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26,661 result(s) for "Native literature"
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Challenging the myth of monolingualism
\"Despite the fact that transnational movement and intercultural encounter are the signs of our present time, questions of belonging and legitimation of citizenship in most West-European countries still largely depend on monolingual norms and the problematic conflation of the idea of a national language with that of the mother tongue. This volume explores literary negotiations of and challenges to this powerful myth of monolingualism in various, mostly West-European cultural contexts. The focus of these explorations ranges from the ethics of mono- and multilingualism and the persistent ideology of nativity and the native speaker, to multilingual strategies and the trials and tribulations of translating multilingual texts. The volume also contains contributions by awarded literary writers, such as Yoko Tawada, Ramsey Nasr, Chika Unigwe and Fouad Laroui: texts that demonstrate the creative multiplicity of language and the disruptive potential of multilingualism in action.\"--Cover p. 4.
Why indigenous literatures matter
Part survey of the field of Indigenous literary studies, part cultural history, and part literary polemic, Why Indigenous Literatures Matter asserts the vital significance of literary expression to the political, creative, and intellectual efforts of Indigenous peoples today. In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key creative and critical texts, Justice argues that Indigenous writers engage with these questions in part to challenge settler-colonial policies and practices that have targeted Indigenous connections to land, history, family, and self. More importantly, Indigenous writers imaginatively engage the many ways that communities and individuals have sought to nurture these relationships and project them into the future. This provocative volume challenges readers to critically consider and rethink their assumptions about Indigenous literature, history, and politics while never forgetting the emotional connections of our shared humanity and the power of story to effect personal and social change. Written with a generalist reader firmly in mind, but addressing issues of interest to specialists in the field, this book welcomes new audiences to Indigenous literary studies while offering more seasoned readers a renewed appreciation for these transformative literary traditions. Awarded the NAISA Award Best Subsequent Book, 2018, PROSE Award, 2019, and shortlisted for ACQL Gabrielle Roy Prize for Literary Criticism, 2018.
Life among the Aztec
What brought about the downfall of the Aztec Empire? The answer to this question is waiting for readers to discover as they learn fun facts about the Aztec people and explore common social studies curriculum topics. Readers learn fun and fascinating facts about Aztec life--from their religious beliefs to the sports they played. This information is presented through accessible main text and additional fact boxes. Colorful maps allow readers to develop their geography skills as they see where the Aztec Empire was located. Historical images and contemporary photographs help readers place themselves among the Aztec.
The Routledge Introduction to Native American Literature
This Introduction makes available for student, instructor, and aficionado a refined set of tools for decolonizing our approaches prior to entering the unfamiliar landscape of Native American literatures. This book will introduce indigenous perspectives and traditions as articulated by indigenous authors whose voices have been a vital, if often overlooked, component of the American dialogue for more than 400 years. Paramount to this consideration of Native-centered reading is the understanding that literature was not something bestowed upon Native peoples by the settler culture, either through benevolent interventions or violent programs of forced assimilation. Native literature precedes colonization, and Native stories and traditions have their roots in both the precolonized and the decolonizing worlds. As this far-reaching survey of Native literary contributions will demonstrate, almost without fail, when indigenous writers elected to enter into the world of western letters, they did so with the intention of maintaining indigenous culture and community. Writing was and always remains a strategy for survival.
The savage and modern self : North American Indians in eighteenth-century British literature and culture
\"The Savage and Modern Self examines the representations of North American \"Indians\" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of \"Indians\" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, \"Britishness,\" and, ultimately, the \"modern self\" over the course of the century. Considering the ways in which British writers represented contact between Britons and \"Indians,\" both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of \"Indianess.\" Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that \"the modern\" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity.\"--Provided by publisher.
Life among the Inca
Machu Picchu is the most famous reminder of ancient Inca culture, but it's by no means the only one. Archeological remains from the Inca Empire have been drawing scientists, historians, and tourists to South America for many years. Readers explore these archaeological finds and what they've taught us about Inca culture and daily life. As detailed main text and fact boxes provide readers with information about the Inca people, vibrant photographs and historical images help them visualize life among this group of people.
Kinship as a Counter to the Settler Gaze in Stephen Graham Jones’s The Only Good Indians
Stephen Graham Jones’s 2020 horror novel The Only Good Indians follows the haunting and murder of four Blackfeet men by a vengeful monster called Elk Head Woman, who manipulates the settler gaze to make the men look to outsiders as the source of the violence, much as violence within real-life Indigenous communities is often illegible to those outside them. In borrowing and adapting the deer woman trope, the novel furthers Jones’s longstanding challenge to settler notions of Indigenous authenticity by both textually and metatextually countering the myth that Indigenous people have an innate connection to their culture. Instead, it offers a vision of kinship among characters with diverse ways of being “good Indians” as an alternative to essentialism that allows Indigenous people and artists, including writers of horror fiction, to escape the constraints of the settler gaze.
Life among the Maya
The ancient Maya civilization had a complex social structure, set of religious beliefs, and writing system. These are just some of the fun facts readers discover as they learn what it would be like to live among the Maya. Readers enhance their knowledge of common social studies curriculum topics as they explore topics such as Mayan art, social classes, and farming methods. These topics are presented through detailed main text, as well as additional fact boxes. Vibrant photographs, maps, and historical images help readers see for themselves what Mayan life was like.
The Bible in Native American Literature
For at least a century the Bible played a significant, positive role in Native American letters starting with the eighteenth-century writings of Samson Occom. A product of the Great Awakening, Occom’s engagements with the Bible resembled those of other Protestant thinkers and writers of his time, although his sermons were sometimes specifically tailored for Indian audiences and topics. After Occom, Indian authors in the nineteenth century such as Elias Boudinot and William Apess drew upon the Bible to make arguments against removal and “scientific racism.” In the twentieth century writers like Zitkala-Ša and Charles Alexander Eastman cast a critical eye on Christianity and reconsidered the virtues of traditionalism. John G. Neihardt’s Black Elk Speaks (1932) was the century’s fullest literary depiction of a traditional religion, but it came at the cost of concealing Black Elk’s actual religion, Catholicism. During the 1960s and 70s oral tradition was privileged over sacred scripture, as seen in N. Scott Momaday’s House Made of Dawn (1968). While the Bible makes fewer appearances than it used to in Native American literature, it would be premature to suggest that Christianity is finished in Indian country.