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"Narration(Rhetoric)"
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Corpus Stylistics
This book combines stylistic analysis with corpus linguistics to present an innovative account of the phenomenon of speech, writing and thought presentation - commonly referred to as 'speech reporting' or 'discourse presentation'. This new account is based on an extensive analysis of a quarter-of-a-million word electronic collection of written narrative texts, including both fiction and non-fiction. The book includes detailed discussions of:
The construction of this corpus of late twentieth-century written British narratives taken from fiction, newspaper news reports and (auto)biographies
The development of a manual annotation system for speech, writing and thought presentation and its application to the corpus.
The findings of a quantitive and qualitative analysis of the forms and functions of speech, writing and thought presentation in the three genres represented in the corpus.
The findings of the analysis of a range of specific phenomena, including hypothetical speech, writing and thought presentation, embedded speech, writing and thought presentation and ambiguities in speech, writing and thought presentation.
Two case studies concentrating on specific texts from the corpus.
Corpus Stylistics shows how stylistics, and text/discourse analysis more generally, can benefit from the use of a corpus methodology and the authors' innovative approach results in a more reliable and comprehensive categorisation of the forms of speech, writing and thought presentation than have been suggested so far. This book is essential reading for linguists interested in the areas of stylistics and corpus linguistics.
Elena Semino is Senior Lecturer in the Department of Linguistics and Modern English Language at Lancaster University. She is the author of Language and World Creation in Poems and Other Texts (1997), and co-editor (with Jonathan Culpetter) of Cognitive Stylistics: Language and Cognition in Text Analysis (2002). Mick Short is Professor of English Language and Literature at Lancaster University. He has written Exploring the Language of Poems, Plays and Prose (1997) and (with Geoffrey Leech) Style in Fiction (1997). He founded the Poetics and Linguistics Association and was the founding editor of its international journal, Language and Literature.
1. A Corpus-Based Approach to the Study of Discourse Presentation in Written Narratives 2. Methodology: The Construction and Annotation of the Corpus 3. A Revised Model of Speech, Writing and Thought Presentation 4. Speech Presentation in the Corpus: A Quantitative and Qualitative Analysis 5. Writing Presentation in the Corpus: A Quantitative and Qualitative Analysis 6. Thought Presentation in the Corpus: A Quantitative and Qualitative Analysis 7. Specific Phenomena in Speech, Writing Presentation 8. Case Studies of Specific Texts from the Corpus 9. Conclusion
eBook
Impossible Puzzle Films
Narrative complexity is a trend in contemporary cinema. Since the late 1990s there has been a palpable increase in complex storytelling in movies. But how and why do complex movies create perplexity and confusion? How do we engage with these challenges? And what makes complex stories so attractive? By blending film studies, narrative theory and cognitive sciences, Kiss and Wilemsen look into the relation between complex storytelling and the mind. Analysing the effects that different complex narratives have on viewers, the book addresses how films like Donnie Darko, Mulholland Drive and Primer strategically create complexity and confusion, using the specific category of the impossible puzzle film to examine movies that use baffling paradoxes, impossible loops, and unresolved ambiguities in their stories and storytelling. By looking at how these films play on our mind's blind spots, this innovative book explains their viewing effects in terms of the mental state of cognitive dissonance that they evoke.
eBook
Deleuzian fabulation and the scars of history
By tracing its connections to other concepts and situating them within Deleuze's general aesthetics, Ronald Bogue develops a theory of fabulation, which he proposes as the guiding principle of a Deleuzian approach to literary narrative. This is an original and exciting project by a highly respected specialist in the field.
eBook
The Pity of Partition
Saadat Hasan Manto (1912-1955) was an established Urdu short story writer and a rising screenwriter in Bombay at the time of India's partition in 1947, and he is perhaps best known for the short stories he wrote following his migration to Lahore in newly formed Pakistan. Today Manto is an acknowledged master of twentieth-century Urdu literature, and his fiction serves as a lens through which the tragedy of partition is brought sharply into focus. InThe Pity of Partition, Manto's life and work serve as a prism to capture the human dimension of sectarian conflict in the final decades and immediate aftermath of the British raj.
Ayesha Jalal draws on Manto's stories, sketches, and essays, as well as a trove of his private letters, to present an intimate history of partition and its devastating toll. Probing the creative tension between literature and history, she charts a new way of reconnecting the histories of individuals, families, and communities in the throes of cataclysmic change. Jalal brings to life the people, locales, and events that inspired Manto's fiction, which is characterized by an eye for detail, a measure of wit and irreverence, and elements of suspense and surprise. In turn, she mines these writings for fresh insights into everyday cosmopolitanism in Bombay and Lahore, the experience and causes of partition, the postcolonial transition, and the advent of the Cold War in South Asia.
The first in-depth look in English at this influential literary figure,The Pity of Partitiondemonstrates the revelatory power of art in times of great historical rupture.
eBook
Emerging vectors of narratology
\"Is narratology consolidating or is it diversifying? Under the heading \"Contexts,\" some contributions to this volume seek to reframe and refine such topics as the implied author, narrative causation or transmedial narrative as well as the cultural and historical dimensions of narrative. Others, under \"Openings,\" expand on these and other questions by addressing the narrative turn, cognitive issues, narrative complexity and metatheoretical matters.\"--Publisher's description.
Book
The Experientiality of Narrative
Recent developments in cognitive narrative theory have called attention to readers' active participation in making sense of narrative.However, while most psychologically inspired models address interpreters' subpersonal (i.e., unconscious) responses, the experiential level of their engagement with narrative remains relatively undertheorized.
eBook