Catalogue Search | MBRL
Search Results Heading
Explore the vast range of titles available.
MBRLSearchResults
-
DisciplineDiscipline
-
Is Peer ReviewedIs Peer Reviewed
-
Series TitleSeries Title
-
Reading LevelReading Level
-
YearFrom:-To:
-
More FiltersMore FiltersContent TypeItem TypeIs Full-Text AvailableSubjectCountry Of PublicationPublisherSourceTarget AudienceDonorLanguagePlace of PublicationContributorsLocation
Done
Filters
Reset
17,456
result(s) for
"Nature in art."
Sort by:
20 ways to draw a tree and 23 other nifty things from nature : a book for artists, designers, and doodlers
by
Renouf, Eloise, author, illustrator
in
Trees in art Juvenile literature.
,
Nature in art Juvenile literature.
,
Drawing Technique Juvenile literature.
2016
\"Each spread features 20 inspiring illustrated examples of 45 themes - tree, tulip, shell, owl, peacock feather, mushroom, cloud, and much, much moreover 900 drawings, with blank space for you to draw your take on 20 Ways to Draw a Tree.\"--Publisher's website.
Aesthetics and Nature
2008
A esthetics and Nature offers a clear and accessible introduction to the field of nature aesthetics. Glenn Parsons explores the current debates in the field, providing the reader with a thorough overview of the subject. The book situates nature aesthetics in relation to two principal influences: aesthetics’ traditional project of understanding the value of art and current thought on the ethics of our relationship with nature. The book outlines five major approaches to understanding the aesthetic value of nature and explores the aesthetic appreciation of nature as it occurs in wilderness, in gardens, and in the context of appreciating environmental art. The book also includes a study of the idea that conserving nature’s beauty provides a compelling reason to preserve wilderness. This highly topical idea has deep implications for the importance of aesthetic value in our relationship to nature, and for the fate of nature itself. Combining a clear and engaging style with a sophisticated treatment of a fascinating subject, Aesthetics and Nature is a valuable contribution to contemporary aesthetics.
Unnatural selections
One of the most talented artists of her - or any other - generation, Tiffany Bozic combines a deep love of nature and the diversity of life with a self-taught technical prowess that is unmatched. Her long anticipated follow up to 'Drawn by Instinct', 'Unnatural Selections' chronicles the period from the birth of her daughter in 2012 to the present, exploring new themes such as reproduction, growth, and parenthood alongside her ongoing search for universal commonalities between human beings and other living organisms.
Landscape and Earth in Early Modernity
2022,2023
Early modern views of nature and the earth upended the depiction of land. Landscape emerged as a site of artistic exploration at a time when environments and ecologies were reshaped and transformed. This volume historicizes the contingency of an ever-changing elemental world, reframing and reimagining landscape as a mediating space in the interplay between the natural and the artificial, the real and the imaginary, the internal and the external. The lens of the “unruly” reveals the latent landscapes that undergirded their conception, the elemental resources that resurfaced from the bowels of the earth, the staged topographies that unsettled the boundaries between nature and technology, and the fragile ecologies that undermined the status quo of human environs. Landscape and Earth in Early Modernity: Picturing Unruly Nature argues for an art history attentive to the vicissitudes of circumstance and attributes the regrounding of representation during a transitional age to the unquiet landscape.
Cross stitch mini motifs : nature : many new cross stitch motifs inspired by nature
\"From flowers to animals, the wealth of cross stitch designs in this book are inspired by nature. The floral patterns include both individual flowers and larger floral scenes, such as a charming country cottage in a garden setting, a summer house by the sea, a garden scene which incorporates a pretty garden shed, and a decorative floral garland. Choose from small designs to make into greetings cards, coasters, purses, and embellishing clothes, along with larger designs which could be used to make framed pictures, cushions, tea towels, and notebook covers. Included are easy-to-follow color and symbol charts.\"--Amazon.com.
