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\"A book about the weight of the global economy pressing on Oakland, California, revealing how vast streams of money and new technologies warp the fabric of contemporary work and life\"-- Provided by publisher.

In this nuanced and groundbreaking history, Donna Murch argues that the Black Panther Party (BPP) started with a study group. Drawing on oral history and untapped archival sources, she explains how a relatively small city with a recent history of African American settlement produced such compelling and influential forms of Black Power politics.During an era of expansion and political struggle in California's system of public higher education, black southern migrants formed the BPP. In the early 1960s, attending Merritt College and other public universities radicalized Huey Newton, Bobby Seale, and many of the young people who joined the Panthers' rank and file. In the face of social crisis and police violence, the most disfranchised sectors of the East Bay's African American community--young, poor, and migrant--challenged the legitimacy of state authorities and of an older generation of black leadership. By excavating this hidden history,Living for the Citybroadens the scholarship of the Black Power movement by documenting the contributions of black students and youth who created new forms of organization, grassroots mobilization, and political literacy.

This work tells the story of Cambodians whose route takes them from refugee camps to California's inner-city and high-tech enclaves. We see these refugees becoming new citizen-subjects through a dual process of being made and self-making, balancing religious salvation and entrepreneurial values.

Fleeing the murderous Pol Pot regime, Cambodian refugees arrive in America as at once the victims and the heroes of America's misadventures in Southeast Asia; and their encounters with American citizenship are contradictory as well. Service providers, bureaucrats, and employers exhort them to be self-reliant, individualistic, and free, even as the system and the culture constrain them within terms of ethnicity, race, and class. Buddha Is Hiding tells the story of Cambodian Americans experiencing American citizenship from the bottom-up. Based on extensive fieldwork in Oakland and San Francisco, the study puts a human face on how American institutions-of health, welfare, law, police, church, and industry-affect minority citizens as they negotiate American culture and re-interpret the American dream. In her earlier book,Flexible Citizenship,anthropologist Aihwa Ong wrote of elite Asians shuttling across the Pacific. This parallel study tells the very different story of \"the other Asians\" whose route takes them from refugee camps to California's inner-city and high-tech enclaves. InBuddha Is Hidingwe see these refugees becoming new citizen-subjects through a dual process of being-made and self-making, balancing religious salvation and entrepreneurial values as they endure and undermine, absorb and deflect conflicting lessons about welfare, work, medicine, gender, parenting, and mass culture. Trying to hold on to the values of family and home culture, Cambodian Americans nonetheless often feel that \"Buddha is hiding.\" Tracing the entangled paths of poor and rich Asians in the American nation, Ong raises new questions about the form and meaning of citizenship in an era of globalization.

Challenged by Ku Klux Klan action in the '20s, labor protests culminating in a general strike in the '40s, and the rise of the civil rights and black power struggles of the '60s, Oakland, California, seems to encapsulate in one city the broad and varied sweep of urban social movements in twentieth-century America. Taking Oakland as a case study of urban politics and society in the United States, Chris Rhomberg examines the city's successive episodes of popular insurgency for what they can tell us about critical discontinuities in the American experience of urban political community.

\"Once upon a time, Alex Abramovich and Trevor Latham were mortal enemies: miniature outlaws in a Long Island elementary school, perpetually at each other's throats. Then they lost track of each other. Decades later, when they met again, Abramovich was a writer and Latham had become president of the East Bay Rats, a motorcycle club in Oakland. In 2010, Abramovich moved to California to immerse himself in Latham's world--one of fight clubs, booze-filled nights, and beat-downs on the city's streets. But dangerous, dysfunctional Oakland was also becoming one of America's most rapidly gentrifying cities, and the questions Abramovich had arrived with were thrown into brutal relief: How do we live with the burden of violence? How do we overcome it? Do we overcome it? As Trevor, the Rats, and the city they live in careen between crises and moments of renaissance, Abramovich explores issues of friendship, family, history, and destiny--and looks at what happens when those things fail\"-- Provided by publisher.

