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A long-time liberal activist gets an up-close political education about conservative America when he moves to a small town in upstate New York. During a time of great national division and a growing working-class rebellion that has turned American politics on its head, a longtime liberal activist moves to a small town in the conservative northwest corner of New York State. He becomes a weekly opinion columnist for the city's two-hundred-year-old daily newspaper. His columns force light into the dark corners of local politics and provoke local debate over national issues, from guns to climate change. Dozens of people begin to speak to him about his columns, in stores, on the street, in playgrounds, and beyond. His columns also spark fierce debate in a community Facebook group that includes almost everyone in town. The result is an up-close education about what makes small-town America tick, just as small towns like this one are driving a national political upheaval. Told through stories that will entertain readers as well as make them think, Lessons from Lockport offers a unique look at one of the most misunderstood corners of American culture.

A multilayered portrait of this brash, gifted artist, whose restless voice and spirit seem as alive today as ever. A performer who rivaled Sinatra, Bobby Darin rose from dire poverty to become one of the biggest stars of his generation. Dogged by chronic illness, he knew that time was not on his side, and so, in a career full of dizzying twists and turns, he did it all, moving from teen idol to Vegas song-and-dance man, from hipster to folkie and back. In this biography, David Evanier offers a multilayered portrait of this brash, gifted artist, including the dark side of his celebrated marriage to America's sweetheart, Sandra Dee, and the incredible family secret that tore him apart at the end.

The story of a 19th century Staten Island town that nurtured the careers of nationally significant reformers, abolitionists, and transcendentalists. This book traces five decades of community life in a nineteenth-century Staten Island neighborhood informally called Elliottville, where extraordinary people lived. Its history illuminates the impact of transformative cultural, social, economic, and political change stemming from abolitionism, transcendentalism, the women's suffrage movement, and the rapid growth of the nation. Begun in 1839 as a therapeutic retreat, New Englanders with ties to Emerson settled there, forming a distinctive community. Their achievements in art, literature, and social reform attracted even more like-minded people, including Francis George Shaw, George William Curtis, Theodore Winthrop, Robert Gould Shaw, Helena de Kay Gilder, Charles de Kay, Anna Leonowens, and Maria \"Midy\" Morgan. Its vibrant intellectual life was threatened by an influx of Gilded Age men in the 1870s and destroyed when a freight rail line separated Elliottville from the Kill Van Kull. Drawing on a wealth of archival material and unique maps and illustrations, this book gives a vivid picture of how one small community could impact the country's intellectual and social development.

The Redskins , James Fenimore Cooper's 1846 novel about the Anti-Rent Wars in upstate New York, is now available in a scholarly edition. The final work in the \"Littlepage trilogy,\" The Redskins includes Cooper's enduring theme of Indigenous-White relations but examines it in the context of contemporary tensions between wealthy landlords and their tenant farmers in the Hudson Valley region. The work is narrated in the voice of a privileged landowner who presents an impassioned defense of the aristocratic class in America and thus raises cardinal questions regarding Cooper's own intentions and authorial control. Cooper himself was often derided as an \"aristocrat\" in this later phase of his career, and the novel can be read as both an endorsement of and a rebuttal to that judgment. Edited by Hugh Egan, this volume includes extensive historical background material as well as pertinent textual notes based on the original manuscript. As part of the series in the Writings of James Fenimore Cooper, this MLA-approved edition of The Redskins will serve as the definitive text for future teachers and scholars alike. The Writings of James Fenimore Cooper The distinguished Cooper scholar James Franklin Beard (1919-1989) began organizing the Writings of James Fenimore Cooper in the late 1960s, as his work on publishing the monumental Letters and Journals of James Fenimore Cooper came to fulfillment. Beard's intention was to provide readers with sound scholarly editions of Cooper's major works, based wherever possible on authorial manuscripts. To date, the Writings of James Fenimore Cooper has made available texts of many of Cooper's best-known novels, as well as some of his most important works of political and social commentary.

Upstate New York's Anti-Rent Movement is considered the last struggle over feudalism in the United States. Tenant farmers in the Hudson-Mohawk region engaged in organized protest throughout the 1840s to contest monopoly ownership of the land they worked. Arguing their cause in newspapers, on broadsides, and at rallies, their aspirations also took shape in poetry and song. More than twenty sets of lyrics (and one instrumental composition) were written at various stages of the conflict. Some of their musical sources, such as \"Old Dan Tucker\" and \"Bruce's Address,\" are still well known. Each fully contextualized song offers insight into the role vernacular music played in one of the nineteenth century’s major social reform movements. This is the first book to gather the poetry and corresponding tunes into one publication. It provides detailed analysis of the repertory, followed by new musical scores of the songs, reconstructed from contemporary historical sources for study and performance. It also examines the movement’s later dramatization in novels, film, and public commemorations as successive generations grapple with its meaning.

