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4 result(s) for "Ojibwa literature-History and criticism"
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Bawaajimo
Bawaajimo:A Dialect of Dreams in Anishinaabe Language and Literaturecombines literary criticism, sociolinguistics, native studies, and poetics to introduce an Anishinaabe way of reading. Although nationally specific, the book speaks to a broad audience by demonstrating an indigenous literary methodology. Investigating the language itself, its place of origin, its sound and structure, and its current usage provides new critical connections between North American fiction, Native American literatures, and Anishinaabe narrative. The four Anishinaabe authors discussed in the book, Louise Erdrich, Jim Northrup, Basil Johnston, and Gerald Vizenor, share an ethnic heritage but are connected more clearly by a culture of tales, songs, and beliefs. Each of them has heard, studied, and written in Anishinaabemowin, making their heritage language a part of the backdrop and sometimes the medium, of their work. All of them reference the power and influence of the Great Lakes region and theAnishinaabeakiing, and they connect the landscape to the original language. As they reconstruct and deconstruct theaadizookaan, the traditional tales of Nanabozho and other mythic figures, they grapple with the legacy of cultural genocide and write toward a future that places ancient beliefs in the center of the cultural horizon.
Anishinaabe Songs for a New Millennium
Poem-songs summon the voices of Anishinaabe ancestors and sing to future generations The ancestors that walk with us, sing us our song. When we get quiet enough, we can hear them sing and make them audible to people today. In Anishinaabe Songs for a New Millennium, Marcie R. Rendon, a member of the White Earth Nation, summons those ancestors' songs, and so begins the dream singing for generations yet to come. \"The Anishinaabe heard stories in their dream songs,\" Ojibwe author Gerald Vizenor wrote, and like those stories once inscribed in pictographs on birch-bark scrolls, Rendon's poem-songs evoke the world still unfolding around us, reflecting our place in time for future generations. Through dream-songs and poem-songs responding to works of theater, choral music, and opera, Rendon brings memory to life, the senses to attention-to see the moonbeams blossoming on the windowsill, to feel the hold of the earth, to hear the echo of grandmother's breath, to lie on the bones of ancestors and feel the rhythms of silence running deep. Her singing, breaking the boundaries that time would impose, carries the Anishinaabe way of life and way of seeing forward in the world.
Louise Erdrich
The first comprehensive treatment of Louise Erdrich's writing in all its diversity. This book offers searching analysis of the common themes and contexts across Erdrich's poetry, prose, memoirs, and children's fiction.