The Color of Poweris a fascinating examination of the changing politics of race in Oakland, California. Oakland has been at the forefront of California's multicultural changes for decades. Since the 1960s, the city has been a shining example of a fruitful liberal black-and-white political partnership and the successful incorporation of black politicians into the political landscape. But over the past forty years, the balance of power has changed as a consequence of dramatic demographic trends and economic circumstances. The city's formerly dominant biracial political machine has been challenged by the demands of new multiracial interests. The city, once governed by a succession of black mayors and majority black city councils, must now accommodate rapidly growing Asian and Latino communities. While the black-led coalition still relies on white progressive support, this alliance has weakened due to a shift in the progressives' agenda and the voting habits of the black community, the rise of a Hispanic-Asian coalition, and a strong demographic decline of the African American population. With similar demographic changes taking place across the nation, Oakland's experience provides insight in to the multiracial future of other American cities. The Color of Powerinvestigates Oakland's contemporary racial politics with a detailed study of conflicts over issues like education, elections and political representation, and crime. Trained as a journalist, a political scientist, and a geographer, the author provides a unique perspective supported by numerous maps and extensive interviews. Winner of awards from the French Society of Geography and the French National Academy of Sciences

\"For three decades, William Wong has been America's most energetic and entertaining chronicler of the Asian diaspora and its effects on politics, culture, business, sports, dress, diet, and language.

\"For three decades, William Wong has been America's most energetic and entertaining chronicler of the Asian diaspora and its effects on politics, culture, business, sports, dress, diet, and language. Like other great humorists, he exposes the painful absurdities that plague each new wave of immigrant families as they enrich the national character, from Wong's own adventurous parents to Tiger Woods. Some of these pieces offer surprising insights on geopolitics and others explore the legal and social consequences of racial discrimination, but my favorites are the playful essays, including the classic 'So That's Why I Can't Lose Weight.' \" --Jay Mathews, Washington Post reporter and columnist, and author of Class Struggle Who are Asian Americans? Are they the remnants of the \"yellow peril\" portrayed in the media through stories on Asian street gangs, unscrupulous political fundraisers, and crafty nuclear spies? Or are they the \"model minority\" that the media present as consistently outranking European Americans in math scores and violin performances? In this funny, sobering, and always enlightening collection, journalist William Wong comments on these and other anomalies of the Asian American experience. From its opening tribute to the Oakland Chinatown of Wong's childhood to its closing tribute to Tiger Woods, Yellow Journalist portrays the many-sided legacies of exclusion and discrimination. The stories, columns, essays, and commentaries in this collection tackle such persistent problems as media racism, criminality, inter-ethnic tensions, and political marginalization. As a group, they make a strong case for the centrality of the Asian American historical experiences in U.S. race relations. The essays cover many subjects, from the personal to policy, from the serious to the silly. You will learn a little Asian American history and a lot about the nuances and complexities of the contemporary Asian American experience. If there is an overriding theme of these stories and essays, it is the multi-faceted adaptation of ethnic Asians to the common American culture, the intriguing roles that they play in our society, and the quality of their achievements to contribute to a better society. Bill Wong's high school journalism teacher took him aside during his senior year and told him he would have to be \"twice as good\" to succeed at his chosen profession. Succeed he did, and \"twice as good\" he is. As Darrell Hamamoto remarks in his Foreword, \"'Chinaman,' Chinese American, Asian American; any way you slice it, Bill Wong is one straight-up righteous Yellow Man.\" \"One of the advantages of having a writer of Bill Wong's talent around is that we don't have to depend upon intermediaries and go-betweens to give us insights about issues affecting Asian-Americans. He is often entertaining, and ironic, but underneath it all is a serious mind devoted to shattering myths about one of our fastest growing minorities.\" --Ishmael Reed, author of The Reed Reader \"It is about time that America meet William Wong--an icon in journalism whose experience as a second generation Chinese-American has given him a unique lens through which life in America can be examined. For almost two decades, his columns in the Oakland Tribune and other San Francisco bay area newspapers have captured a different kind of reality about some of our most important social, cultural, and political moments. Wong's readiness to share his family, his community, and his conscience allows readers to cross a bridge into the world of Asian America. Whether it is an analysis of the 1996 campaign finance scandals or a perspective on how parent pressures and bi-cultural conflicts can play out in a young Asian American teen's life, Wong's skillful weaving of humor, irony, and poignant portrayals of the circumstances make each story linger long past the final sentence of his essay.\" --Angela E. Oh, Lecturer/Former Advisory Board Member, President's Initiative on Race \"...an anthology of Wong's best writing from the last decade and a half, covering an impressive array of topics and tone.\" --Asianweek