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This lively, nuanced history of New York City's early public libraries traces their evolution within the political, social, and cultural worlds that supported them. On May 11, 1911, the New York Public Library opened its \"marble palace for book lovers\" on Fifth Avenue and 42nd Street. This was the city's first public library in the modern sense, a tax-supported, circulating collection free to every citizen. Since before the Revolution, however, New York's reading publics had access to a range of \"public libraries\" as the term was understood by contemporaries. In its most basic sense a public library in the eighteenth and most of the nineteenth centuries simply meant a shared collection of books that was available to the general public and promoted the public good. From the founding in 1754 of the New York Society Library up to 1911, public libraries took a variety of forms. Some of them were free, charitable institutions, while others required a membership or an annual subscription. Some, such as the Biblical Library of the American Bible Society, were highly specialized; others, like the Astor Library, developed extensive, inclusive collections. What all the public libraries of this period had in common, at least ostensibly, was the conviction that good books helped ensure a productive, virtuous, orderly republic-that good reading promoted the public good. Tom Glynn's vivid, deeply researched history of New York City's public libraries over the course of more than a century and a half illuminates how the public and private functions of reading changed over time and how shared collections of books could serve both public and private ends. Reading Publics examines how books and reading helped construct social identities and how print functioned within and across groups, including but not limited to socioeconomic classes. The author offers an accessible while scholarly exploration of how republican and liberal values, shifting understandings of \"public\" and \"private,\" and the debate over fiction influenced the development and character of New York City's public libraries in the eighteenth and nineteenth centuries. Reading Publics is an important contribution to the social and cultural history of New York City that firmly places the city's early public libraries within the history of reading and print culture in the United States.

James and Nancy Duncan look at how the aesthetics of physical landscapes are fully enmeshed in producing the American class system. Focusing on an archetypal upper class American suburb-Bedford in Westchester County, NY-they show how the physical presentation of a place carries with it a range of markers of inclusion and exclusion. James Duncan is a University Lecturer in Geography at Cambridge University, and Nancy Duncan is Affiliated Lecturer of Geography at Cambridge University.

Krase and DeSena offer a comprehensive view from the street of two iconic Brooklyn neighborhoods, Crown Heights-Prospect-Lefferts Gardens and Greenpoint-Williamsburg. They analyze the neighborhoods' precipitous decline and subsequent spectacular rise.

The World in Brooklyn: Gentrification, Immigration, and Ethnic Politics in a Global City, is a collection of scholarly papers which analyze demographic, social, political, and economic trends that are occurring in Brooklyn. Brooklyn, as the context, reflects global forces while also contributing to them. The idea for this volume developed as the editors discovered a group of scholars from different disciplines and various universities studying Brooklyn. Brooklyn has always been legendary and has more recently regained its stature as a much sought after place to live, work and have fun. Popular folklore has it that most U.S. residents trace their family origins to Brooklyn. It is presently referred to as one of the “hippest” places in New York. Thus, this book is a collection of demographic, ethnographic, and comparative studies which focus on urban dynamics in Brooklyn. The chapters investigate issues of social class, urban development, immigration, race, ethnicity and politics within the context of Brooklyn. As a whole, this book considers both theoretical and practical urban issues. In most cases the scholarly perspective is on everyday life. With this in mind there are also social justice concerns. Issues of social segregation and attendant homogenization are brought to light. Moreover, social class and race advantages or disadvantages, as part of urban processes, are underscored through critiques of local policy decisions throughout the chapters. A common thread is the assertion by contributors that planning the future of Brooklyn needs to include multi-ethnic, racial, and economic groups, those very residents who make-up Brooklyn.

In Freedomland, Annemarie H. Sammartino tells Co-op City's story from the perspectives of those who built it and of the ordinary people who made their homes in this monument to imperfect liberal ideals of economic and social justice. Located on the grounds of the former Freedomland amusement park on the northeastern edge of the Bronx, Co-op City's 35 towers and 236 townhouses have been home to hundreds of thousands of New Yorkers and is an icon visible to all traveling on the east coast corridor. In 1965, Co-op City was planned as the largest middle-class housing development in the United States. It was intended as a solution to the problem of affordable housing in America's largest city. While Co-op City first appeared to be a huge success story for integrated, middle-class housing, tensions would lead its residents to organize the largest rent strike in American history. In 1975, a coalition of shareholders took on New York State and, against all odds, secured resident control. Much to the dismay of many denizens of the complex, even this achievement did not halt either rising costs or white flight. Nevertheless, after the challenges of the 1970s and 1980s, the cooperative achieved a hard-won stability as the twentieth century came to a close. Freedomland chronicles the tumultuous first quarter century of Co-op City's existence. Sammartino's narrative connects planning, economic, and political history and the history of race in America. The result is a new perspective on twentieth-century New York City.

Stroll through any public park in Brooklyn on a weekday afternoon and you will see black women with white children at every turn. Many of these women are of Caribbean descent, and they have long been a crucial component of New York's economy, providing childcare for white middle- and upper-middleclass families. Raising Brooklyn offers an in-depth look at the daily lives of these childcare providers, examining the important roles they play in the families whose children they help to raise. Tamara Mose Brown spent three years immersed in these Brooklyn communities: in public parks, public libraries, and living as a fellow resident among their employers, and her intimate tour of the public spaces of gentrified Brooklyn deepens our understanding of how these women use their collective lives to combat the isolation felt during the workday as a domestic worker.Though at first glance these childcare providers appear isolated and exploited - and this is the case for many - Mose Brown shows that their daily interactions in the social spaces they create allow their collective lives and cultural identities to flourish. Raising Brooklyn demonstrates how these daily interactions form a continuous expression of cultural preservation as a weapon against difficult working conditions, examining how this process unfolds through the use of cell phones, food sharing, and informal economic systems. Ultimately, Raising Brooklyn places the organization of domestic workers within the framework of a social justice movement, creating a dialogue between workers who don't believe their exploitative work conditions will change and an organization whose members believe change can come about through public displays of solidarity.

