dreams and nightmares and their daily struggles-in times of tremendous social upheaval. Analyzing both how Muslim women have been represented and how they represent themselves, the authors draw on primary sources ranging from poetry and diaries to news reports and visual media. Topics include:
Peacebrokers in IndonesiaExploitation in the Islamic Republic of IranChechen women rebelsFundamentalism in Afghanistan, from refugee camps to KabulMemoirs of Bengali Muslim womenThe 7/7 London bombings, British Muslim women, and the media
Also exploring such images in the United States, Spain, the former Yugoslavia, Tunisia, Algeria, Lebanon, and Iraq, this collection offers a chorus of multidimensional voices that counter Islamophobia and destructive clichés. Encompassing the symbolic national and religious identities of Muslim women, this study goes beyond those facets to examine the realities of day-to-day existence in societies that seek scapegoats and do little to defend the victims of hate crimes. Enhancing their scholarly perspectives, many of the contributors (including the editor) have lived through the strife they analyze. This project taps into their firsthand experiences of war and deadly political oppression.