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"PLANTATION"
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A tale of two plantations : slave life and labor in Jamaica and Virginia
\"This book reconstructs the individual lives and collective experiences of some 2,000 slaves on two plantations--Mesopotamia sugar estate in western Jamaica and Mount Airy Plantation in tidewater Virginia--during the final three generations of slavery in Jamaica and the USA. It also compares Mesopotamia with Mount Airy to demonstrate the differences between slave life in the British West Indies and slave life in the Antebellum US South. The chief difference was demographic. Mesopotamia had a continually shrinking slave population, with many more deaths than births, which was standard throughout the British Caribbean. Mount Airy had a continually expanding slave population, with many more births than deaths, which was standard throughout the Old South. At Mesopotamia the slaveholders imported their laborers from Africa, worked them to death and replaced them with new Africans, so that family life was perpetually stunted. At Mount Airy, where the slaves were all American-born, the slaveholders sold their surplus people or moved them to distant work sites, so that families were routinely broken up. On both plantations numerous individual slaves are observed in action, a mix of leaders and followers, rebels and conformists. A principal theme is slave motherhood and intergenerational family formation; another is the impact of field labor upon health and longevity. The Mesopotamia people engaged with Moravian missionaries and responded to two major Jamaican slave rebellions, while 218 of the Mount Airy people migrated to Alabama as cotton hands. The book concludes with emancipation in Jamaica and the USA. Never before have two slave communities from differing regions in America been portrayed over a long time period in such full detail\"-- Provided by publisher.
Book
Effect of Continuous Planting on Tree Growth Traits and Growth Stress in Plantation Forests of IEucalyptus urophylla × E. grandis/I
Continuous planting is the primary method for managing Eucalyptus plantations. The “space-replacing time” approach assesses growth parameters of Eucalyptus trees in China across generations, including height, diameter at breast height (DBH), slenderness ratio, trunk oblateness, and longitudinal growth strain. The findings reveal: (1) significant variations in growth strain occur among generations, with average strain increasing noticeably; and (2) growth-linked traits of Eucalyptus urophylla × E. grandis are impacted, with negative correlation between slenderness ratio and growth strain, and positive correlation between height and trunk oblateness. Factors influencing growth strain include height, slenderness, and surface longitudinal growth strain at breast height, with strong correlations observed. These parameters serve as growth strain indicators. Continuous planting affects growth traits and strain in Eucalyptus plantations. It is advisable to select trees with stable or slow growth rates and to avoid continuous planting without limits.
Journal Article
Conquistadora : a novel
Drawn to the exotic island of Puerto Rico by the diaries of an ancestor who traveled there with Ponce de Leâon, Ana Cubillas becomes involved with enamored twin brothers Ramâon and Inocente before convincing them to claim a sugar plantation they have inherited.
Book
Out of the House of Bondage
The plantation household was, first and foremost, a site of production. This fundamental fact has generally been overshadowed by popular and scholarly images of the plantation household as the source of slavery's redeeming qualities, where 'gentle' mistresses ministered to 'loyal' slaves. This book recounts a very different story. The very notion of a private sphere, as divorced from the immoral excesses of chattel slavery as from the amoral logic of market laws, functioned to conceal from public scrutiny the day-to-day struggles between enslaved women and their mistresses, subsumed within a logic of patriarchy. One of emancipation's unsung consequences was precisely the exposure to public view of the unbridgeable social distance between the women on whose labor the plantation household relied and the women who employed them. This is a story of race and gender, nation and citizenship, freedom and bondage in the nineteenth century South; a big abstract story that is composed of equally big personal stories.
eBook
Sorghum at The Plantation, a farm in Premer, New South Wales
Sorghum at The Plantation, a farm in Premer, New South Wales
Streaming Video
Lowcountry summer
\"On the occasion of her 46th birthday, Caroline Wimbley Levine is concerned about filling the large shoes of her late, force-of-nature mother, Miss Lavinia, the former Queen of Tall Pines Plantation. Still, Caroline loves a challenge - and she simply will not be fazed by the myriad family catastrophes surrounding her. She'll deal with brother Trip's tricky romantic entanglements, son Eric and his mysterious girlfriend, and go toe-to-toe with alcoholic Frances Mae and her four hellcats without batting an eye, becoming more like Miss Lavinia every day ... which is not an entirely good thing\" -- Cover verso.
Book
Tom Simson works in a sorghum field at The Plantation
Tom Simson works in a sorghum field at The Plantation
Streaming Video
The botanical afterlife of indenture: Mehndi as imaginative visual archive
This article presents artwork from the project, 'The botanical afterlife of indenture: Mehndi as imaginative visual archive', which memorializes the legacy of Indian indenture by recording the flora brought by indentured workers as they exist in the midst of contemporary social life and in the region's landscape. In the project, mehndi works as a decolonializing and embodied, post-indenture feminist aesthetic praxis and a method for contributing to a new world visual archive. Indo-Caribbean imaginative visual archives can challenge gendered and racialized exclusions in colonial and creole visual representations, and can instead image indenture and post-indenture histories in ways that are accessible, inclusive, consensual and popular; connecting all in the Caribbean and its diaspora to the afterlife of indenture. The article reflects on the images produced, how they echo biographical and fictional writing, and how they critically engage with the orientalising lens of colonial-era photography. In presenting these original designs of a botanical imaginary, the project aims to transform mehndi in post-indenture sites so that art forms which are both traditional and contemporary can be seen as post-plantation techniques for making memory-work an act of beauty. Inspired by his scholarship and encouragement, the project is dedicated to beloved Professor Emeritus Brinsley Samaroo. KEYWORDS mehndi, afterlife of indenture, visual counter-archive, botanical imaginary, Indo-Caribbean feminism, post-indenture feminist praxis, embodiment, mothering
Journal Article