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Selected poems, 1966-1987
\"Between my fingers and my thumb The squat pen rests. I'll dig with it.\" Selected Poems 1966-1987 assembles the groundbreaking work of the first half of Seamus Heaney's extraordinary career. This edition, arranged by the author himself, includes the seminal early poetry that struck readers with the force of revelation and heralded the arrival of an heir to Gerard Manley Hopkins, W. B. Yeats, and Robert Frost. Helen Vendler called Heaney \"a poet of the in-between,\" and the work collected here dwells in the borderlands dividing the ancient and the contemporary, the mythic and the quotidian. Gathering poetry from his first seven collections, Selected Poems 1966-1987 presents the young man from County Derry, Northern Ireland, who \"emerged from a hidden, a buried life\" in Death of a Naturalist (1966), with his cherished poems \"Digging\" and \"Mid-term Break\"; the poet of conscience \"as bleak as he is bright\" in \"Whatever You Say Say Nothing\" and \"Singing School\"; and the astonishingly gifted, mature craftsman behind Field Work (1979) and Station Island (1984)--an artist uncannily attuned to the \"music of what happens,\" restlessly searching \"for images and symbols adequate to our predicament.\" This volume, together with its companion Selected Poems 1988-2013 , allows us to revisit the essential work of one of the great writers of our age through his own compilation.
Love, Sorrow and Joy
2010
This book serves to introduce a young and talented writer to a much wider audience and to situate his work within the more exciting and radical tradition that is the Irish avant-garde. The literary impetus evident in Graham Gillespies writing is similar to that of the mystical writers of old, whether Irish or Continental, Christian or Jewish. The beauty of the poetic and philosophic impetus explored in this book is something new and fresh in Irish writing. Whether exploring the universal que.
Door into the dark
1972
Originally published in 1969, Seamus Heaney's Door into the Dark continues a furrow so startlingly opened in his first collection, Death of a Naturalist (1966).With the sensuosness and physicality of language that would become the hallmark of his early writing, these poems graphically depict the author's rural upbringing, from the local forge to.
100 poems
Coinciding with the National Library of Ireland launching a major exhibition dedicated to the life and work of Heaney, this volume is a singular, accessible collection for new and younger readers that has the opportunity to reach far and wide, now, and for years to come.