The Bravo (1831) takes place in early eighteenth-century Venice, when the \"Serene Republic\" had lost much of its glory, leaving its oligarchs struggling to hold on to their family wealth by manipulating the government and people through secret councils and a figure-head doge. In 1844, Cooper called it \"in spirit, the most American book I ever wrote\" because of its depiction of the masses duped by demagoguery and the attempts of Congress to rein in President Jackson, who Cooper saw as representing the popular will. In the novel, the low-born hero, Jacopo Frontoni, is forced to become an agent of the state because his unjustly imprisoned father languishes in the infamous state prison. On the last page, Jacopo is executed as a scapegoat for the crimes attributed to him of which he is innocent, rendering his beloved insane. Only in a subplot does a noble couple escape Venice to enjoy marriage. The present text is based on all extant manuscript witnesses (including a lengthy deleted section) and offers extensive explanatory notes.

Chiefly set on the waters and islands of New York Harbor in the early years of the 1700s, James Fenimore Cooper's novel The Water-Witch (1830) paints a vivid picture of life in the little colonial port. It was familiar territory for Cooper, who a century later had served as a junior officer on board an eighteen-gun sloop-of-war stationed at the Brooklyn Navy Yard. That experience acquainted him with the navigational intricacies and dangers with which his characters must deal as they carry out the central action of the novel, the repeated attempts by a British naval cruiser to capture the brigantine commanded by a notorious smuggler known as the Skimmer of the Seas. As in all of Cooper's nautical novels, the scenes of ship-handling and naval combat in The Water-Witch are rendered with absolute authenticity, but here he envelops them in a cloud of mystery and magic that is dispersed only in the chaotic climax of the book. This scholarly edition includes an informative historical introduction and thorough explanatory notes. It also serves as an example of the processes by which an authoritative text is established. The Writings of James Fenimore Cooper The distinguished Cooper scholar James Franklin Beard (1919-1989) began organizing the Writings of James Fenimore Cooper in the late 1960s, as his work on publishing the monumental Letters and Journals of James Fenimore Cooper came to fulfillment. Beard's intention was to provide readers with sound scholarly editions of Cooper's major works, based wherever possible on authorial manuscripts. To date, the Writings of James Fenimore Cooper has made available texts of many of Cooper's best-known novels, as well as some of his most important works of political and social commentary.

Cooper's The Chainbearer presents an exciting narrative that interrogates issues of what it means to own land. The novel examines the claims of ownership of wilderness land among Native Americans, New England squatters, and the old New York families with legal deeds.

Within months of publishing Homeward Bound , James Fenimore Cooper continued that story in a second, stand-alone novel, Home as Found . One of the most important of his long career, Home as Found is a novel of manners in which Cooper satirized Wall Street speculation, jingoism, the penny press, and high society, writing boisterously and with a sharp but critical eye about a nation in transition. He revealed \"follies and peculiarities\" of the young nation, but did so with a hope that the advancing forces of democracy would not get turned aside by greed and insular nationalism. In drawing rooms, ballrooms, and Wall Street offices, Cooper sees clearly into the heart of the democratic experiment, dramatizing conflicts that we are still grappling with nearly two hundred years later. Stephen Carl Arch provides a historical introduction discussing Cooper's composition of the novel and its politicized reception in journals and newspapers, along with detailed explanatory notes. This authoritative edition draws upon the first edition, a partial author's manuscript, and a substantial (but not complete) amanuensis copy of the author's manuscript; and provides a full scholarly apparatus discussing the editorial choices. It has been approved by the Committee on Scholarly Editions of the Modern Language Association. The Writings of James Fenimore Cooper The distinguished Cooper scholar James Franklin Beard (1919-1989) began organizing the Writings of James Fenimore Cooper in the late 1960s, as his work on publishing the monumental Letters and Journals of James Fenimore Cooper came to fulfillment. Beard's intention was to provide readers with sound scholarly editions of Cooper's major works, based wherever possible on authorial manuscripts. To date, the Writings of James Fenimore Cooper has made available texts of many of Cooper's best-known novels, as well as some of his most important works of political and social commentary.

The Toltec Cup was published in 1890 by A. C. Wheeler under the pseudonym of \"Nym Crinkle.\" A tale of conspiracy and love triangles, the novel centers on a mysterious silver cup covered in hieroglyphs that goes missing just days after its owner's death. New York Police Inspector John Wilder grows suspicious when someone offers a huge reward for the cup's return. Wilder traces the reward to Colin Carteret, an artist engaged to the murdered man's daughter, who swears he did not know of the cup before the reward appeared in the newspaper. Together, the two men follow a trail of clues that lead them to New York City slums, a beautiful young woman named Manuella Castleton, and a syndicate that believes that the cup will lead to an extraordinary buried treasure. Contemporary readers will enjoy the novel's remarkable depictions of mid-nineteenth-century New York City. Roaming the Gas House District, the Bowery, Union Square, Harlem, and the Meatpacking District, The Toltec Cup explores a dynamic landscape and diverse peoples. This new edition revives a forgotten world for a new generation of readers.