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Postcolonial Witnessing argues that the suffering engendered by colonialism needs to be acknowledged more fully, on its own terms, in its own terms, and in relation to traumatic First World histories if trauma theory is to have any hope of redeeming its promise of cross-cultural ethical engagement.

Combining analysis with detailed accounts of authors' careers and the global trade in literature, this book assesses how postcolonial writers respond to their own reception and niche positioning, parading their exotic otherness to metropolitan audiences, within a global marketplace.

Via readings of novels by J.M. Coetzee, Timothy Mo and Salman Rushdie and the later poetry of W.B. Yeats, this book reveals how postcolonial writing can encourage the enlarged sense of moral and political responsibility needed to supplant ongoing forms of imperial violence with cosmopolitan institutions, relationships and ways of thinking.

The Postcolonial Cultural Industry makes a timely intervention into the field of postcolonial studies by unpacking its relation to the cultural industry. It unearths the role of literary prizes, the adaptation industry and the marketing of ethnic bestsellers as new globalization strategies that connect postcolonial artworks to the market place.

Using case studies, this book explores the publishing of African literature, addressing the construction of literary value, relationships between African writers and British publishers, and importance of the African market. It analyses the historical, political and economic conditions framing the emergence of postcolonial literature.

01 02 Death in a Cold Climate is a celebration and analysis of Scandinavian crime fiction, one of the most successful literary genres. Barry Forshaw, the UK's principal expert on crime fiction, discusses books, films and TV adaptations, from Sjöwall and Wahlöö's influential Martin Beck series through Henning Mankell's Wallander to Stieg Larsson's demolition of the Swedish Social Democratic ideal in the publishing phenomenon The Girl with the Dragon Tattoo . In intelligent but accessible fashion, the book examines the massive commercial appeal of the field along with Nordic cultural differences from Iceland to Denmark. Including unique interview material with writers, publishers and translators, this is the perfect reader's guide to the hottest strand of crime fiction today, examined both as a literary form and as an index to the societies it reflects. Includes Stieg Larsson, Henning Mankell, Jo Nesbø, Håkan Nesser, Karin Fossum, Camilla Läckberg, Liza Marklund, Jussi Adler-Olsen, Arnaldur Indriðason, Roslund & Hellströmand many others. 04 02 Acknowledgments Introduction Crime and the Left The Cracks Appear: Henning Mankell Sweden: The Dream Darkens Sweden: Foreign Policy and Unreliable Narratives Last Orders: The Larsson Phenomenon The Fight Back: Anti-Larsson Writers Criminals and Criminologists Norway: Crime and Context Norway and Nesbø Iceland: Crime and Context Fringe Benefits: Icelandic Woes Finland: Crime and Context Death in Denmark Danish Uncertainties Film and TV Adaptations Bibliography Index 31 02 A celebration and analysis of Scandinavian crime fiction, one of the most successful literary genres, with a focus on books, films and TV adaptations of authors such as Stieg Larsson. 08 02 'Extensive, penetrating and intelligently written, Barry Forshaw's book is the most fulfilling work on the strange genre of Nordic Noir I have ever encountered.' - Håkan Nesser, author of The Inspector and Silence 'Death in a Cold Climate is a comprehensive and authoritative guide to the fictional underbelly of the Nordic psyche, whose popularity has become the publishing sensation of the century. Perceptive, witty and awesomely well-researched.' - Andrew Taylor, author of The American Boy 'Far more than a checklist, this is the essential guide through the snowdrifts of Nordic Noir.' Val McDermid, author of The Wire in the Blood 'With customary depth and precision, Forshaw gets under the skin of this celebrated genre, uncovering many of its secrets and riches. Like its subjects, this book is hard to put down, and will undoubtedly be returned to time and again.' - Dr Steven Peacock, University of Hertfordshire, UK 'A fascinating, comprehensive and very enjoyable overview of the publishing phenomenon that is Nordic noir, placing it in a cultural and historical context, with insightful contributions from writers, translators and editors - an essential reading guide for lovers of the crime genre.' - Laura Wilson, crime fiction critic, The Guardian 'The sudden triumphant rise of Nordic mystery stories is a fascinating puzzle of modern literature. With forensic intelligence, captivating characters, riveting clues and sub-plots, Barry Forshaw investigates and satisfyingly explains what happened.' - Mark Lawson 'Not a stone is left unturned in Barry Forshaw's witty, encyclopedic investigation into the fictional crimes that have made Scandinavia the most talked about region in the world of books. Death in a Cold Climate is a unique and admirable personal testament to the writers, translators and publishers who have dedicated themselves to introducing Scandinavian crime fiction, its many languages and cultures, to the English speaking world. If upon turning the last page of Forshaw's book you are not immediately heading for the nearest bookstore to buy up every Scandinavian crime novel on its shelves, you were probably not meant to read this book in the first place.' - Jakob Stougaard-Nielsen, University College London, UK 'What Barry Forshaw doesn't know about crime fiction, to borrow an old phrase, isn't worth knowing. A journalist, chronicler of the genre, and talking head for the CWA Awards, with Death in a Cold Climate he covers in depth the extraordinarily popular sub-genre that is Nordic noir...Through interviews with authors and translators, Forshaw offers in-depth takes on the cream of the Nordic crop...an informative and educational effort from perhaps the nation's leading expert in the field.' - Dennis O'Donnell, bookgeeks.co.uk 'Death in a Cold Climate is both intelligent and perceptive. Humble it is not. It is, to my knowledge, the most complete guide to Scandinavian crime fiction yet written in any language, an invaluable companion for anyone interested in the genre.' - Mons Kallentoft, Financial Times 02 02 Barry Forshaw, the UK's principal crime fiction expert, presents a celebration and analysis of the Scandinavian crime genre; from Sjöwall and Wahlöö's Martin Beck series, through Henning Mankell's Wallander, to Stieg Larsson's demolition of the Swedish Social Democratic ideal in the publishing phenomenon The Girl with the Dragon Tattoo . 16 02 Arvas & Nestingen (eds): SCANDINAVIAN CRIME FICTION (EUROPEAN CRIME FICTIONS SERIES); University of Wales Press, forthcoming 2011 (pbk £24.99) This is the only study in English of Nordic crime fiction.  It is an edited volume exploring the cultural contexts into which Nordic crime fiction fits via thirteen articles on the history, aesthetics, and film and television adaptation of Nordic crime fiction. 19 02 Scandinavian crime fiction is currently one of the most successful popular fiction genres Includes exclusive interview material with authors, translators and publishers of Scandinavian crime fiction This is the first in-depth study of Scandinavian crime fiction Places key authors in their relevant context to explore the ways in which British and American notions of the Nordic democratic ideal have changed Highly experienced and proactive author 13 02 BARRY FORSHAWis a writer and journalist specialising in crime fiction and cinema. His books include The Man Who Left Too Soon: The Life and Works of Stieg Larsson (2010), British Crime Writing: An Encyclopedia (2008), The Rough Guide to Crime Fiction (2007), Italian Cinema: Arthouse to Exploitation (2006) and the forthcoming British Crime Film (2012), and he has contributed to the Directory of World Cinema . He has also written for a variety of national newspapers as well as for Movie Mail , Waterstone's Books Quarterly and Good Book Guide and is editor of the online Crime Time magazine. He is also a talking head for the ITV Crime Thriller author profiles and BBC TV documentaries, and has been Vice Chair of the Crime Writers' Association.

