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This collection of rebellious poems are a reflection of Macedonian poet Ilja Kostovski's travels across the United States, as well as his interpretations of God's purpose for man. Written over the course of a decade from the late 1970s, this work arose out of Kostovski's immersion in the 1978 San Francisco poetry scene and his experience of living in the Shaw district of Washington, DC during the 1980s.

LONGLISTED FOR THE LAUREL PRIZE God Complex is a sweeping and corrosive epic, a narrative poem that tells the story of the breakdown of a relationship against a backdrop of progressive environmental degradation.A grieving body moves through states of toxicity, becoming an instrument for measuring the impact of pollutants.

Farewell and a Handkerchief-Poems from the Road is a collection that reflects on the month-long travels of Czech poet Vìtezslav Nezval through Vienna, Paris, southern France, and Italy. During this journey, on May 9, 1933, Nezval had a chance encounter with two of the surrealist movement's most influential poets-André Breton and Paul Éluard-while sitting at the Cardinal Café on the Grands Boulevards in Paris, a meeting that proved transformative. After returning home, Nezval helped found the Czech Surrealist Group, along with Karel Teige, Jindrich Stýrský, and Toyen. It became the only official group of its kind outside of France.  

Mahmoud Darwish is a literary rarity: at once critically acclaimed as one of the most important poets in the Arabic language, and beloved as the voice of his people. A legend in Palestine, his lyrics are sung by fieldworkers and schoolchildren. He has assimilated some of the world's oldest literary traditions while simultaneously struggling to open new possibilities for poetry. This collection spans Darwish's entire career, nearly four decades, revealing an impressive range of expression and form. A splendid team of translators has collaborated with the poet on these new translations, which capture Darwish's distinctive voice and spirit. Fady Joudah's foreword, new to this edition, addresses Darwish's enduring legacy following his death in 2008.

Robert Creeley is one of the most celebrated and influential American poets. A stylist of the highest order, Creeley imbued his correspondence with the literary artistry he brought to his poetry. Through his engagements with mentors such as William Carlos Williams and Ezra Pound, peers such as Charles Olson, Robert Duncan, Denise Levertov, Allen Ginsberg, and Jack Kerouac, and mentees such as Charles Bernstein, Anselm Berrigan, Ed Dorn, Susan Howe, and Tom Raworth, Creeley helped forge a new poetry that re-imagined writing for his and subsequent generations. This first-ever volume of his letters, written between 1945 and 2005, document the life, work, and times of one of our greatest writers, and represent a critical archive of the development of contemporary American poetry, as well as the changing nature of letter-writing and communication in the digital era.

Becker celebrates the interconnectedness of creatures and places-never losing sight that much will turn out precarious, illusory, provisional. These poems speak, in ardent voices, about our affinities: an articulate, black bear mourns habitat loss; a frail man and failing dog become one; a scientist and her African grey parrot research language acquisition for thirty years. Ecologies interlace, as when a troubled family \"sacrifices one member,/ as plants surrender leaves in times of drought.\" Becker responds with rage and wit to corporate excess and intractable geo-politics. Love and friendship empower in wry narratives, though time \"mows\" down our days, though we may never escape \"original cruelties.\" Tragedies permeating our enmeshed, global identities haunt the book: the massacre of gay youth in Orlando; the terrors facing Cambodian teenagers working fishing boats. Wise, capacious, by turns unsettling and joyous,The Black Bear Inside Meincorporates histories and losses into a luminous present.

This definitive biography gives a brilliant account of the life and art of Robert Duncan (1919–1988), one of America’s great postwar poets. Lisa Jarnot takes us from Duncan’s birth in Oakland, California, through his childhood in an eccentrically Theosophist household, to his life in San Francisco as an openly gay man who became an inspirational figure for the many poets and painters who gathered around him. Weaving together quotations from Duncan’s notebooks and interviews with those who knew him, Jarnot vividly describes his life on the West Coast and in New York City and his encounters with luminaries such as Henry Miller, Anaïs Nin, Tennessee Williams, James Baldwin, Paul Goodman, Michael McClure, H.D., William Carlos Williams, Denise Levertov, Robert Creeley, and Charles Olson.

The latest volume of the Yale Series of Younger Poets explores love, grief, the opioid epidemic, and coming of age  \"These poems name the hurt wrought upon the meek that makes the elegy, here, as much an exaltation of the living as a mournful dirge for the land.\"-Major Jackson, Vanderbilt University   The 116th volume of the Yale Series of Younger Poets, Robert Wood Lynn's collection of poems explores the tensions of youth and the saturation points of knowledge: those moments when the acquisition of understanding overlaps with regret and becomes a desire to know less. Comprising poems of place set across the Virginias, this collection includes an episodic elegy exploring the opioid crisis in the Shenandoah Valley as well as a separate series of persona poems reimagining the Mothman (West Virginia's famed cryptid) reluctantly coming of age in that state's mountains and struggling with the utility of warnings. These are narrative poems of love and grief, built from a storytelling tradition. Taken together they form an arc encompassing the experience of growing up, looking away, and looking back.

This first full-length biography of Anglo- American poet and activist Denise Levertov (1923-1997) brings to life one of the major voices of the second half of the twentieth century, when American poetry was a powerful influence worldwide. Drawing on exhaustive archival research and interviews with 75 friends of Levertov, as well as on Levertov's entire opus, Donna Krolik Hollenberg's authoritative biography captures the full complexity of Levertov as both woman and artist, and the dynamic world she inhabited. She charts Levertov's early life in England as the daughter of a Russian Hasidic father and a Welsh mother, her experience as a nurse in London during WWII, her marriage to an American after the war, and her move to New York City where she became a major figure in the American poetry scene. The author chronicles Levertov's role as a passionate social activist in volatile times and her importance as a teacher of writing. Finally, Hollenberg shows how the spiritual dimension of Levertov's poetry deepened toward the end of her life, so that her final volumes link lyric perception with political and religious commitment.