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"Nazis Fiction."
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Werner Krauss
This book is a fictional account of the life of German film and theatre actor Werner Krauss, eponymous star of the classic silent film The Cabinet of Doctor Caligari. Upon gaining worldwide recognition in this film, Krauss was co-opted into the Nazi hate campaign of the 1930s and 1940s. He featured in the vicious propaganda film Jud Suss, and he was complicit in giving anti-Semitic performances onstage, most notably as Shylock in Shakespeare's The Merchant of Venice. The book focuses on three distinct eras in Krauss' life: the struggling, exuberant actor of the 1920s; the philandering pragmatist of the 1930s; and the elderly, neurotic outcast of the 1940s. Despite his honourable intentions, Krauss was all-too-often undermined by his inability to say no to women, alcohol and the egregious Joseph Goebbels. In this fictional re-imagining of his life, Krauss' motives and decisions are explored in an attempt to discover why he collaborated with the Nazis in the way that he did, as well as demonstrating the personal and political consequences of his actions. As someone who was influenced by the Nazi regime, and, in turn, influential in perpetuating their message, Krauss' story tells the wider story of the role of the arts and media in Nazi Germany. Extensively researched, including contemporary news stories, archived film material, critical essays on Krauss and translated passages from his autobiography, Das Schauspiel Meines Lebens, this fictional reconstruction of Krauss' life and career is preceded by a substantive Introduction by the author, setting the novel in the context of the genre of Holocaust fiction, emulating and reminiscent of Christopher Isherwood's Goodbye to Berlin and Thomas Keneally's Schindler's Ark.
eBook
My enemy's enemy
\"In September 1939, Nazi mystic Heinrich Himmler, The Holocaust's mastermind, conscripts physicist Peter Winter to devise a secret weapon of supernatural power, and a revolutionary aircraft to deliver it. Himmler wants to win both World War II and the contest to succeed Hitler. But Peter, and his Jewish wife, Rachel, have their own agenda. In April 1945, novice Aerial Photographer Specialist Jimmy Righetti arrives in England from Brooklyn, spoiling for a fight. But with Germany reeling, Jimmy's running out of war. In 2020 Pakistan, the elite terrorist known only as The Asp survives a US drone strike, then undertakes a solo mission to penetrate America's heartland, and revive Radical Islam. In 2021, aircraft historian Cass Gooding and aging Colorado cowboy Frank Luck unlock an aviation relic's secret. Atop North America's backbone, old secrets collide with new, and Cass and Frank must prevent World War III, or die trying\"-- Provided by publisher.
Book
Nazis in Auschwitz: Reflections on Anglophone Perpetrator Fiction
This article considers the various ways in which the topographies of Auschwitz are used as a symbolic means of articulating particular kinds of guilt in fiction relating to the Holocaust. To do this, I analyse three primary examples: John Donoghue’s The Death’s Head Chess Club (2015), Martin Amis’ The Zone of Interest (2014), and Dalton Trumbo’s unfinished novel, Night of the Aurochs (1979). These texts, I argue, employ the complex spatial dynamics of the site in order to address important questions of power, agency, and moral ambiguity. More specifically, such imagery reveals a spectrum of complicity that, without exonerating those responsible for the genocide, suggests the need for a more nuanced understanding of the Holocaust and those that were responsible for its implementation.
Journal Article
Ari Folman’s Made in Israel (2001): Traces of Trauma in the Israeli Cinema Landscape
In the Israeli collective memory, the Yom Kippur’s battles in the Golan Heights have become synonymous with a long lasting national scar that fails to disappear. Interestingly, until the release of Yaron Zilberman’s recent television series Valley of Tears (She’at Ne’Ila, 2020), this war, which was traditionally associated with the pictured northern landscape, had appeared in few documentaries, but was almost absent from Israeli feature films. This article analyzes one of the very few attempts to deal with this memory, Ari Folman’s feature film Made in Israel (2001). Using a science fiction narrative structure, Folman adopts historian Anita Shapira’s contention about the link between this war and the Holocaust, because both confronted the Jewish people with its fear of extermination. His narrative invites the viewer to participate imaginatively in a road movie set against the snow-covered landscapes of the Golan Heights, where a number of hitmen attempt to catch the last surviving Nazi and bring him to trial in Jerusalem. Interestingly, what begins as a Zionist mission in the hegemonic spaces of the State of Israel gradually transforms into various European landscapes as the snow piles up and the Nazi feels increasingly at home.
Journal Article
American Fascism and the Historical Underpinnings of Kurt Vonnegut’s Mother Night
Kurt Vonnegut’s work, with the exception of Slaughterhouse-Five, is often dismissed as too simply written, too whimsical, and too reliant on genre-specific forms to be considered serious literature. His 1962 novel Mother Night is no exception; even Vonnegut scholars tend to emphasize the book’s absurdity and the cartoonish nature of its characters. But previously neglected historical background reveals parallels between Vonnegut’s characters and specific real-life American fascists active in the 1930s and 40s. Mother Night engages deeply and meaningfully with American history as it exposes the bona fide danger of a virulently fascist and white supremacist underbelly in America that did not disappear with the defeat of the Nazis in 1945.
Journal Article
Nazi literature in the Americas
\"Presents itself as an encyclopedia of extremely right-wing writers. Composed of short biographies of imaginary pan-American authors ... Nazi literature describes, in fourteen thematic sections, the writers' lives, politics, and literary works.\"--P. [4] of cover.
Book
Wolf's Mouth
In 1944 Italian officer Captain Francesco Verdi is captured by Allied forces in North Africa and shipped to a POW camp in Michigan's Upper Peninsula, where the senior POW, the ruthless Kommandant Vogel, demands that all prisoners adhere to his Nazi dictates. His life threatened, Verdi escapes from the camp and meets up with an American woman, Chiara Frangiapani, who helps him elude capture as they flee to the Lower Peninsula. By 1956 they have become Frank and Claire Green, a young married couple building a new life in postwar Detroit. When INS agent James Giannopoulos tracks them down, Frank learns that Vogel is executing men like Frank for their wartime transgressions. As a series of brutal murders rivets Detroit, Frank is caught between American justice and Nazi vengeance. InWolf 's Mouth,the recollections of Francesco Verdi/Frank Green give voice to the hopes, fears, and hard choices of a survivor as he strives to escape the ghosts of history.
eBook