The 4-mile-long, 550-acre Hudson River Park is nearing completion and is the largest park built in Manhattan since Central Park opened more than 150 years ago. It has transformed a derelict waterfront, protected the Hudson River estuary, preserved commercial maritime activities, created new recreational opportunities for millions of New Yorkers, enhanced tourism, stimulated redevelopment in adjacent neighborhoods, and set a precedent for waterfront redevelopment. The Park attracts seventeen million visitors annually. Creating the Hudson River Park is a first-person story of how this park came to be. Working together over three decades, community groups, civic and environmental organizations, labor, the real estate and business community, government agencies, and elected officials won a historic victory for environmental preservation, the use and enjoyment of the Hudson River, and urban redevelopment. However, the park is also the embodiment of a troubling trend toward the commercialization of America's public parks. After the defeat of the $2.4 billion Westway plan to fill 234 acres of the Hudson in 1985, the stage was set for the revitalization of Manhattan's West Side waterfront. Between 1986 and 1998 the process focused on the basics like designing an appropriate roadway, removing noncompliant municipal and commercial activities from the waterfront, implementing temporary improvements, developing the Park's first revenue-producing commercial area at Chelsea Piers, completing the public planning and environmental review processes, and negotiating the 1998 Hudson River Park Act that officially created the Park. From 1999 to 2009 planning and construction were funded with public money and focused on creating active and passive recreation opportunities on the Tribeca, Greenwich Village, Chelsea, and Hell's Kitchen waterfronts. However, initial recommendations to secure long term financial support for the Park from the increase in adjacent real estate values that resulted from the Park's creation were ignored. City and state politicians had other priorities and public funding for the Park dwindled. The recent phase of the project, from 2010 to 2021, focused on \"development\" both in and adjacent to the Park. Changes in leadership, and new challenges provide an opportunity to return to a transparent public planning process and complete the redevelopment of the waterfront for the remainder of the 21st-century. Fox's first-person perspective helps to document the history of the Hudson River Park, recognizes those who made it happen and those who made it difficult, and provides lessons that may help private citizens and public servants expand and protect the public parks and natural systems that are so critical to urban well-being.   

Greenport, New York, a village on the North Fork of Long Island, has become an exemplar of a little-noted national trend-immigrants spreading beyond the big coastal cities, driving much of rural population growth nationally. InVillage of Immigrants,Diana R. Gordon illustrates how small-town America has been revitalized by the arrival of these immigrants in Greenport, where she lives.Greenport today boasts a population that is one-third Hispanic. Gordon contends that these immigrants have effectively saved the town's economy by taking low-skill jobs, increasing the tax base, filling local schools, and patronizing local businesses. Greenport's seaside beauty still attracts summer tourists, but it is only with the support of the local Latino workforce that elegant restaurants and bed-and-breakfasts are able to serve these visitors. For Gordon the picture is complex, because the wave of immigrants also presents the town with challenges to its services and institutions. Gordon's portraits of local immigrants capture the positive and the negative, with a cast of characters ranging from a Guatemalan mother of three, including one child who is profoundly disabled, to a Colombian house painter with a successful business who cannot become licensed because he remains undocumented.Village of Immigrantsweaves together these people's stories, fears, and dreams to reveal an environment plagued by threats of deportation, debts owed tocoyotes, low wages, and the other bleak realities that shape the immigrant experience-even in the charming seaport town of Greenport.A timely contribution to the national dialogue on immigration, Gordon's book shows the pivotal role the American small town plays in the ongoing American immigrant story-as well as how this booming population is shaping and reviving rural communities.

James Tanner may be the most famous person in nineteenth-century America that no one has heard of. During his service in the Union army, he lost the lower third of both his legs and afterward had to reinvent himself. After a brush with fame as the stenographer taking down testimony a few feet away from the dying President Abraham Lincoln in April 1865, Tanner eventually became one of the best-known men in Gilded Age America. He was a highly placed Republican operative, a popular Grand Army of the Republic speaker, an entrepreneur, and a celebrity. He earned fame and at least temporary fortune as \"Corporal Tanner,\" but most Americans would simply have known him as \"The Corporal.\" Yet virtually no one-not even historians of the Civil War and Gilded Age- knows him today. America's Corporalrectifies this startling gap in our understanding of the decades that followed the Civil War. Drawing on a variety of primary sources including memoirs, lectures, newspapers, pension files, veterans' organization records, poetry, and political cartoons, James Marten brings Tanner's life and character into focus and shows what it meant to be a veteran- especially a disabled veteran-in an era that at first worshipped the saviors of the Union but then found ambiguity in their political power and insistence on collecting ever-larger pensions. This biography serves as an examination of the dynamics of disability, the culture and politics of the Gilded Age, and the aftereffects of the Civil War, including the philosophical and psychological changes that it prompted. The book explores the sometimes corrupt, often gridlocked, but always entertaining politics of the era, from Tanner's days as tax collector in Brooklyn through his short-lived appointment as commissioner of pensions (one of the biggest jobs in the federal government of the 1880s). Marten provides a vivid case study of a classic Gilded Age entrepreneur who could never make enough money.America's Corporalis a reflection on the creation of celebrity-and of its ultimate failure to preserve the memory of a man who represented so many of the experiences and assumptions of the Gilded Age.