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152 result(s) for "Northern Ireland In motion pictures."
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Recording Memories from Political Violence
This book combines written and audiovisual texts to describe and analyse the use of documentary filmmaking in recording experiences of political conflict. McLaughlin draws on the diverse fields of film and cultural studies in this informed, instructive contribution to documentary filmmaking and post-conflict studies.
Adapting performance between stage and screen
An introduction to adaptations between theatre and film, considering these as distinct from literary adaptation. Places emphasis on performance and event, including the recent growth of digital theatre with phenomena such as NT Live. Case studies show how adaptations can't be divorced from the historical and cultural moment in which they are produced.
Four from the forties
The 'Gainsborough melodramas' were a mainstay of 1940s British cinema, and helped make the careers of such stars as Margaret Lockwood, James Mason and Stewart Granger. But what was unique about these films? And who were the directors behind them? This book presents four key filmmakers, each with his own talents and specialities. It traces their professional lives through the highs of the 1940s, when the popularity of Gainsborough films was at its peak, to the tougher decades that followed the genre's decline. Featuring expert analysis of such films as The Man in Grey (1943), Madonna of the Seven Moons (1945) and The Upturned Glass (1947), alongside valuable historical context, the book constitutes the first extended examination of this group of directors. It combines critical acumen with readability, making it a valuable resource for students, lecturers and general readers alike.
Reaching audiences
  From Hollywood blockbusters to art films, distributors play an important role in getting films in front of audiences and thus in shaping the nature of film culture. Of central concern to Reaching Audiences are the distribution practices developed to counter Hollywood's dominance of the marketplace, designed to ensure audiences have access to a more diverse moving image culture. Through a series of case studies, the book tracks the inventive distribution and exhibition initiatives developed over the last forty years by small companies on the periphery of the United Kingdom's film industry—practices now being replicated by a new generation of digital distributors. Although largely invisible to outsiders, the importance of distribution networks is widely recognized in the industry, and this book is a key contribution to our understanding of the role they play.
100 greatest American and British animated films
Animation has been a staple of the filmmaking process since the early days of cinema. Animated shorts had been produced for decades, but not until 1937 did a major studio venture into animated features when Walt Disney produced Snow White and the Seven Dwarfs. Of the hundreds of animated feature films made since, many have proven their importance over the years while also entertaining generations of audiences. There are also many recent animated movies that promise to become classics in the field. In 100 Greatest American British Animated Films, Thomas S, Hischak looks at the most innovative, influential, and entertaining features that have been produced since the late 1930s—from traditional hand-drawn works and stop-motion films to computer-generated wonders. These movies have been selected not simply because of their popularity or critical acceptance but for their importance. Entries in this volume contain plot information production history critical reaction commentary on the film’s cinematic quality a discussion of the film’s influence voice casts production credits songs sequels, spin-offs, Broadway versions, and television adaptations awards and nominations Each movie is also discussed in the context of its original release as well as the ways in which the film has lived on in the years since. Familiar favorites and lesser-known gems are included, making the book a fascinating journey for both the avid animation fan and the everyday moviegoer. With a sweeping look at more than eight decades of movies, 100 Greatest American and British Animated Films highlights some of the most treasured features of all time.
Espionage in british fiction and film since 1900
Espionage in British Fiction and Film Since 1900 traces the history and development of the British spy novel from its emergence in the early twentieth century, through its growth as a popular genre during the Cold War, to its resurgence in the early twenty-first century.
“I don’t know what the world is coming to. Bloody perverts…”: Masculinity and Displacement in Pre-Ceasefire Derry Girls (2018–19)
Although widely applauded for its female centrality, Derry Girls (2018-19) also problematises the displacement of masculine subjectivities in a period when the peace process and the effects of globalisation permeated the renegotiation of the discursive notions of masculinity in Northern Ireland. Intergenerational relations are key to understanding this displacement of male characters like Granda Joe (the hard man), Da Gerry (the new man), or James. With an emphasis on the carnivalesque, liminality, space, and emasculation, this article will investigate the extent to which male characters, who are caught amidst the rapid cultural changes caused by the spatial and cultural negotiations of the ceasefire, represent the collapsing structural dimensions of the social constitution of gender in pre-ceasefire Northern Ireland.
Humphrey Jennings
From dramatic reflections on the Blitz to insightful examinations of post-war conditions, Jennings' startling documentary films redefined the genre. The book carefully examines and explains the central components of Jennings' most significant films, and considers the relevance of his filmmaking to British cinema and contemporary experience.