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"Narrative criticism"
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Experiencing the Apocalypse at the Limits of Alterity
Making use of postclassical narratology this book proposes a reading experience of the Apocalypse that underlines the role of the reader or listener for meaning creation and interpretation, based on their own life experiences and the imagistic quality of the text.
eBook
The musicality of narrative film
The musicality of narrative film is the first book to examine in depth the film/music analogy. Using comparative analysis, Kulezic-Wilson explores film's musical potential, arguing that film's musicality can be achieved through various cinematic devices, with or without music.--Provided by publisher
Book
Narrating the Law
InNarrating the LawBarry Scott Wimpfheimer creates a new theoretical framework for considering the relationship between law and narrative and models a new method for studying talmudic law in particular. Works of law, including the Talmud, are animated by a desire to create clear usable precedent. This animating impulse toward clarity is generally absent in narratives, the form of which is better able to capture the subtleties of lived life. Wimpfheimer proposes to make these different forms compatible by constructing a narrative-based law that considers law as one of several \"languages,\" along with politics, ethics, psychology, and others that together compose culture. A narrative-based law is capable of recognizing the limitations of theoretical statutes and the degree to which other cultural languages interact with legal discourse, complicating any attempts to actualize a hypothetical set of rules. This way of considering law strongly resists the divide in traditional Jewish learning between legal literature (Halakhah) and nonlegal literature (Aggadah) by suggesting the possibility of a discourse broad enough to capture both.Narrating the Lawactivates this mode of reading by looking at the Talmud's legal stories, a set of texts that sits uncomfortably on the divide between Halakhah and Aggadah. After noticing that such stories invite an expansive definition of law that includes other cultural voices,Narrating the Lawalso mines the stories for the rich descriptions of rabbinic culture that they encapsulate.
eBook
Making the Bible French
From the end of the thirteenth century to the first decades of the sixteenth century, Guyart des Moulins’s Bible historiale was the predominant French translation of the Bible. Enhancing his translation with techniques borrowed from scholastic study, vernacular preaching, and secular fiction, Guyart produced one of the most popular, most widely copied French-language texts of the later Middle Ages.
Making the Bible French investigates how Guyart’s first-person authorial voice narrates translation choices in terms of anticipated reader reactions and frames the biblical text as an object of dialogue with his readers. It examines the translator’s narrative strategies to aid readers’ visualization of biblical stories, to encourage their identification with its characters, and to practice patient, self-reflexive reading. Finally, it traces how the Bible historiale manuscript tradition adapts and individualizes the Bible for each new intended reader, defying modern print-based and text-centred ideas about the Bible, canonicity, and translation.
eBook
Narrating Selves and the Literary in the Bible
This article discusses how features in a narrative generate an understanding of its purpose and how this understanding affects our attitude when reading and interpreting a text. It focusses on biblical texts that aspire to be historical but still contain elements that are generally thought to belong to the realm of fiction, as well as on texts with an assumed argumentative purpose and traits that create a sense of literary art. The four texts are Jesus's parable of the Good Samaritan, the book of Nehemiah, autobiographical sections in Paul, and third-person narratives in the books of Samuel. The article suggests that our understanding of the frame determines the function and meaning of the forms; yet it also argues that the presence of certain forms might challenge conventional assumptions about the frame, that is, the purpose of some narratives.
Journal Article
The Storied Ethics of the Thanksgiving Psalms
Drawing on research from the field of narrative ethics, The Storied Ethics of the Thanksgiving Psalms argues that story and storytelling function as important instruments in a given community's ethical shaping. While this argument has gained some traction in the field of Old Testament ethics, it has yet to inform an ethical reading of non-narrative texts, such as the Psalter. However, because the thanksgiving psalms are characterized by their inclusion of the worshipper's story, they stand to benefit from the application of a narrative ethical approach. In the present study, this argument is tested through a close reading of three thanksgivings – Psalms 116, 118, and 138 – each of which clearly demonstrates a didactic concern. Yahweh is presented as one who is worthy of trust, even in the midst of personal disaster. The affirmation of Yahweh's character provides the framework for the community's continued (or renewed) commitment and trust, hope and expectancy. The example provided by the worshipper challenges the audience to pray as they prayed, to trust as they trust, to live with hope as they live with hope. In addition, these psalms, and the stories they retell, invite the audience to tell their story when God answers their prayers, and to do so in public, in corporate worship, for the benefit of the community. These intended results – prayer, commitment, trust, hope, expectancy, public storytelling and thanksgiving – are not typically pursued in \"ethical\" studies, but they are clearly part of the Psalter's
comprehensive vision of the ethical life and are, therefore, worthy of careful consideration.
eBook