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result(s) for
"Orgue, Musique d"
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Some of “the harmony of Maine” (Supply Belcher)
by
Cage, John
in
Organ music
2013
This release is the first complete recording of all of Cage's works for organ, plus 4'33. The organ is ideally suited to Cage’s aesthetic — its multitude of stops make it the ultimate prepared instrument. The fact that sound emanates from a number of pipes placed at discrete locations in space nicely accords with Cage's idea of the separation of sounds in space. And it represents vast possibilities that could be released as sound through the use of chance operations. For this reason Cage's organ music occupies a small but quite important place within his output.
Streaming Video
4’33
by
Cage, John
in
Organ music
2013
This release is the first complete recording of all of Cage's works for organ, plus 4'33. The organ is ideally suited to Cage’s aesthetic — its multitude of stops make it the ultimate prepared instrument. The fact that sound emanates from a number of pipes placed at discrete locations in space nicely accords with Cage's idea of the separation of sounds in space. And it represents vast possibilities that could be released as sound through the use of chance operations. For this reason Cage's organ music occupies a small but quite important place within his output.
Streaming Video
Organ2/ASLSP
by
Cage, John
in
Organ music
2013
This release is the first complete recording of all of Cage's works for organ, plus 4'33. The organ is ideally suited to Cage’s aesthetic — its multitude of stops make it the ultimate prepared instrument. The fact that sound emanates from a number of pipes placed at discrete locations in space nicely accords with Cage's idea of the separation of sounds in space. And it represents vast possibilities that could be released as sound through the use of chance operations. For this reason Cage's organ music occupies a small but quite important place within his output.
Streaming Video
The Works for Organ : Souvenir
by
Cage, John
in
Organ music
2013
This release is the first complete recording of all of Cage's works for organ, plus 4'33. The organ is ideally suited to Cage’s aesthetic — its multitude of stops make it the ultimate prepared instrument. The fact that sound emanates from a number of pipes placed at discrete locations in space nicely accords with Cage's idea of the separation of sounds in space. And it represents vast possibilities that could be released as sound through the use of chance operations. For this reason Cage's organ music occupies a small but quite important place within his output.
Streaming Video
Improvisation sur l'art de la fugue
2010
This is a performance of La soiree interdite: L'ensemble La Fenice fete ses 20 ans, performed by Ensemble La Fenice and conducted by Jean Tubery.
Streaming Video
Bach's Feet
The organist seated at the king of instruments with thousands of pipes rising all around him, his hands busy at the manuals and his feet patrolling the pedalboard, is a symbol of musical self-sufficiency yielding musical possibilities beyond that of any other mode of solo performance. In this book, David Yearsley presents a new interpretation of the significance of the oldest and richest of European instruments, by investigating the German origins of the uniquely independent use of the feet in organ playing. Delving into a range of musical, literary and visual sources, Bach's Feet demonstrates the cultural importance of this physically demanding mode of music-making, from the blind German organists of the fifteenth century, through the central contribution of Bach's music and legacy, to the newly-pedaling organists of the British Empire and the sinister visions of Nazi propagandists.