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2,663 result(s) for "Painting, Canadian."
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David Alexander
In Canada, it can be easy to consider landscape painting as cliché, an art form whose time has passed. David Alexander's vibrant, large-scale works show the wonder and possibility that remain undiminished in paintings of the natural environment and breathe new life into the landscape tradition. Gathering together six essays on Alexander, this book provides insight into Alexander's inspiration, creative drive, and the unique engagement with nature that has led him to seek out and paint remote locales across Canada and as far away as Greenland, Iceland, New Mexico, and Argentina. Award-winning writer Sharon Butala contributes an extended meditation on her first encounter with the artist and his work. An interview with Robert Enright reveals Alexander's engagement with tradition, and texts by the late Gilbert Bouchard, Ihor Holubizky, Aðalsteinn Ingólfsson, and Liz Wylie, present a variety of insights into understanding and appreciating his art. A detailed chronology of Alexander's career is included. Reproductions of his major works appear throughout and the essays are illustrated with preliminary paintings and working sketches, conveying insight into his creative process. A valuable discovery for those interested in nature and its artistic renderings, Alexander's art is about conveying an immersion in the landscape. This book allows a similar presence within his lushly painted landscapes, imparting an intimate understanding of his art.
I Could See Everything
A first catalog--of an imaginary exhibition at an imaginary gallery--from a rising art star.
Canadian painters in a modern world 1925-1955 : writings and reconsiderations
\"A window onto the perspectives of Canadian artists during three eventful decades of local and global history. From the Roaring Twenties and the Group of Seven to the Automatistes and the early Cold War, Canadian artists lived through and embodied an era of global tumult and change. With an interweaving of historical narrative, lavish illustrations, and writings by many of Canada's most revered cultural figures, Lora Senechal Carney illuminates the lives, perspectives, and works of the era's painters and provides glimpses of the sculptors, poets, dancers, critics, and filmmakers with whom they associated. Canadian Painters in a Modern World gives readers direct access to a carefully curated selection of writings, artwork, photos, and other documents that help to reconstruct the public spheres in which artists including Paul-âEmile Borduas, Emily Carr, Alex Colville, Lawren Harris, David Milne, and Pegi Nicol MacLeod circulated. Each of the book's eight chapters consists of a narrative about a key issue or debate, consistently focusing on the relationship of art to politics and society, and on how these are negotiated in an individual's life. Relating artistic engagement with and responses to the Spanish Civil War, the Second World War, and the Cold War, Senechal Carney discovers a common desire for new connections between art and life before the atomic era. Revealing continuities, ruptures, and watershed moments, Canadian Painters in a Modern World showcases artistic production within specific socio-political contexts to shed new light on Canadian art during three decades of conflict and crisis.\"-- Provided by publisher.
The Logic of Ecstasy
In focusing on those works, writings, as well as painting, which do reflect their fascination with spiritual issues, we are able to se how these artists tried, in very individual ways, to delineate their visions of eternal life.
Jack Shadbolt and the Coastal Indian Image
Here is Marjorie Halpin's insightful exploration of Aboriginal motifs in Jack Shadbolt's painting, which reveal his emotional sympathy with Coastal peoples and anticipates the cultural quickening of Aboriginal Canadian society in recent years.