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257 result(s) for "Mythology, Japanese."
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The stripper goddess of Japan : the life and afterlives of Ame no Uzume
She is not afraid of the authorities.She saunters in, inviting laughter and liveliness.With an open mind, not with a weapon, she redefines the world and the nation.She is Ame no Uzume, the half-naked dancing Japanese goddess.The author, Tsurumi Shunsuke, is one of Japan' s leading postwar thinkers and philosophers.
The Kojiki : an account of ancient matters
\"The Kojiki, previously translated as \"A Record of Ancient Matters,\" is considered to be the first literary work in the history of Japan. It is a compilation of myths, history, songs, legends, genealogies, and other disparate works from which written history and literature were later created. The Kojiki tells of the origins of the four home islands of Japan central to the inspiration behind Shinto practices. The work moves in loosely historical progression starting with the creation of Japan in the age of the gods and the descent to earth of the ancestor of the imperial family through the reign of the legendary first sovereign, Emperor Jinmu, and successive rulers up to the reign of the 33rd sovereign, Empress Suiko (who reigned from 592-618). The creation myth describes the origin of Japan through a musuhi or spontaneous power through which the gods came into existence. After seven generations of gods are created by this force the last generation, male and female gods, called Ianagi and Izanami, create the islands of Japan. The two then give birth to the gods of various natural phenomena, including gods of the sea and rivers, of the mountains and plains, of the wind and, finally, of fire, who causes the death of the goddess Izanami. The male deity Izanagi then gives birth himself to the central figure in the Kojiki mythology, the Sun Goddess Amaterasu. Her descendant, the god Ninigi, comes down from heaven to earth and becomes the ancestor of the Yamato emperors\"-- Provided by publisher.
Xander and the dream thief
\"To rid himself of nightmares, twelve-year-old Xander summons the baku, a mythical creature that eats dreams, but he goes too far and jeopardizes all his dreams as well as the dreams of his family and friends\"-- Provided by publisher.
Japanese historians and the national myths, 1600-1945 : the age of the gods and Emperor Jinmu
This is the first comprehensive study of modern Japanese historians and their relationship to nationalism and how they interpreted ancient myths of their origins.
Frail human heart
\"As Izanagi and Izanami ready for a final epic confrontation, the only hope for Mio--and the mortal world--lies in the one place mortals can't go: the realm of dreams\"-- Book jacket.
Visits to the Palace of the Sea God in Ancient and Medieval Japan
Visits to the palace of the sea god are a recurring theme in premodern Japanese narratives, and comparing these stories across time periods reveals shifting perceptions of the supernatural world. The earliest sources for narratives of travel to the palace of the sea god in Japan date from the eighth century, most notably in the stories of Luck of the Mountain and Urashima Tarō. In these stories, the descriptions of the sea god’s palace, the relationship of the sea god to the natural world, and even the location of the palace were tied to eighth-century understandings of kingship, weather, and geography. Later adaptations of these stories incorporate features of Buddhist geography, Chinese architecture, Buddhist narrative motifs, and even an alternative vision of supernatural time. These alterations occurred because the eighth-century narratives required adaptation to fit a new political, social, and religious reality. This comparison demonstrates that our vision of the supernatural world is inextricably tied to our understanding of the natural. When our fundamental grasp of the nature of reality changes, our imagination of the supernatural transforms in turn.