CNN specials. The keepers
2021
Meet the artisans and creators who are preserving and transforming Japan’s most cherished arts and are passing on this union of art and nature to the next generation.
Streaming Video
Peggy Dean's guide to nature drawing and watercolor : learn to sketch, ink, and paint flowers, plants, tress, and animals
\"In this full-color, step-by-step guide, Peggy teaches you how to master drawing and watercolor techniques from sketching and shading to washes and blending. With Peggy's easy and energetic lessons, absolutely anyone--regardless of ability--can learn to draw a broad range of flora and fauna, from delicate cherry blossoms, wildflowers, and lacy ferns to majestic trees and cute woodland creatures\"-- Provided by publisher.
Contesting Environmental Imaginaries
2017
Contesting Environmental Imaginaries foregrounds a question central to humanistic environmental studies: How is nature to be perceived and understood in a time of global environmental crisis? A challenge was issued to imagine counter natures, past or present, casting nature as a normative concept into productive relief. One ambition was to highlight shifting perspectives on nature and the environment that may help account for the rise of the environmental humanities; another was to invite challenges to orthodoxies, including those that animate this burgeoning field. Contributions emerged from the study areas of Environmental History, Ecocriticism, Cultural Studies, American Studies, Caribbean Studies, Scandinavian Studies, Media Studies, and the History of Ideas. This volume draws together the fruits of this thought experiment.
Contesting environmental imaginaries : nature and counternature in a time of global change
\"Contesting Environmental Imaginaries foregrounds a question central to humanistic environmental studies: How is nature to be perceived and understood in a time of global environmental crisis? A challenge was issued to imagine counter natures, past or present, casting nature as a normative concept into productive relief. One ambition was to highlight shifting perspectives on nature and the environment that may help account for the rise of the environmental humanities; another was to invite challenges to orthodoxies, including those that animate this burgeoning field. Contributions emerged from the study areas of Environmental History, Ecocriticism, Cultural Studies, American Studies, Caribbean Studies, Scandinavian Studies, Media Studies, and the History of Ideas. This volume draws together the fruits of this thought experiment\"--Provided by publisher.
Memory of Nature in Aboriginal, Canadian and American Contexts
by
Françoise, Besson
,
Ventura, Héliane
,
Omhovère, Claire
in
19th century
,
20th century
,
American literature
2014
This volume engages the reader's interest in the relationship that binds man to nature, a relationship which makes itself manifest through certain literary or visual artefacts produced by Native or non-Native writers and artists. It ranges from the study of literatures (mainly from Canada - including Quebec and Acadia - but also from Britain, the United States of America, France, Turkey, and Australia) to the exploration of films, photographs, paintings and sculptures produced by Aboriginal artists from North America. Thanks to a relational paradigm founded on spatial and temporal enlargement, it re-imagines the critical outlook on indigenous production by instigating a dialogue between endogenous and exogenous scholars, novelists and artists, and by weaving together interdisciplinary approaches spanning anthropology, geology, ecocriticism and the study of myths. From the writings by Scott Momaday to those by Tomson Highway, from Pauline Johnson to Louise Erdrich, or from the photographs by William McFarlane Notman and Edward Burtynsky or the films by Randy Redroad to the paintings by Emily Carr, it explores art as the sedimentation of nature. It simultaneously interrogates the representation of nature and the nature of representation as a geological and generic process inscribed in the history of mankind. Without eclipsing differences and imposing a reified Eurocentric critical discourse upon indigenous productions, this volume does not colonize indigenous texts or indulge in cultural appropriation of works of art, but looks for historical, mythological or geological traces of the past; a past characterized by the intimacy between man and animal, man and rock, or man and plant, a past which is allowed to resurface through the creative and critical outlooks that are bestowed upon its subjacent or subterranean existence. It resurfaces, not as
nostalgic memory but as an interactive fertilization giving the present a new life in which the non-human provides a key to the understanding of the human bond to nature.