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"Organ (Musical instrument)"
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Johann Scheibe
In his nearly forty-year career, Johann Scheibe became Leipzig's
most renowned organ builder and one of the late Baroque's masters
of the craft. Johann Sebastian Bach and Johann Kuhnau considered
Scheibe a valued colleague. Organists and civic leaders shared
their high opinion, for Scheibe built or rebuilt every one of the
city's organs.
Drawing on extensive research and previously untapped archival
materials, Lynn Edwards Butler explores Scheibe's professional
relationships and the full range of his projects. These assignments
included the three-manual organ for St. Paul's Church, renovations
of the organs in the important churches of St. Thomas and St.
Nicholas, and the lone surviving example of Scheibe's craft, a
small organ in the nearby village of Zschortau. Viewing Scheibe
within the context of the era, Butler illuminates the music scene
of Bach's time as she follows the life of a gifted craftsman and
his essential work on an instrument that anchored religious musical
practice and community.
eBook
Bach's Feet
The organist seated at the king of instruments with thousands of pipes rising all around him, his hands busy at the manuals and his feet patrolling the pedalboard, is a symbol of musical self-sufficiency yielding musical possibilities beyond that of any other mode of solo performance. In this book, David Yearsley presents a new interpretation of the significance of the oldest and richest of European instruments, by investigating the German origins of the uniquely independent use of the feet in organ playing. Delving into a range of musical, literary and visual sources, Bach's Feet demonstrates the cultural importance of this physically demanding mode of music-making, from the blind German organists of the fifteenth century, through the central contribution of Bach's music and legacy, to the newly-pedaling organists of the British Empire and the sinister visions of Nazi propagandists.
eBook
Music and Religion in the Spiritual World of the Hungarian Aristocracy: The Case of Count Anton Erdődy (1714–1769)
This study deals with the forms and expressions of the Christian piety of the Hungarian aristocracy in the early modern period on the example of Anton Erdődy (1714–1769), a representative of one of the most influential and most ancient Hungarian–Croatian noble families. The personal piety of this socially high-ranking aristocrat was shaped by familial, social, and spiritual traditions, which determined the nature of his artistic patronage. The unique Baroque organ preserved in the chapel of his no longer existing mansion in Trenčianske Bohuslavice, Slovakia (former Bohuslavice, Upper Hungary) is a magnificent manifestation of this patronage. The reconstruction of Anton Erdődy’s idea of the spiritual world and of his piety enables us to formulate a hypothesis that the atypical architectural and structural design of this organ did not result only from the aesthetic requirements of its commissioner, but also had a theological foundation and religious essence in addition to its visual effect. This study is the result of extensive heuristic research and analysis of sources and extant artefacts using the methods of music historiography.
Journal Article
The organ as a mirror of its time : north European reflections, 1610-2000
Because it has always represented a rich collaboration of the music, art, architecture, handicraft and science of its day, the organ, more than any other instrument, continues to reflect the spirit of the age in which it was built.
eBook