Recasts the commonly dismissed colonial project pursued in Hokkaido during the Meiji era (1868-1912) as a major force in the production of modern Japan's national identity, imperial ideology, and empire.

01 02 Postcolonial Fiction and Disability explores the politics and aesthetics of disability in postcolonial literature. The first book to make sustained connections between postcolonial writing and disability studies, it focuses on the figure of the exceptional child in well-known novels by Grace, Dangarembga, Sidhwa, Rushdie, and Okri. While the fictional lives of disabled child characters are frequently intertwined with postcolonial histories, providing potent metaphors for national 'damage' and vulnerability, Barker argues that postcolonial writers are equally concerned with the complexity of disability as lived experience. The study focuses on constructions of normalcy, the politics of medicine and healthcare, and questions of citizenship and belonging in order to demonstrate how progressive health and disability politics often emerge organically from writers' postcolonial concerns. In reframing disability as a mode of exceptionality, the book assesses the cultural and political insights that derive from portrayals of disability, showing how postcolonial writing can contribute conceptually towards building more inclusive futures for disabled people worldwide. 08 02 'Clare Barker's Exceptional Children is a very timely and distinctive book, which makes a strong ethical argument for a critical negotiation of postcolonial studies and disability studies through some illuminating readings of the figure of the child in postcolonial fiction.' - Stephen Morton, Senior Lecturer in English, University of Southampton. 02 02 This book is the first study of disability in postcolonial fiction. Focusing on canonical novels, it explores the metaphorical functions and material presence of disabled child characters. Barker argues that progressive disability politics emerge from postcolonial concerns, and establishes dialogues between postcolonialism and disability studies. 19 02 First book to focus on postcolonial literature and representations of disability - surprisingly common feature of this kind of literature Brings together critical debates in the fields of postcolonial studies and disability studies Wide-ranging geographical focus of the book – includes discussion of writers from New Zealand, Pakistan, India, Zimbabwe and Nigeria Discusses canonical figures in postcolonial fiction (eg, Rushdie, Okri) 04 02 Acknowledgements Introduction 'Decrepit, Deranged, Deformed': Indigeneity and Cultural Health in Potiki Hunger, Normalcy, and Postcolonial Disorder in Nervous Conditions and The Book of Not Cracking India and Partition: Dismembering the National Body The Nation as Freak Show: Monstrosity and Biopolitics in Midnight's Children 'Redreaming the World': Ontological Difference and Abiku Perception in The Famished Road Conclusion: Growing Up Bibliography Index 13 02 CLARE BARKER Lecturer in English at the University of Birmingham, UK. 31 02 This book explores the representation of disabled children in postcolonial fiction, establishing interdisciplinary engagements between postcolonial studies and disability studies

The first study of English historical plays about the Turks, using works in Greek, Arabic, and Turkish. Drawing on Bakhtin's concept of the dialogic, McJannet shows that instead of adverse authorial commentary playwrights such as Marlowe and Fulke Greville use dialogue and commentary to enhance the sultan's stature and mitigate his negative acts.