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883,303 result(s) for "Novels"
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Jenny Finn
\"London's dockside is threatened by the twin terrors of a plague leaving bodies covered in tentacles and a slasher killing women in the night. Desperate for answers after the wrong man is executed for the murders, a group of Londoners holds a seance to contract the supposed killer, and his story of a girl born of the sea who has brought a terrible curse only brings them more questions.\"-- Provided by publisher.
Contemporary Comics Storytelling
What if fairy-tale characters lived in New York City? What if a superhero knew he was a fictional character? What if you could dispense your own justice with one hundred untraceable bullets? These are the questions asked and answered in the course of the challenging storytelling inFables,Tom Strong, and100 Bullets, the three twenty-first-century comics series that Karin Kukkonen considers in depth in her exploration of how and why the storytelling in comics is more than merely entertaining. Applying a cognitive approach to reading comics in all their narrative richness and intricacy,Contemporary Comics Storytellingopens an intriguing perspective on how these works engage the legacy of postmodernism-its subversion, self-reflexivity, and moral contingency. Its three case studies trace how contemporary comics tie into deep traditions of visual and verbal storytelling, how they reevaluate their own status as fiction, and how the fictional minds of their characters generate complex ethical thought experiments. At a time when the medium is taken more and more seriously as intricate and compelling literary art, this book lays the groundwork for an analysis of the ways in which comics challenge and engage readers' minds. It brings together comics studies with narratology and literary criticism and, in so doing, provides a new set of tools for evaluating the graphic novel as an emergent literary form.
The problem of Susan and other stories
\"Two stories and two poems. All wondrous and imaginative about the tales we tell and experience. Where the incarnations of the months of the year sit around a campfire sharing stories, where an older college professor recounts a Narnian childhood, where the apocalypse unfolds, and where the importance of generational storytelling is seen through the Goldilocks fairytale.\"--Provided by publisher.
Comics and Language
It has become an axiom in comic studies that \"comics is a language, not a genre.\" But what exactly does that mean, and how is discourse on the form both aided and hindered by thinking of it in linguistic terms? In Comics and Language, Hannah Miodrag challenges many of the key assumptions about the \"grammar\" and formal characteristics of comics, and offers a more nuanced, theoretical framework that she argues will better serve the field by offering a consistent means for communicating critical theory in the scholarship. Through engaging close readings and an accessible use of theory, this book exposes the problems embedded in the ways critics have used ideas of language, literature, structuralism, and semiotics, and sets out a new and more theoretically sound way of understanding how comics communicate. Comics and Language Comics and Language
Sherlock Frankenstein and the Legion of Evil
\"This mystery set in the world of superheroes follows a reporter investigating what happened to her father: The Black Hammer. All answers seem to lie in Spiral City's infamous insane asylum where some of its dangerous supervillain tenants reside. As she gets closer and closer to the truth she uncovers the dark origin stories of some of Black Hammer's greatest foes and how they tie into the puzzle of what happened to Spiral City's greatest hero\"-- Provided by publisher.
Comics and Narration
This book is the follow-up to Thierry Groensteen's ground-breakingThe System of Comics, in which the leading French-language comics theorist set out to investigate how the medium functions, introducing the principle of iconic solidarity, and showing the systems that underlie the articulation between panels at three levels: page layout, linear sequence, and nonsequential links woven through the comic book as a whole. He now develops that analysis further, using examples from a very wide range of comics, including the work of American artists such as Chris Ware and Robert Crumb. He tests out his theoretical framework by bringing it up against cases that challenge it, such as abstract comics, digital comics and sh?jo manga, and offers insightful reflections on these innovations. In addition, he includes lengthy chapters on three areas not covered in the first book. First, he explores the role of the narrator, both verbal and visual, and the particular issues that arise out of narration in autobiographical comics. Second, Groensteen tackles the question of rhythm in comics, and the skill demonstrated by virtuoso artists in intertwining different rhythms over and above the basic beat provided by the discontinuity of the panels. And third he resets the relationship of comics to contemporary art, conditioned by cultural history and aesthetic traditions but evolving recently as comics artists move onto avant-garde terrain.
Legacy : a House of Night graphic novel
\"Zoey Redbird and her Nerd Herd discover the secret history of the vampyres on earth, involving the Amazon warriors, Circe, Cleopatra, and other historical figures, from whom the group of fledgling vampyres learn important lessons\"-- Provided by publisher.
Corners
What is he, a guava?\" She wanted it to say murdered, which kicked the discussion up into even harsher tones. On the other end of the line was a recorded message, but it took me a few seconds to realize that. When they walked me out to my car, Noam's mom accused me of lying again. Noam used to bring her my books with trembling hands, as if I were at the very least some kind of Chekhov, but she'd always sensed it: the way I cut corners, the pandering.
Life between panels : the complete tails omnibus
\"In this blend of autobiography and fantasy, a cartoonist records his life in New York City: his job, his creative career, his friends, his herd of cats, and a runaway comic strip come to life! Ethan's life as one of the many cartoonists living in NYC might look mundane at first glance--living with his parents, working a day job, playing with cats. But things get crazy when he starts to draw his comic strip Crusader Cat! Soon, Ethan can't tell the difference between real life and the comic panel!\"-- Provided by publisher.
A Friendship
Of all these neighborly interactions, Mr. Siddiqui felt that his relationship with Mrs. Khanna, who sat at a desk to his left, was by far the most courteous, respectful, sophisticated, moral, intelligent, and mutually beneficial-a model of old-fashioned civility. [...]this is the situation,\" Mrs. Khanna said in her thick voice, throwing the dupatta over her broad shoulders. \"For these young people, going on hunger strike is just a fashion. \"What I told Madam is-okay, you can't change my name officially by tomorrow, that's fine. Because if my fellow students know I am a Muslim tomorrow, then they will know it for the rest of the four years.\"